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  • Title: Surrealism, History and Revolution

    Surrealism, History and Revolution

    by Simon Baker (Author) 2012
    ©2007 Monographs
  • Title: The Eloquence of Ghosts

    The Eloquence of Ghosts

    Giorgio Manganelli and the Afterlife of the Avant-Garde
    by Florian Mussgnug (Author) 2011
    ©2010 Monographs
  • Title: Translation as Oneself

    Translation as Oneself

    The Re-Creative Modernism in Stéphane Mallarmé’s Late Sonnets, T. S. Eliot’s "Poems</I>, and the Prose Poetry since Charles-Pierre Baudelaire
    by Noriko Takeda (Author) 2015
    ©2015 Monographs
  • Title: Partial Visions

    Partial Visions

    Feminism and Utopianism in the 1970s
    by Angelika Bammer (Author) 2015
    ©2016 Monographs
  • Title: The Evolution of Proust’s «Combray»

    The Evolution of Proust’s «Combray»

    A Genetic Study
    by Maureen A. Ramsden (Author) 2020
    ©2020 Monographs
  • Title: Amongst Women

    Amongst Women

    Literary Representations of Female Homosociality in Belle Epoque France, 1880–1914
    by Giada Alessandroni (Author) 2021
    ©2021 Monographs
  • Title: Stung by Salt and War

    Stung by Salt and War

    Creative Texts of the Italian Avant-Gardist F.T. Marinetti
    ©1987 Others
  • Title: Borges and the European Avant-garde

    Borges and the European Avant-garde

    by Linda S. Maier (Author)
    ©1996 Others
  • Title: Landmarks in German Drama

    Landmarks in German Drama

    by Peter Hutchinson (Volume editor)
    ©2002 Edited Collection
  • Title: Fast Cars and Bad Girls

    Fast Cars and Bad Girls

    Nomadic Subjects and Women’s Road Stories
    by Deborah Paes de Barros (Author)
    ©2004 Monographs
  • Title: Parables of Disfiguration

    Parables of Disfiguration

    Reason and Excess from Romanticism to the Avant-Garde
    by Robert Eisenhauer (Author)
    ©2005 Monographs
  • Title: Pierre Michon

    Pierre Michon

    The Afterlife of Names
    by Patrick Crowley (Author)
    ©2007 Monographs
  • Title: Archeologies of Invective

    Archeologies of Invective

    by Robert Eisenhauer (Author)
    ©2007 Monographs
  • Title: Parody, the Avant-Garde, and the Poetics of Subversion in Oliverio Girondo

    Parody, the Avant-Garde, and the Poetics of Subversion in Oliverio Girondo

    by Patricia M. Montilla (Author)
    ©2007 Monographs
  • Title: Ford Madox Ford

    Ford Madox Ford

    Vision, Visuality and Writing
    by Laura Colombino (Author)
    ©2008 Monographs
  • Title: Compressed Utterances

    Compressed Utterances

    Collage in a Germanic Context after 1912
    by Cole Collins (Volume editor) 2022
    ©2022 Edited Collection
  • Title: The Eloquence of Ghosts

    The Eloquence of Ghosts

    Giorgio Manganelli and the Afterlife of the Avant-Garde
    by Florian Mussgnug (Author) 2023
    ©2023 Monographs
  • Art and Thought / Art et pensée

    Histories of the Avant-Garde / histoires des avant-gardes

    If the past is continually retold in the present, as Walter Benjamin suggests, what can critical perspectives reveal and what do they obscure about the history of our modern time? Art and Thought: Histories of the Avant-Garde revisits and reconceptualises the histories of modernism, avant-gardism and postmodernism. Volumes in the series will each offer a critical perspective developed in response to specific cultural artefacts and their qualities. They will engage with literary, artistic and theoretical works, from the past as well as the present, and explore the interactions between literature, visual art, film and music, including the livre d’artiste. The series showcases work by new as well as established scholars, whether monographs, single- or multi-authored collections of essays, and new editions of salient or neglected primary texts in English or French, including original aesthetic works. Writing on translation as well as in translation is welcome. Walter Benjamin nous rappelle que le passé se dit au présent. Dans quelle mesure la pensée critique permet-elle d’illuminer notre histoire ? La collection Art et pensée : histoires des avant-gardes se propose de penser à nouveaux frais les problématiques liant les esthétiques de la modernité, de l’avant-garde et du postmoderne. Chaque volume répondra aux qualités ponctuelles d'objets esthétiques et culturels considérés par une perspective critique propre. Des œuvres de littérature, d’art et de réflexion y seront abordées, qui souligneront les rapports intimes de l’écriture, du visuel, de la musique, du cinéma. Les livres d’artistes ne seront pas oubliés. La collection présentera, en langue française ou anglaise, le travail critique de chercheurs établis ou en début de carrière. Elle offrira à ses lecteurs des monographies, des collections d’essais, des volumes collectifs, et des éditions nouvelles d’œuvres marquantes ou jusqu’à présent négligées, y compris les œuvres littéraires et esthétiques. Les œuvres en traduction nouvelle tout comme les travaux sur la traduction même seront vivement accueillis.

    6 publications

  • Wor(l)ds of Change: Latin American and Iberian Literature

    "This series deals with the relationship between literary creation and the social, political, and historical contexts in which it is produced. The types of volumes may include critical analyses of one or more works by one or several authors; critical editions of important works that may have been out of print for a long time, but which represent a major contribution to literature of the Iberian Peninsula or Latin America, English translations of important works, with critical introduction. Topics for Latin America include: studies of representative works of nineteenth- and twentieth-century thought, poetic portrayals of history, subgenres (fictionalization of the rural and urban social structures); historical novels; literature of exile; re-readings of colonial texts; new approaches to the figure of the Indian and other representatives of transculturation; women writers and other less studied authors. Topics for Spain and Portugal include: writing and nationalism in the Spanish State; bilingualism and the literary texts; censorship and exile; new and renewed genres such as autobiography and testimony; the formation of the avant-garde. Formal studies are expected to bear out the general contextual focus of the series. The use of recent developments in literary criticism is especially appropriate. The series also seeks to contribute to the understanding and accuracy of interpretation of the writing which has combined European elements with indigenous and African ones as well as to the understanding of the dynamics behind such major cultural issues as the formation of literary trends or subgenres, national identities, the effects of postcolonial status on literary imagination, the appearance and experience of women writers, and the relationships between post-modernism and Ibero-American writing. The series title is inclusive of literatures which are geographically, historically, or politically related and whose comparison is relevant to Spanish and Spanish American writing. This means those written in the other three languages of Spain, in Portugal, and Brazil. Comparative studies in which colonial or post colonial themes are prevalent may also be appropriate, if one of the literatures is in either Spanish or Portuguese. The breadth of the geographical area is intended to provide a forum for revealing and interpreting its multicultural aspects." "This series deals with the relationship between literary creation and the social, political, and historical contexts in which it is produced. The types of volumes may include critical analyses of one or more works by one or several authors; critical editions of important works that may have been out of print for a long time, but which represent a major contribution to literature of the Iberian Peninsula or Latin America, English translations of important works, with critical introduction. Topics for Latin America include: studies of representative works of nineteenth- and twentieth-century thought, poetic portrayals of history, subgenres (fictionalization of the rural and urban social structures); historical novels; literature of exile; re-readings of colonial texts; new approaches to the figure of the Indian and other representatives of transculturation; women writers and other less studied authors. Topics for Spain and Portugal include: writing and nationalism in the Spanish State; bilingualism and the literary texts; censorship and exile; new and renewed genres such as autobiography and testimony; the formation of the avant-garde. Formal studies are expected to bear out the general contextual focus of the series. The use of recent developments in literary criticism is especially appropriate. The series also seeks to contribute to the understanding and accuracy of interpretation of the writing which has combined European elements with indigenous and African ones as well as to the understanding of the dynamics behind such major cultural issues as the formation of literary trends or subgenres, national identities, the effects of postcolonial status on literary imagination, the appearance and experience of women writers, and the relationships between post-modernism and Ibero-American writing. The series title is inclusive of literatures which are geographically, historically, or politically related and whose comparison is relevant to Spanish and Spanish American writing. This means those written in the other three languages of Spain, in Portugal, and Brazil. Comparative studies in which colonial or post colonial themes are prevalent may also be appropriate, if one of the literatures is in either Spanish or Portuguese. The breadth of the geographical area is intended to provide a forum for revealing and interpreting its multicultural aspects." "This series deals with the relationship between literary creation and the social, political, and historical contexts in which it is produced. The types of volumes may include critical analyses of one or more works by one or several authors; critical editions of important works that may have been out of print for a long time, but which represent a major contribution to literature of the Iberian Peninsula or Latin America, English translations of important works, with critical introduction. Topics for Latin America include: studies of representative works of nineteenth- and twentieth-century thought, poetic portrayals of history, subgenres (fictionalization of the rural and urban social structures); historical novels; literature of exile; re-readings of colonial texts; new approaches to the figure of the Indian and other representatives of transculturation; women writers and other less studied authors. Topics for Spain and Portugal include: writing and nationalism in the Spanish State; bilingualism and the literary texts; censorship and exile; new and renewed genres such as autobiography and testimony; the formation of the avant-garde. Formal studies are expected to bear out the general contextual focus of the series. The use of recent developments in literary criticism is especially appropriate. The series also seeks to contribute to the understanding and accuracy of interpretation of the writing which has combined European elements with indigenous and African ones as well as to the understanding of the dynamics behind such major cultural issues as the formation of literary trends or subgenres, national identities, the effects of postcolonial status on literary imagination, the appearance and experience of women writers, and the relationships between post-modernism and Ibero-American writing. The series title is inclusive of literatures which are geographically, historically, or politically related and whose comparison is relevant to Spanish and Spanish American writing. This means those written in the other three languages of Spain, in Portugal, and Brazil. Comparative studies in which colonial or post colonial themes are prevalent may also be appropriate, if one of the literatures is in either Spanish or Portuguese. The breadth of the geographical area is intended to provide a forum for revealing and interpreting its multicultural aspects."

    50 publications

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