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  • Welten des Islams / Worlds of Islam / Mondes de l’Islam

    The aim of the series Worlds of Islam of the Swiss Asia Society is to publish high-quality, representative work issuing from academic research on all aspects of Islam. It comprises, and receives, studies on present-day and historical Islamic cultures and societies covering the fields of art, literature and thought as well as translations and interpretations of important sources. Furthermore the series intends to present studies that offer expert knowledge on relevant themes and current questions appealing not only to the academic public, but also to an audience generally interested in the Islamic World. One important goal of the series is to establish a forum for academic work in the fields of the humanities and social sciences in Switzerland. However, the series is also committed to the rich variety of studies and writing on the Islamic World in the international research community. The main publication languages for monographs, collections (by individual or several contributors), and surveys are therefore German, French, and English. The series is supervised and internally reviewed by an editorial board comprising leading representatives in Islamic studies. L’objectif de la collection Mondes de l’Islam, publiée sous l’égide de la Société Suisse – Asie, est de faire connaître des études représentatives et de haute qualité sur les pays d’Islam. Elle propose aussi bien des études portant sur les cultures et sociétés du présent et du passé - que ce soit dans les domaines de l’art, de la littérature ou de la pensée - que des traductions et des travaux d’interprétation de sources importantes. Elle entend également publier des recherches sur des thèmes centraux et d’actualité qui s’adressent à un public plus large, intéressé par le monde de l’Islam. Ouverte à des travaux issus de la communauté scientifique internationale, la collection se veut être en premier lieu un point de rencontre de la recherche suisse dans le domaine des études islamiques. Elle accueille des monographies, des ouvrages collectifs, des recueils thématiques, etc., rédigés en allemand, français ou anglais. La collection est dirigée par un comité éditorial composé de chercheurs reconnus dans les diverses disciplines des études islamiques. Ziel der Reihe Welten des Islams der Schweizerischen Asiengesellschaft ist es, repräsentative, qualitativ hochstehende Forschungsarbeiten zu den islamischen Kulturen und Gesellschaften in Gegenwart und Vergangenheit vorzustellen. Sie nimmt Studien zu verschiedenen Bereichen wie Kunst, Literatur und Philosophie sowie Übersetzungen und Interpretationen von Quellentexten auf. Sie will aber auch Arbeiten zu relevanten Themen und aktuellen Fragen anbieten, die neben dem wissenschaftlichen Zielpublikum einer breiter interessierten Leserschaft zugänglich sind. Die Reihe versteht sich als Forum für geistes- und sozialwissenschaftliche Arbeiten aus der Schweiz. Ausserdem werden Beiträge aus der internationalen Forschung aufgenommen. Die Hauptpublikationssprachen für die Monographien, Sammelbände und Übersichtswerke sind Deutsch, Französisch und Englisch. Die Reihe wird von einem Herausgebergremium geleitet, das von führenden Fachvertretern aus den jeweiligen akademischen Disziplinen beraten wird.

    3 publications

  • The Modernist Revolution in World Literature

    ISSN: 1528-9672

    In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to “make it new” is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to “make it new” is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to “make it new” is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series

    3 publications

  • Studies of World Literature in English

    This series encompasses criticism of modern English-language literature from outside the United States, Great Britain, and Ireland, concentrating on literature by writers from Canada, Africa, Asia, the Pacific, and the Caribbean. Submissions are invited concerning fiction, poetry, drama, and literary theory. This series encompasses criticism of modern English-language literature from outside the United States, Great Britain, and Ireland, concentrating on literature by writers from Canada, Africa, Asia, the Pacific, and the Caribbean. Submissions are invited concerning fiction, poetry, drama, and literary theory. This series encompasses criticism of modern English-language literature from outside the United States, Great Britain, and Ireland, concentrating on literature by writers from Canada, Africa, Asia, the Pacific, and the Caribbean. Submissions are invited concerning fiction, poetry, drama, and literary theory.

    10 publications

  • Welten Ostasiens / Worlds of East Asia / Mondes de l'Extrême-Orient

    ISSN: 2235-5766

    The aim of the series Worlds of East Asia of the Swiss Asia Society is to publish high-quality, representative work issuing from academic research on all aspects of East Asia. It comprises, and receives, studies on present-day and historical East Asian cultures and societies covering the fields of art, literature and thought as well as translations and interpretations of important sources. Furthermore the series intends to present studies that offer expert knowledge on relevant themes and current questions appealing not only to the academic public, but also to an audience generally interested in East Asia. One important goal of the series is to establish a forum for academic work in the fields of the humanities and social sciences in Switzerland. However, the series is also committed to the rich variety of studies and writing on East Asia in the international research community. The main publication languages for studies, collections (by individual or several contributors), and surveys are therefore German, French, and English. The series is supervised and internally reviewed by an editorial board comprising leading representatives in East Asian studies. La série Mondes de l’Extrême-Orient de la Société Suisse-Asie publie des recherches de qualité représentatives de la recherche académique sur les cultures et sociétés de l’Asie orientale. Elle propose des études dans des domaines variés comme l’art, la littérature, et la pensée, anciens ou modernes, ainsi que des traductions et interprétations de sources. Elle publie également des travaux qui traitent de questions plus actuelles ou immédiates, de façon compétente mais abordable, avec le souhait de toucher, au-delà des cercles académiques, le grand public cultivé. L’un des buts de la série est de servir de forum pour les sciences humaines et sociales dans le domaine des études asiatique en Suisse. Les travaux de la communauté scientifique internationale sont cependant les bienvenus. Les langues principales des travaux, collections, ou recueils thématiques sont l’allemand, le français et l’anglais. La série est dirigée par un comité composé de chercheurs actifs dans les diverses disciplines des études extrême-orientales. Die Reihe Welten Ostasiens der Schweizerischen Asiengesellschaft stellt repräsentative Arbeiten aus der facettenreichen akademischen Forschung vor. Sie nimmt Studien zu den ostasiatischen Kulturen und Gesellschaften in Gegenwart und Vergangenheit in den Bereichen Kunst, Literatur und Denken sowie Übersetzungen und Interpretationen von Quellentexten auf. Sie will aber auch Arbeiten anbieten, die in allgemein verständlicher Weise kompetentes Wissen zu relevanten und aktuellen Fragen vermitteln und neben dem wissenschaftlichen Zielpublikum auch einer breiter interessierten Leserschaft zugänglich sind. In erster Linie ist sie ein Forum für geistes- und sozialwissenschaftliche Arbeiten aus der Schweiz, daneben werden aber auch Beiträge aus der internationalen Forschung aufgenommen. Die Hauptpublikationssprachen für die Studien, Sammelbände und Übersichtswerke sind Deutsch, Französisch und Englisch. Die Reihe wird von einem Herausgebergremium geleitet, das von führenden Fachvertretern aus den jeweiligen akademischen Disziplinen beraten wird.

    21 publications

  • World Science Fiction Studies

    ISSN: 2296-8814

    World Science Fiction Studies understands science fiction to be an inherently global phenomenon. Proposals are invited for monographs and edited collections that celebrate the tremendous reach of a genre that continues to be interpreted and transformed by a variety of cultures and linguistic communities around the world. The series embraces this global vision of the genre but also supports the articulation of each community’s unique approach to the challenges of science, technology and society. The series encourages the use of contemporary theoretical approaches (e.g. postcolonialism, posthumanism, feminisms, ecocriticism) as well as engagement with positionalities understood through critical race and ethnicity studies, gender studies, queer theory, disability studies, class analysis, and beyond. Interdisciplinary work and research on any media (e.g. print, film, television, visual arts, video games, new media) is welcome. The language of the series is English. Advisory Board: Jinyi Chu (Yale University), Antonio Cordoba (Manhattan College), Elizabeth Ginway (University of Florida), Hugh O’Connell (University of Massachusetts, Boston), Iva Polak (University of Zagreb), Umberto Rossi (Sapienza University of Rome), Alfredo Luiz Suppia (University of Campinas), Ida Yoshinaga (Georgia Institute of Technology).

    4 publications

  • Confronting the Text, Confronting the World

    ISSN: 1556-8288

    This new series in Peter Langes education list will Feature volurnes that focus an one writer whose works are suitable for English classrooms at the high school and college levels. These books are a blend of introductions to the authors and their works, critical Interpretation, explorations of best practice in reading and writing, and provocative considerations of leaming theory and pedagogy. This new series in Peter Langes education list will Feature volurnes that focus an one writer whose works are suitable for English classrooms at the high school and college levels. These books are a blend of introductions to the authors and their works, critical Interpretation, explorations of best practice in reading and writing, and provocative considerations of leaming theory and pedagogy. This new series in Peter Langes education list will Feature volurnes that focus an one writer whose works are suitable for English classrooms at the high school and college levels. These books are a blend of introductions to the authors and their works, critical Interpretation, explorations of best practice in reading and writing, and provocative considerations of leaming theory and pedagogy.

    9 publications

  • Reconfiguring Identities in the Portuguese-Speaking World

    The series publishes studies across the entire spectrum of Lusophone literature, culture and intellectual history, from the Middle Ages to the present day, with particular emphasis on figurations and reconfigurations of identity, broadly understood. It is especially interested in work which interrogates national identity and cultural memory, or which offers fresh insights into Portuguese-speaking cultural and literary traditions, in diverse historical contexts and geographical locations. It is open to a wide variety of approaches and methodologies as well as to interdisciplinary fields: from literary criticism and comparative literature to cultural and gender studies, to film and media studies. It also seeks to encourage critical dialogue among scholarship originating from different continents. Proposals are welcome for either single-author monographs or edited collections (in English and/or Portuguese). Those interested in contributing to the series should send a detailed project outline to oxford@peterlang.com.

    25 publications

  • Title: Gravitational Coalescence Paradox and Cosmogenetic Causality in Quantum Astrophysical Cosmology
  • Title: Between Worlds

    Between Worlds

    An Anthology of Contemporary Fiction and Criticism
    by Deborah Poe (Volume editor) Ama Wattley (Volume editor)
    ©2012 Textbook
  • Title: Imagined Worlds

    Imagined Worlds

    Fiction by Scottish Women 1900-1935
    by Alan Freeman (Author)
    ©2005 Monographs
  • Title: Alternative Worlds

    Alternative Worlds

    Blue-Sky Thinking since 1900
    by Ricarda Vidal (Volume editor) Ingo Cornils (Volume editor) 2014
    ©2015 Edited Collection
  • Title: Converging Worlds

    Converging Worlds

    Play, Literacy, and Culture in Early Childhood
    by Maureen Kendrick (Author)
    ©2003 Thesis
  • Title: Reformation Worlds

    Reformation Worlds

    Antecedents and Legacies in the Anglican Tradition
    by Sean A. Otto (Volume editor) Thomas P. Power (Volume editor) 2016
    ©2016 Monographs
  • Title: Queneau’s Fictional Worlds

    Queneau’s Fictional Worlds

    by Nina Bastin (Author)
    ©2002 Monographs
  • Title: Creating Magical Worlds

    Creating Magical Worlds

    Otherness and Othering in "Harry Potter"
    by Marion Rana (Author)
    ©2009 Thesis
  • Title: Worlds of Communication

    Worlds of Communication

    Interdisciplinary Transitions- In collaboration with Colin B. Grant and Tino G.K. Meitz
    by Siegfried J. Schmidt (Author)
    ©2011 Edited Collection
  • Title: Brave New Worlds

    Brave New Worlds

    Old and New Classics of Children’s Literatures
    by Elena Paruolo (Volume editor)
    ©2011 Edited Collection
  • Title: The Worlds of Mia Couto

    The Worlds of Mia Couto

    by Kristian Van Haesendonck (Volume editor) 2020
    ©2020 Edited Collection
  • Title: Worlds in Play

    Worlds in Play

    International Perspectives on Digital Games Research
    by Suzanne de Castell (Volume editor) Jennifer Jenson (Volume editor)
    ©2007 Textbook
  • Title: In Between Worlds

    In Between Worlds

    Memory, Belonging And Quest For The Self In Contemporary Black British Women’s Autofiction
    by Ayda Önder (Author) 2025
    ©2025 Monographs
  • Title: Re-mapping Literary Worlds

    Re-mapping Literary Worlds

    Postcolonial Pedagogy in Practice
    by Ingrid Johnston (Author)
    ©2004 Textbook
  • Title: Marie Darrieussecq’s Textual Worlds

    Marie Darrieussecq’s Textual Worlds

    Self, Society, Language
    by Helena Chadderton (Author)
    ©2012 Monographs
  • Title: Trust and Virtual Worlds

    Trust and Virtual Worlds

    Contemporary Perspectives
    by Charles Ess (Volume editor) May Thorseth (Volume editor)
    ©2011 Textbook
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