Loading...

results

30 results
Sort by 
Filter
  • Repenser le cinéma / Rethinking Cinema

    The main purpose of the «Rethinking Cinema» series is to provide film scholars as well as professionals from the audiovisual field with innovative research material in the field of film aesthetics, theory and history. Many areas of last century’s main attraction are still there to be rediscovered or have seldom been approached in the past. Consequently, priority is given to film concepts, genres, works or authors which have not been frequently dealt with. Conference proceedings, collections of essays, revised doctoral theses or monographs are published and have to distinguish themselves by a considerable degree of originality, audacity and scientific rigour, without neglecting the transdisciplinary and cross-cultural aspects related to different branches from the Humanities such as Art History, Philosophy or Linguistics. The series welcomes manuscripts written in French and/or in English as well as translations of noteworthy texts from other foreign languages. La collection « Repenser le cinéma » privilégie les approches novatrices, les analyses de concepts, de genres, de courants, d’auteurs et de films rarement étudiés, qu’il s’agisse d’actes de colloque, d’essais, de versions remaniées de thèses de doctorat ou encore de monographies. Elle se propose d’offrir aux chercheurs, aux enseignants de l’audiovisuel ainsi qu’aux professionnels du cinéma des pistes de réflexion inédites sur la théorie, l’histoire et l’esthétique d’un art qui recèle de multiples chantiers peu balisés au cours du siècle qui l’a vu naître. La démarche méthodologique adoptée au sein des travaux publiés doit faire preuve d’originalité, d’audace et de rigueur scientifique, tout en visant les corrélations transdisciplinaires et transculturelles avec d’autres domaines des sciences humaines (histoire de l’art, philosophie, linguistique, etc.). La collection accueille des ouvrages en français ou en anglais, des publications bilingues, ainsi que des traductions d’ouvrages étrangers difficilement accessibles.

    13 publications

  • Title: Of Empire and the City

    Of Empire and the City

    Remapping Early British Cinema
    by Maurizio Cinquegrani (Author) 2014
    ©2014 Monographs
  • Title: Cross-Channel Perspectives

    Cross-Channel Perspectives

    The French Reception of British Cinema
    by Leila Wimmer (Author)
    ©2009 Monographs
  • Title: Running off the Anger: British New Wave

    Running off the Anger: British New Wave

    by Anna Śliwińska (Author) 2019
    ©2019 Monographs
  • Title: Between Categories

    Between Categories

    The Films of Margaret Tait: Portraits, Poetry, Sound and Place
    by Sarah Neely (Author) 2017
    ©2017 Monographs
  • Title: Shame and Desire

    Shame and Desire

    Emotion, Intersubjectivity, Cinema
    by Tarja Laine (Author)
    ©2007 Monographs
  • Title: Cinema at the Shore

    Cinema at the Shore

    The Beach in French Film
    by Fiona Handyside (Author) 2014
    ©2014 Monographs
  • Title: Italian Cinema

    Italian Cinema

    New Directions
    by William Hope (Volume editor)
    ©2005 Edited Collection
  • Title: Le cinéma de Wojciech J. Has au miroir de la littérature

    Le cinéma de Wojciech J. Has au miroir de la littérature

    by Jessy Neau (Author) 2023
    ©2023 Monographs
  • Title: Maurice Maeterlinck, un auteur dans le cinéma des années dix et vingt

    Maurice Maeterlinck, un auteur dans le cinéma des années dix et vingt

    by Christian Janssens (Author) 2016
    ©2016 Monographs
  • Title: Questions of Colour in Cinema

    Questions of Colour in Cinema

    From Paintbrush to Pixel
    by Wendy Everett (Volume editor) 2012
    ©2008 Conference proceedings
  • Title: Defeated Masculinity

    Defeated Masculinity

    Post-Traumatic Cinema in the Aftermath of War
    by Raya Morag (Author)
    ©2009 Monographs
  • Title: Cinema & Culture

    Cinema & Culture

    Independent Film in the United States, 1980-2001
    by E. Deidre Pribram (Author)
    ©2002 Textbook
  • Title: Cinema at the Shore

    Cinema at the Shore

    The Beach in French Film
    by Fiona Handyside (Author) 2023
    ©2023 Monographs
  • Title: Cinema Derrida

    Cinema Derrida

    The Law of Inspection in the Age of Global Spectral Media
    by Tyson Stewart (Author) 2021
    ©2020 Monographs
  • Title: The Cinema of Iceland

    The Cinema of Iceland

    Between Tradition and Liquid Modernity
    by Sebastian Jakub Konefał (Author) 2019
    ©2019 Monographs
  • Title: Reimagining Kenyan Cinema

    Reimagining Kenyan Cinema

    by Charles Kebaya (Volume editor) Christopher Joseph Odhiambo (Volume editor) 2022
    ©2022 Monographs
  • Title: Ireland and the British Empire

    Ireland and the British Empire

    Essays on Art and Visuality
    by Fintan Cullen (Volume editor) 2023
    ©2023 Edited Collection
  • Title: L’Image hantée

    L’Image hantée

    Horreur et épouvante dans le cinéma et les séries américaines contemporaines
    by Jean-Baptiste Carobolante (Volume editor) Philippe Ortoli (Volume editor) 2024
    ©2023 Edited Collection
  • Title: Polish Postcommunist Cinema

    Polish Postcommunist Cinema

    From Pavement Level
    by Ewa Mazierska (Author)
    ©2007 Monographs
  • Title: Reflecting on the British World

    Reflecting on the British World

    Essays in Honour of Carl Bridge
    by Jatinder Mann (Volume editor) Bart Zielinski (Volume editor) 2024
    ©2024 Edited Collection
  • Title: The Cinema of the Swimming Pool

    The Cinema of the Swimming Pool

    by Christopher Brown (Volume editor) Pam Hirsch (Volume editor) 2014
    ©2014 Edited Collection
  • Title: Britishness, Identity and Citizenship

    Britishness, Identity and Citizenship

    The View From Abroad
    by Catherine McGlynn (Volume editor) Andrew Mycock (Volume editor) J.W. McAuley (Volume editor) 2011
    ©2011 Edited Collection
  • Title: The New Italian Cinema of Precarity

    The New Italian Cinema of Precarity

    by Maria Elena Alampi (Author) 2025
    ©2025 Monographs
  • Title: Italian Political Cinema

    Italian Political Cinema

    Public Life, Imaginary, and Identity in Contemporary Italian Film
    by Giancarlo Lombardi (Volume editor) Christian Uva (Volume editor) 2016
    ©2016 Monographs
Previous
Search in
Search area
Subject
Category of text
Price
Language
Publication Schedule
Open Access
Publication Year