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German Visual Culture
This series invites research on all aspects of German visual culture – including art, architecture, film and media – across different periods, geographical locations, and political contexts. Books in the series engage with aesthetic and ideological continuities as well as ruptures and divergences between individual creators, movements, educational systems, art institutions, and cultures of display. Challenging scholarship that interrogates and updates existing orthodoxies in the field is desirable. A guiding question of the series is the impact of German visual culture on critical and public spheres, both inside and outside the German-speaking world. Reception is thus conceived in the broadest possible terms, including both the ways in which visual culture has been perceived and defined as well as the ways in which modern and contemporary German creators have undertaken visual dialogues with their predecessors or contemporaries. The series welcomes cross-disciplinary approaches from art history, anthropology, material culture; the histories of science, perception, medicine, and technology; and the history of ideas. Issues of cultural transfer, critical race theory and related postcolonial analysis, feminism, queer theory, and other interdisciplinary approaches are encouraged, as are studies on production and consumption, the art market, pioneering publishing houses, and the mass media, including film and illustrated magazines. All proposals for monographs and edited collections in the history of German visual culture will be considered. Contributions in English and German are welcome. Submissions are subject to rigorous peer review. Professor Christian Weikop served as series editor from 2018 to 2025, with forthcoming titles still to publish in 2026. During this time as editor, he connected his Research Forum for German Visual Culture at the University of Edinburgh with the series. Editorial Board: Sarah James (Manchester School of Art, Manchester Metropolitan University) Daniel H. Magilow (University of Tennessee, Knoxville ) Ervin Malakaj (University of British Columbia) Leila Mukhida (University of Cambridge) Robin Schuldenfrei (Courtauld Institute of Art, University of London) Aya Soika (Bard College Berlin) Ilka Voermann (Berlinische Galerie) Christian Weikop (Edinburgh College of Art, University of Edinburgh)
20 publications
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People of Print
New Histories in the Book and Print TradesPeople of Print: New Histories in the Book and Print Trades is a platform for new scholarship focusing on the people behind the global print trade. The series reveals the untold stories of printers, publishers, booksellers and cultural intermediaries who have shaped the literary and cultural history of print networks worldwide. It expands the field through fresh perspectives on overlooked individuals, places and periods. People of Print offers a forum for both emergent and established international researchers to disseminate their scholarship. Proposals are welcome for monographs, biographies and edited collections that challenge established narratives and highlight the diversity of the book and print trades. The primary language of publication is English. All projects will undergo rigorous peer review.
1 publications
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Cowboy Imperialism and Hollywood Film
©2007 Textbook -
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Das Vertragsrecht bei Adam Smith
©2008 Thesis -
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The Democratic Potential of Charter Schools
©2001 Textbook -
Psychosemiotics
©2001 Monographs -
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Advaita, Christianity and the Third Space
Abhishiktananda and Bede Griffiths in India©2020 Monographs -
Curriculum as Community Building
The Poetics of Difference, Emergence, and Relationality©2021 Textbook -
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Land System Reform in China Since the 1980s
©2021 Monographs -
The Influence of French on Eighteenth-Century Literary Russian
Semantic and Phraseological Calques©2006 Monographs -
Hope, Wisdom and Courage
Teaching and Learning Practices in Today’s Schools and Beyond©2025 Textbook -
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Case Studies of Nonprofit Organizations and Volunteers
©2015 Textbook -
