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Crime Scenes

Latin American Crime Fiction from the 1960s to the 2010s

by Charlotte Lange (Volume editor) Ailsa Peate (Volume editor) 2019

©2019 Edited Collection
Crime Fiction

A Critical Casebook

by Stephen Butler (Volume editor) Agnieszka Sienkiewicz-Charlish (Volume editor) 2018

©2018 Edited Collection
Translating Cultural Identity

French Translations of Australian Crime Fiction

by Sarah Reed (Author) 2019

©2019 Monographs
The Double, the Labyrinth and the Locked Room

Metaphors of Paradox in Crime Fiction and Film

by Ilana Shiloh (Author) 2011

©2011 Monographs
Crime Scenes

Modern Crime Fiction in an International Context

by Urszula Elias (Volume editor) Agnieszka Sienkiewicz-Charlish (Volume editor) 2014

©2014 Edited Collection
From Revolution to Migration

A Study of Contemporary Cuban and Cuban American Crime Fiction

by Helen Oakley (Author) 2012

©2012 Monographs
Narratives of Money & Crime

Neoliberalism in Film, Literature and Popular Culture

by Yasmin Temelli (Volume editor) Hans Bouchard (Volume editor) 2021

©2022 Edited Collection
Giorgio Scerbanenco

Urban Space, Violence and Gender Identity in Post-War Italian Crime Fiction

by Marco Paoli (Author) 2016

©2016 Thesis
Frauenkrimi / polar féminin

Generic Expectations and the Reception of Recent French and German Crime Novels by Women

by Nicola Barfoot (Author)

©2007 Thesis
The Intellectual as a Detective

From Leonardo Sciascia to Roberto Saviano

by Angelo Castagnino (Author) 2015

©2015 Monographs
Cryptographic Crimes

The Use of Cryptography in Real and Fictional Crimes

by Marcel Danesi (Author) 2017

©2017 Monographs

results

Crime Scenes

Dark Green

Crime Fiction

Translating Cultural Identity

The Double, the Labyrinth and the Locked Room

Crime Scenes

From Revolution to Migration

Narratives of Money & Crime

Giorgio Scerbanenco

Frauenkrimi / polar féminin

The Intellectual as a Detective

Cryptographic Crimes

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