Descolonizar los Estudios cubanos interdisciplinarios/Decolonizing Interdisciplinary Cuban Studies

This series publishes scholarly and creative contributions to the global field of Cuban Studies. Written in English or Spanish (or a combination), the titles in this series include monographs, edited volumes, translations of academic studies and works that combine academic and creative work around a theme or concept. The series centres on the concept of decolonization, and represents a turn towards perspectives that steer clear of cultural hegemonies and that are built on a multiplicity of voices, ideas and projects that are all integrated on equal terms and on the basis of inherent rigour. In this sense, the series aims to decolonize Cuban Studies by allowing for productive dialogue between scholars in the arts, social sciences and humanities in Cuba, and between Cuban scholars and Cubanists elsewhere. It privileges approaches and concepts that recognise ecologies of knowledge – the multiple and complex interactions between knowledge and power in Europe, the US and Latin America and the Caribbean – and it especially encourages perspectives from the Global South. It embraces interdisciplinarity and co-production and creates a unique space for local and peripheral visions of Cuba to be seen. The mission of the series is to provide a place for dialogue and new collaborations in the broad field of Cuban Studies through linking the local, the national and the transnational in productive conversations designed to decolonize our understanding of Cuba. Esta colección publica contribuciones académicas y creativas al campo global de los Estudios cubanos. Escritos en inglés o español (o una combinación), los títulos de esta colección incluyen monografías, volúmenes editados, traducciones de estudios académicos y trabajos que combinan trabajos académicos y creativos en torno a un tema o concepto. La colección parte del concepto de descolonización, que representa un giro hacia una visión despojada de hegemonismos culturales, sustentada en la multiplicidad de voces, ideas y propuestas que la integran en igualdad de condiciones y preeminencia científica. En tal sentido, la colección tiene como objetivo descolonizar los Estudios Cubanos al permitir un diálogo productivo entre académicos en las artes, ciencias sociales y humanidades en Cuba, y entre académicos cubanos y cubanistas en otros lugares. Privilegia enfoques y conceptos que reconocen las ecologías del saber –las múltiples y complejas interacciones entre saber y poder en Europa, Estados Unidos y América Latina y el Caribe– y alienta especialmente las perspectivas del Sur global. Abarca la interdisciplinariedad y la coproducción y crea un espacio único para que se vean las visiones locales y periféricas de Cuba. La misión de la colección es proporcionar un lugar para el diálogo y nuevas colaboraciones en el amplio campo de los Estudios cubanos a través de la vinculación de lo local, lo nacional y lo transnacional en conversaciones productivas diseñadas para descolonizar nuestra comprensión de Cuba.

2 publications

Phenomenology and Literature

ISSN: 1524-0193

The focus of this series is on studies using the tenets of phenomenology and its various (dogmatic and skeptical) evolutions to elucidate and interpret primarily literary works of art in the contexts of aesthetics, ontology, epistemology, axiology, hermeneutics, communication, reader response, reception, cultural and social theory. Studies of a comparative nature which straddle and/or combine the disciplines of philosophical and literary studies are distinctive features of this monograph series. Emphasis is on subjects that may advance the state of the art, set trends, generate and continue discussion, expand horizons beyond present perspectives, and/or redefine previously held notions. Approaches may center on individual works, authors, schools of phenomelogical thought, and/or abstract notions, including issues of a comparative nature spanning the cultures, languages, and literatures of several nations from the perspectives of world literature and philosophy. The focus of this series is on studies using the tenets of phenomenology and its various (dogmatic and skeptical) evolutions to elucidate and interpret primarily literary works of art in the contexts of aesthetics, ontology, epistemology, axiology, hermeneutics, communication, reader response, reception, cultural and social theory. Studies of a comparative nature which straddle and/or combine the disciplines of philosophical and literary studies are distinctive features of this monograph series. Emphasis is on subjects that may advance the state of the art, set trends, generate and continue discussion, expand horizons beyond present perspectives, and/or redefine previously held notions. Approaches may center on individual works, authors, schools of phenomelogical thought, and/or abstract notions, including issues of a comparative nature spanning the cultures, languages, and literatures of several nations from the perspectives of world literature and philosophy. The focus of this series is on studies using the tenets of phenomenology and its various (dogmatic and skeptical) evolutions to elucidate and interpret primarily literary works of art in the contexts of aesthetics, ontology, epistemology, axiology, hermeneutics, communication, reader response, reception, cultural and social theory. Studies of a comparative nature which straddle and/or combine the disciplines of philosophical and literary studies are distinctive features of this monograph series. Emphasis is on subjects that may advance the state of the art, set trends, generate and continue discussion, expand horizons beyond present perspectives, and/or redefine previously held notions. Approaches may center on individual works, authors, schools of phenomelogical thought, and/or abstract notions, including issues of a comparative nature spanning the cultures, languages, and literatures of several nations from the perspectives of world literature and philosophy.

4 publications

Literatur – Kultur – Ökonomie / Literature – Culture – Economy

ISSN: 2364-1304

The series provides a forum for interdisciplinary discussion of aspects of a cultural science-oriented economics. Representations of economic relationships in literature and other arts, cultural sociological studies on the relationship between art, culture and economics, linguistics and literary analysis of economic narratives and metaphors, and the importance of cultural studies concepts such as fictionality and virtuality in the context of financial economics are topics of the series. Also, studies on the design and manipulation of spaces, time management and cultural practices are within its scope. Manuscript Proposals may be submitted in literary and cultural studies, economics, sociology, and philosophy – like with comparative or interdisciplinary approach. Languages of publication are primarily German and English. All volumes are peer reviewed. Editorial Board: Bernd Blaschke (University of Bern) Elena Esposito (Bielefeld University / Università di Bologna) Nadja Gernalzick (Mainz University / University of Vienna) Anton Kirchhofer (University of Oldenburg) Eva Kormann (Karlsruhe Institute of Technology) Stefan Neuhaus (University of Koblenz) Wolfgang Reinhard (University of Freiburg) Peter Seele (Università della Svizzera italiana, Lugano) Urs Stäheli (University of Hamburg) Die Schriftenreihe bietet ein Forum für die interdisziplinäre Diskussion von Aspekten einer kulturwissenschaftlich orientierten Ökonomik. Darstellungen ökonomischer Zusammenhänge in der Literatur und anderen Künsten, kultursoziologische Untersuchungen zum Zusammenhang zwischen Kunst, Kultur und Ökonomie, sprach- und literaturwissenschaftliche Analysen ökonomischer Narrative und Metaphern sowie die Bedeutung kulturwissenschaftlicher Konzepte wie Fiktionalität und Virtualität im Rahmen der Finanzökonomie sind Themen der Reihe. Auch Studien zur Gestaltung und Veränderung von Raum und Räumen oder Zeitmanagement und kulturellen Praxen entsprechen ihrem Profil. Manuskriptvorschläge können unterbreitet werden aus Literatur- und Kulturwissenschaften, Wirtschaftswissenschaften, Soziologie und Philosophie – gern mit komparatistischem oder interdisziplinärem Ansatz. Publikationssprachen sind in erster Linie Deutsch und Englisch. Alle Bände werden peer reviewed. Wissenschaftlicher Beirat: Bernd Blaschke (Universität Bern) Elena Esposito (Universität Bielefeld / Università di Bologna) Nadja Gernalzick (Universität Mainz / Universität Wien) Anton Kirchhofer (Universität Oldenburg) Eva Kormann (KIT Karlsruhe) Stefan Neuhaus (Universität Koblenz) Wolfgang Reinhard (Universität Freiburg i.Br.) Peter Seele (Università della Svizzera italiana, Lugano) Urs Stäheli (Universität Hamburg)

16 publications