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  • Art and Thought / Art et pensée

    Histories of the Avant-Garde / histoires des avant-gardes

    If the past is continually retold in the present, as Walter Benjamin suggests, what can critical perspectives reveal and what do they obscure about the history of our modern time? Art and Thought: Histories of the Avant-Garde revisits and reconceptualises the histories of modernism, avant-gardism and postmodernism. Volumes in the series will each offer a critical perspective developed in response to specific cultural artefacts and their qualities. They will engage with literary, artistic and theoretical works, from the past as well as the present, and explore the interactions between literature, visual art, film and music, including the livre d’artiste. The series showcases work by new as well as established scholars, whether monographs, single- or multi-authored collections of essays, and new editions of salient or neglected primary texts in English or French, including original aesthetic works. Writing on translation as well as in translation is welcome. Walter Benjamin nous rappelle que le passé se dit au présent. Dans quelle mesure la pensée critique permet-elle d’illuminer notre histoire ? La collection Art et pensée : histoires des avant-gardes se propose de penser à nouveaux frais les problématiques liant les esthétiques de la modernité, de l’avant-garde et du postmoderne. Chaque volume répondra aux qualités ponctuelles d'objets esthétiques et culturels considérés par une perspective critique propre. Des œuvres de littérature, d’art et de réflexion y seront abordées, qui souligneront les rapports intimes de l’écriture, du visuel, de la musique, du cinéma. Les livres d’artistes ne seront pas oubliés. La collection présentera, en langue française ou anglaise, le travail critique de chercheurs établis ou en début de carrière. Elle offrira à ses lecteurs des monographies, des collections d’essais, des volumes collectifs, et des éditions nouvelles d’œuvres marquantes ou jusqu’à présent négligées, y compris les œuvres littéraires et esthétiques. Les œuvres en traduction nouvelle tout comme les travaux sur la traduction même seront vivement accueillis.

    8 publications

  • Art – Knowledge – Theory

    ISSN: 2235-2759

    Art Knowledge Theory is a book series that explores artistic modes of expression as forms of knowledge production. It focuses on transdisciplinary, epistemological and methodological approaches to contemporary art. Linking artistic and scientific practices, tools, techniques and theories, the volumes investigate the cultures of aesthetics and science studies as they relate to works of art. Art Knowledge Theory analyzes the role of art in contemporary culture by probing the philosophical, historical and social parameters by which images are accessed and assessed. As an amplification - as well as intervention or even a correction to historical research, this series questions the state of the art and knowledge within a culture, characterized by technology and science.

    8 publications

  • Hermeneutics of Art

    7 publications

  • Title: Proust/Warhol

    Proust/Warhol

    Analytical Philosophy of Art
    by David Carrier (Author)
    ©2009 Monographs
  • Title: Defining Ourselves

    Defining Ourselves

    Black Writers in the 90s
    by Elizabeth Nunez (Volume editor) Brenda M. Greene (Volume editor)
    ©1999 Textbook
  • Title: Defining Species

    Defining Species

    A Sourcebook from Antiquity to Today
    by John S. Wilkins (Author)
    ©2009 Monographs
  • Title: Defining Modernism

    Defining Modernism

    Baudelaire and Nietzsche on Romanticism, Modernity, Decadence, and Wagner
    by Andrea Gogröf-Voorhees (Author) Andrea Gogröf-Voorhees (Author)
    ©2004 Monographs
  • Title: Defining Strains

    Defining Strains

    The Musical Life of Scots in the Seventeenth Century
    by James Porter (Volume editor)
    ©2007 Conference proceedings
  • Title: Defining Literacy Standards

    Defining Literacy Standards

    Essays on Assessment, Inclusion, Pedagogy and Civic Engagement
    by Ronald A. Sudol (Volume editor) Alice S. Horning (Volume editor) 2019
    ©2019 Textbook
  • Title: Defining collocation for lexicographic purposes

    Defining collocation for lexicographic purposes

    From linguistic theory to lexicographic practice
    by Adriana Orlandi (Volume editor) Laura Giacomini (Volume editor) 2016
    ©2016 Edited Collection
  • Title: Re-Defining Community

    Re-Defining Community

    A Discourse on Community and the Pluralism of Today’s World with Personalist Underpinnings
    by Edmund Aku (Author)
    ©2000 Thesis
  • Title: Defining Critical Animal Studies

    Defining Critical Animal Studies

    An Intersectional Social Justice Approach for Liberation
    by Anthony J. Nocella II (Volume editor) John Sorenson (Volume editor) Kim Socha (Volume editor) Atsuko Matsuoka (Volume editor) 2015
    ©2014 Textbook
  • Title: Re/defining the Matrix

    Re/defining the Matrix

    Reflections on Time – Space – Agency
    by Anke Bartels (Volume editor) Michael Schultze (Volume editor) Agata Stopinska (Volume editor)
    ©2006 Edited Collection
  • Title: The Media’s Role in Defining the Nation

    The Media’s Role in Defining the Nation

    The Active Voice
    by David Copeland (Author) 2013
    ©2010 Monographs
  • Title: Language Centre Needs Analysis

    Language Centre Needs Analysis

    Defining Goals. Refining Programmes
    by Solveig Lüdtke (Author) Klaus Schwienhorst (Author)
    ©2010 Others
  • Title: Defining the Indefinable: Delimiting Hindi

    Defining the Indefinable: Delimiting Hindi

    by Agnieszka Kuczkiewicz-Fraś (Volume editor) 2014
    ©2014 Edited Collection
  • Title: Becoming a Critical Educator

    Becoming a Critical Educator

    Defining a Classroom Identity, Designing a Critical Pedagogy
    by Patricia H. Hinchey (Author) 2004
    ©2008 Textbook
  • Title: Defining Genre and Gender in Latin Literature

    Defining Genre and Gender in Latin Literature

    Essays Presented to William S. Anderson on His Seventy-Fifth Birthday
    by William W. Batstone (Volume editor) Garth Tissol (Volume editor)
    ©2005 Monographs
  • Title: Defined by a Hollow

    Defined by a Hollow

    Essays on Utopia, Science Fiction and Political Epistemology
    by Darko Suvin (Author)
    ©2010 Monographs
  • Title: Her Art

    Her Art

    Greek Women in the Arts from Antiquity to Modernity
    by Diane Touliatos-Miles (Volume editor)
    ©2011 Edited Collection
  • Title: «How art produces art»

    «How art produces art»

    Samuel Richardsons «Clarissa» im Spiegel ihrer deutschen Übersetzungen
    by Astrid Krake (Author) Universität Münster (Author)
    ©2000 Thesis
  • Title: Art State, Art Activism and Expanded Concept of Art
  • Title: Art, Identity and Cosmopolitanism

    Art, Identity and Cosmopolitanism

    William Rothenstein and the British Art World, c.1880–1935
    by Samuel Shaw (Author) 2024
    ©2024 Monographs
  • Title: Writing Art

    Writing Art

    French Literary Responses to the Work of Alberto Giacometti
    by Emma Wagstaff (Author)
    ©2011 Monographs
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