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Stage and Screen Studies
ISSN: 1660-2560
This series of monographs is concerned with drama and allied entertainment in a wide variety of kinds in the theatre and on film, television and video screens. The emphasis is on the history and interpretation of dramatic entertainment, performance and production in regular and musical theatre, including music hall and variety stages, in para-theatrical activities, like fairground performance and festivals, and in the silent and sound cinema and on television and video. The series engages particularly with the social, political and economic contexts of drama on past and present stages and screens, considering the work of dramatists, performers, directors, designers, technicians and administrators, and will aim to be very wide-ranging in scope, its subjects spanning Classical, Medieval and Renaissance European drama and theatre, Eastern theatre forms, and international modern drama in its various performance kinds. Within this broad remit, the series hopes to publish historical, critical and theoretical studies, annotated anthologies of critical, theoretical and dramatic texts, and collections of interviews and screenplays.
10 publications
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The Ideal of «Heimat» in the Works of Hermann Hesse
©1988 Others -
Staging America, Staging the Self
Figurations of Loss in John Berryman's Dream Songs©2021 Monographs -
Sprachinselwelten – The World of Language Islands
Entwicklung und Beschreibung der deutschen Sprachinseln am Anfang des 21. Jahrhunderts. The Developmental Stages and the Description of German Language Islands at the Beginning of the 21st Century©2006 Edited Collection -
From Stage to Page
Critical Reception of Irish Plays in the London Theatre, 1925–1996©2011 Monographs -
Songbirds on the Literary Stage
The Woman Singer and her Song in French and German Prose Fiction, from Goethe to Berlioz©2015 Monographs -
Harold Pinter on International Stages
©2015 Edited Collection -
Mario Praz: Voice Centre Stage
©2019 Edited Collection -
A taxonomy of state capitalism
The developmental phases of Russia, Kazakhstan, South Korea and Singapore - a comparative institutional analysis©2021 Thesis -
Franz Kafka’s «The Trial»: Four Stage Adaptations
©2003 Thesis -
The Stage as ‘Der Spielraum Gottes’
©2006 Monographs -
Staging Separate Spheres
Theatrical Spaces as Sites of Antagonism in One-Act Plays by American Women, 1910–1930- Including Bibliographies on One-Act Plays in the United States, 1900–1940©2006 Thesis -
Ibsen and Chekov on the Irish Stage
©2019 Edited Collection