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Critical Intercultural Communication Studies
ISSN: 1528-6118
Within Communication, culture is broadly understood as a meaning-making process that evidences itself within discourse, mediated forms, and interactional instances to constitute group autonomy. Within that meaning-making process, intercultural communication considers relationships between institutions and their societies, media and their audiences, and peoples and their communities. The formalized study of intercultural communication has always been problematic; like most disciplines and subdisciplines, its usefulness and limitations emerge from the historical context in which it is studied. Developed after World War II, intercultural communication initially served as an applied area of study to train U.S. governmental and business entities for relationships beyond U.S. borders. Then, out of the struggles of the U.S. Civil Rights era, intercultural communication expanded to concern itself with relationships between differing racial and ethnic groups. By the turn of the twentieth century, some intercultural communication scholars had fully embraced studying the differential power relations between nations, communities, and individuals thus catalyzing a body of research known as critical intercultural communication. Now, heading into the middle of the twenty-first century, critical intercultural communication has come into focus as an area of study that emphasizes, explains, and seeks to resolve power relations within specific contexts, applying theories and modes of inquiry suited to contemporary issues understood within their ongoing historical dynamics. As our institutions and their societies, mediated forms and their corresponding audiences, and communities and their members continue to alter and morph, critical intercultural communication adapts to interpret and envision progressive, socially just ways forward. This series, therefore, invites scholarship that challenges status quo cultural constitutions by recognizing and problematizing hegemonic modes of belonging and being. Spanning a range of contexts, critical intercultural communication considers symbolic and performative orders across local, national, hemispheric and transnational circuits. Moreover, this series fosters interdisciplinary conversations that innovate ontological and epistemological forms, advancing a range of systematic intellectual approaches to cultural transformation and validation. The series is particularly interested in works grounded in BIPOC, decolonial, feminist, queer, crip, and/or kink perspectives that construct claims, knowledges, and theories capable of guiding society toward new social justice knowings.
45 publications
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T. S. Eliot, poeta doctus, Tradition und die Konstitution der klassischen Moderne
Mit einem Beitrag von Wolfgang Iser©2003 Edited Collection -
A Flowering Word
The Modernist Expression in Stéphane Mallarmé, T. S. Eliot, and Yosano Akiko©2000 Monographs -
Translation as Oneself
The Re-Creative Modernism in Stéphane Mallarmé’s Late Sonnets, T. S. Eliot’s "Poems</I>, and the Prose Poetry since Charles-Pierre Baudelaire©2015 Monographs -
«Dulness Never Dies«
Ein thematischer und struktureller Vergleich zwischen Alexander Popes «The Dunciad» (1742) und T. S. Eliots «The Waste Land» (1922)©2003 Thesis -
The Modernist Human
The Configuration of Humanness in Stéphane Mallarmé’s "Herodiade</I>, T. S. Eliot’s "Cats</I>, and Modernist Lyrical Poetry©2008 Monographs -
(Under)Represented Latin@s in STEM
Increasing Participation Throughout Education and the Workplace©2018 Textbook -
T.S. Eliot und Ezra Pound im Dialog mit Dante
Die Divina Commedia in der modernen Lyrik©2008 Monographs -
The Dual Reality of Salvation and the Church in Nigeria
©2017 Monographs