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  • Framing Film

    The History and Art of Cinema

    Framing Film has committed itself to the acquisition and publication of serious, high-quality film studies on topics of national and international interest. The series editors are open to a full range of scholarly methodologies and analytical approaches in the examination of cinema art and history, including topics on film theory, film and society, gender and race, politics. Cutting-edge studies and diverse points of view are particularly encouraged. Framing Film has committed itself to the acquisition and publication of serious, high-quality film studies on topics of national and international interest. The series editors are open to a full range of scholarly methodologies and analytical approaches in the examination of cinema art and history, including topics on film theory, film and society, gender and race, politics. Cutting-edge studies and diverse points of view are particularly encouraged. Framing Film has committed itself to the acquisition and publication of serious, high-quality film studies on topics of national and international interest. The series editors are open to a full range of scholarly methodologies and analytical approaches in the examination of cinema art and history, including topics on film theory, film and society, gender and race, politics. Cutting-edge studies and diverse points of view are particularly encouraged.

    20 publications

  • Title: Last Things: Essays on Ends and Endings

    Last Things: Essays on Ends and Endings

    by Gavin Hopps (Volume editor) Stella Neumann (Volume editor) Sven Strasen (Volume editor) Peter Wenzel (Volume editor) 2015
    ©2015 Edited Collection
  • Title: Multilingual Films in Translation

    Multilingual Films in Translation

    A Sociolinguistic and Intercultural Study of Diasporic Films
    by Micòl Beseghi (Author) 2017
    ©2017 Monographs
  • Title: The Peripheral Plural Endings of Nouns in Petrine Sermons

    The Peripheral Plural Endings of Nouns in Petrine Sermons

    by John Dingley (Author) 1983
    ©1983 Monographs
  • Title: Masculinities in American Western Films

    Masculinities in American Western Films

    A Hyper-Linear History
    by Emma Hamilton (Author) 2016
    Monographs
  • Title: Representations of War in Films and Novels

    Representations of War in Films and Novels

    by Richard Mason (Volume editor) Jarosław Suchoples (Volume editor) 2015
    ©2016 Edited Collection
  • Title: Film-Träume – Traum-Filme

    Film-Träume – Traum-Filme

    Hans Richters Film Dreams That Money Can Buy (1947) als poetologische Reflexion der historischen Avantgarde
    by Julia Sander (Author)
    ©2010 Monographs
  • Title: Multilingualism in Film

    Multilingualism in Film

    by Ralf Junkerjürgen (Volume editor) Gala Rebane (Volume editor) 2019
    ©2019 Edited Collection
  • Title: Meaning in Film

    Meaning in Film

    Relevant Structures in Soundtrack and Narrative
    by Dominique Nasta (Author)
    ©1991 Monographs
  • Title: Filme der Kindheit – Kindheit im Film

    Filme der Kindheit – Kindheit im Film

    Beispiele aus Skandinavien, Mittel- und Osteuropa
    by Christine Gölz (Volume editor) Karin Hoff (Volume editor) Anja Tippner (Volume editor)
    ©2010 Conference proceedings
  • Title: The Political Gesture in Pedro Costa’s Films

    The Political Gesture in Pedro Costa’s Films

    by Patrícia Sequeira Brás (Author) 2024
    ©2024 Monographs
  • Title: Films, festivals et mondes contemporains

    Films, festivals et mondes contemporains

    pour une anthropologie du visuel
    by Julie Amiot-Guillouet (Volume editor) Pietsie Feenstra (Volume editor) Julie Savelli (Volume editor) 2024
    ©2024 Edited Collection
  • Title: Identity in Postmillennial German Films on Africa

    Identity in Postmillennial German Films on Africa

    by Shikuku Emmanuel Tsikhungu (Author) 2014
    ©2014 Thesis
  • Title: Feuchtwanger and Film- Feuchtwanger und Film

    Feuchtwanger and Film- Feuchtwanger und Film

    by Ian Wallace (Volume editor)
    ©2009 Conference proceedings
  • Title: Film Mavericks in Action

    Film Mavericks in Action

    New Hollywood, New Rhetoric, and Kenneth Burke
    by Alan Taylor (Author) 2016
    ©2017 Monographs
  • Title: Children’s Film in Europe

    Children’s Film in Europe

    A Literature Review
    by Kathleen Arendt (Author) Patrick Rössler (Author) Anja Kalch (Author) Franziska Spitzner (Author)
    ©2010 Others
  • Title: Hollywood Raises Political Consciousness

    Hollywood Raises Political Consciousness

    Political Messages in Feature Films
    by Michael Haas (Volume editor) 2014
    ©2014 Textbook
  • Title: Film and Politics in India

    Film and Politics in India

    Cinematic Charisma as a Gateway to Political Power
    by Dhamu Pongiyannan (Author) 2015
    ©2015 Thesis
  • Title: What Is Film?

    What Is Film?

    by Julie N. Books (Author) 2016
    ©2016 Monographs
  • Title: Film Studies

    Film Studies

    Women in Contemporary World Cinema
    by Alexandra Heidi Karriker (Volume editor)
    ©2002 Textbook
  • Title: Film als totale Komposition

    Film als totale Komposition

    Analyse und Vergleich der Filme Mauricio Kagels
    by Christiane Hillebrand (Author)
    ©1996 Thesis
  • Title: Persönlichkeitsspaltung in Literatur und Film

    Persönlichkeitsspaltung in Literatur und Film

    Zur Konstruktion dissoziierter Identitäten in den Werken E. T. A. Hoffmanns und David Lynchs
    by Volker Pietsch (Author)
    ©2008 Thesis
  • Title: Raggedy Men

    Raggedy Men

    Masculinity in the <i>Mad Max</i> Films
    by Ezekiel Crago (Author) 2020
    ©2020 Monographs
  • Title: Der Raum im Film- L’espace dans le film

    Der Raum im Film- L’espace dans le film

    by Susanne Dürr (Volume editor) Almut Steinlein (Volume editor)
    ©2002 Edited Collection
  • Title: Irish English as Represented in Film

    Irish English as Represented in Film

    by Shane Walshe (Author)
    ©2010 Thesis
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