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  • German Visual Culture

    German Visual Culture invites research on German art across different periods, geographical locations, and political contexts. Books in the series engage with aesthetic and ideological continuities as well as ruptures and divergences between individual artists, movements, systems of art education, art institutions, and cultures of display. Challenging scholarship that interrogates and updates existing orthodoxies in the field is desirable. A guiding question of the series is the impact of German art on critical and public spheres, both inside and outside the German-speaking world. Reception is thus conceived in the broadest possible terms, including both the ways in which art has been perceived and defined as well as the ways in which modern and contemporary German artists have undertaken visual dialogues with their predecessors or contemporaries. Issues of cultural transfer, critical race theory and related postcolonial analysis, feminism, queer theory, and other interdisciplinary approaches are encouraged, as are studies on production and consumption, especially the art market, pioneering publishing houses, and the ‘little magazines’ of the avant-garde. All proposals for monographs and edited collections in the history of German visual culture will be considered, although English will be the language of all contributions. Submissions are subject to rigorous peer review. The series will be promoted through the series editor’s Research Forum for German Visual Culture (https://www.eca.ed.ac.uk/research/research-forum-german-visual-culture), which he founded at the University of Edinburgh in 2011, and which has involved various symposia and related publications, all connected to an international network of Germanist scholars.

    20 publications

  • Encounters. The Warsaw Studies in English Language Culture, Literature, and Visual Arts

    ISSN: 2191-4060

    This series offers a platform that welcomes publications dealing with culture, literature and visual arts developed in English speaking countries. We invite academic works (both essays and volume-length texts) on a wide range of topics, including historical and recent developments in literary and cultural studies. As the title "encounters" indicates, we wish this series to be a meeting point for a variety of academic approaches. Hence we encourage diverse, interdisciplinary, comparative and multi-faceted takes that may blend sophisticated, theoretical analyses with pragmatic discussions, enabling new ways of thinking and interpreting human experience.

    7 publications

  • Visual Learning

    The series “Visual Learning“ covers a range of approaches in the fields from Philosophy to Psychology and Education. The editors are professor Andras Benedek and professor Kristof Nyiri. Their research focus lies on areas like human resource development, the philosophy of communication and the philosophy of images. The series “Visual Learning“ covers a range of approaches in the fields from Philosophy to Psychology and Education. The editors are professor Andras Benedek and professor Kristof Nyiri. Their research focus lies on areas like human resource development, the philosophy of communication and the philosophy of images. The series “Visual Learning“ covers a range of approaches in the fields from Philosophy to Psychology and Education. The editors are professor Andras Benedek and professor Kristof Nyiri. Their research focus lies on areas like human resource development, the philosophy of communication and the philosophy of images.

    7 publications

  • Visual Communication

    ISSN: 2153-277X

    Visual communication is the process through which individuals in relationships, organizations, and cultures interpret and create visual messages in response to their environment, one another, and social structures. This series seeks to enhance our understanding of visual communication and it explores the role of visual communication in culture. Topics of interest include visual perception and cognition; signs and symbols; typography and image; research on graph ic design, use of visual imagery in education. On a cultural level, research on visual media analysis and critical methods that examine the larger cultural messages imbedded in visual images is welcome. By providing a variety of approaches to the analysis of visual media and messages, this book series is designed to explore issues relating to visual literacy, visual communication, visual rhetoric, visual culture, and any unique method for examining visual communication.

    16 publications

  • Artes visuales y sociedades hispánicas

    The "Visual Arts and Hispanic Societies" series is devoted to monographic or collective works in Spanish on artistic representations of the cultures of Hispanic countries, in Spain and in the Americas as well as territories or communities on other continents. The concept of ʻvisual artsʼ includes all forms of representation related to the image, whether they refer to academic arts such as photography, painting, theatre and film, or to more recent, popular and/or heterogeneous styles such as graphic novels, television, video games, street art, installations, interventions and other forms of free or ephemeral art, whether or not linked to new technologies. This collection aims to bring together authors writing from different perspectives who are interested in the social function of current or traditional art, in the way in which visual representations seek to convey critical, pragmatic, committed and/or political points of view on the conflicts through which Hispanic societies evolved in the past or are currently being transformed. La colección "Artes visuales y sociedades hispánicas" está dedicada a trabajos monográficos o colectivos en español sobre representaciones artísticas de las culturas de los países hispánicos, tanto en España y América como en algunos territorios o comunidades de otros continentes. El concepto de ʻartes visualesʼ incluye aquí toda forma de representación relacionada con la imagen, ya se refiera a artes académicas como la fotografía, la pintura, el teatro y el cine, o a estilos más recientes, populares y/o heterogéneos como la historieta, la novela gráfica, la televisión, los videojuegos, el street art, las instalaciones y otras modalidades de arte libre o efímero, ligados o no a las nuevas tecnologías. Esta colección pretende asociar a una serie de autores de horizontes diversos interesados por la función social del arte actual o tradicional, por la manera en que las representaciones visuales pretenden transmitir puntos de vista críticos, pragmáticos, comprometidos y/o políticos sobre los conflictos a través de los cuales evolucionaron en el pasado o se transforman actualmente las sociedades hispánicas. La collection "Arts visuels et sociétés hispaniques" est consacrée à des travaux monographiques ou collectifs écrits en espagnol sur les représentations artistiques des cultures des pays hispaniques, aussi bien en Espagne et en Amérique que dans certains territoires ou communautés dʼautres continents. Le concept d'ʻart visuelʼ inclut ici toutes les formes de représentation liées à lʼimage, quʼelles se réfèrent aux arts considérés comme académiques comme la photographie, la peinture, le théâtre et le cinéma, ou à des styles plus récents, populaires et/ou hétérogènes comme la bande dessinée, le roman graphique, la télévision, les jeux vidéo, le street art, les installations et autres formes dʼart libre ou éphémère, liées ou non aux nouvelles technologies. Cette collection vise à associer des auteurs d’horizons variés qui sʼintéressent à la fonction sociale de lʼart actuel ou traditionnel, ainsi qu’à la manière dont les représentations visuelles cherchent à transmettre des points de vue critiques, pragmatiques, engagés et/ou politiques sur les conflits à travers lesquels les sociétés hispaniques ont évolué dans le passé ou sont en train de se transformer.

    5 publications

  • Title: Ireland and the British Empire

    Ireland and the British Empire

    Essays on Art and Visuality
    by Fintan Cullen (Volume editor) 2023
    ©2023 Edited Collection
  • Title: The Seeming and the Seen

    The Seeming and the Seen

    Essays in Modern Visual and Literary Culture
    by Beverly Maeder (Volume editor) Jürg Schwyter (Volume editor) Ilona Sigrist (Volume editor) Boris Vejdovsky (Volume editor)
    ©2006 Others
  • Title: Visualizing Culture

    Visualizing Culture

    Analyzing the Cultural Aesthetics of the Web
    by Roxanne M. O'Connell (Author) 2013
    ©2015 Textbook
  • Title: Threat

    Threat

    Essays in French Literature, Thought and Visual Culture
    by Georgina Evans (Volume editor) Adam Kay (Volume editor) 2011
    ©2010 Conference proceedings
  • Title: Guilt and Shame

    Guilt and Shame

    Essays in French Literature, Thought and Visual Culture
    by Jenny Chamarette (Volume editor) Jenny Higgins (Volume editor) 2011
    ©2010 Conference proceedings
  • Title: Opera, Exoticism and Visual Culture

    Opera, Exoticism and Visual Culture

    by Hyunseon Lee (Volume editor) Naomi D. Segal (Volume editor) 2015
    ©2015 Edited Collection
  • Title: A Medievalist’s Gaze

    A Medievalist’s Gaze

    Christian Visual Rhetoric in Modern German Memorials (1950–2000)
    by Galit Noga-Banai (Author) 2021
    ©2022 Monographs
  • Title: Ghosts of the Revolution in Mexican Literature and Visual Culture

    Ghosts of the Revolution in Mexican Literature and Visual Culture

    Revisitations in Modern and Contemporary Creative Media
    by Erica Segre (Volume editor) 2013
    ©2013 Edited Collection
  • Title: Compressed Utterances

    Compressed Utterances

    Collage in a Germanic Context after 1912
    by Cole Collins (Volume editor) 2022
    ©2022 Edited Collection
  • Title: Visualizing Dublin

    Visualizing Dublin

    Visual Culture, Modernity and the Representation of Urban Space
    by Justin Carville (Volume editor) 2013
    ©2014 Edited Collection
  • Title: México Noir

    México Noir

    Rethinking the Dark in Contemporary Writing and Visual Culture
    by Erica Segre (Volume editor) 2019
    ©2020 Monographs
  • Title: Visual Anthropology in Sardinia

    Visual Anthropology in Sardinia

    by Silvio Carta (Author) 2014
    ©2015 Monographs
  • Title: Old Borders, New Technologies

    Old Borders, New Technologies

    Reframing Film and Visual Culture in Contemporary Northern Ireland
    by Paula Blair (Author) 2014
    ©2014 Monographs
  • Title: The Doppelgänger

    The Doppelgänger

    by Deborah Ascher Barnstone (Volume editor) 2016
    ©2016 Edited Collection
  • Title: Body Knowledge and Curriculum

    Body Knowledge and Curriculum

    Pedagogies of Touch in Youth and Visual Culture
    by Stephanie Springgay (Author)
    ©2008 Textbook
  • Title: Spectacle

    Spectacle

    by Jennifer Creech (Volume editor) Thomas O. Haakenson (Volume editor) 2015
    ©2015 Edited Collection
  • Title: Cybersounds

    Cybersounds

    Essays on Virtual Music Culture
    by Michael D. Ayers (Volume editor)
    ©2006 Textbook
  • Title: Visual Economies of/in Motion

    Visual Economies of/in Motion

    Sport and Film
    by Richard C. King (Volume editor) David J. Leonard (Volume editor)
    ©2006 Textbook
  • Title: Disorders at the Borders

    Disorders at the Borders

    In Search of the Gesamtkunstwerk in the Paintings of Anselm Kiefer
    by Matt Wates (Author) 2021
    ©2021 Monographs
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