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  • Medien und Fiktionen

    ISSN: 1616-007X

    Die Buchreihe “Medien und Fiktionen“ veröffentlicht Studien aus der Theater- und Filmwissenschaft sowie der Kommunikationswissenschaft und Publizistik. Im Fokus der Monographien stehen dabei Themen rund um die Mediengeschichte, etwa zur Rezeption von Briefen und Zeitungen in verschiedenen Jahrhunderten, sowie zur Film- und Fernsehgeschichte. Herausgeber der Reihe ist Professor Helmut Schanze, der sich schwerpunktmäßig mit Medienumbrüchen, Intermedialitätsforschung und Rhetorikforschung befasst. Die Buchreihe “Medien und Fiktionen“ veröffentlicht Studien aus der Theater- und Filmwissenschaft sowie der Kommunikationswissenschaft und Publizistik. Im Fokus der Monographien stehen dabei Themen rund um die Mediengeschichte, etwa zur Rezeption von Briefen und Zeitungen in verschiedenen Jahrhunderten, sowie zur Film- und Fernsehgeschichte. Herausgeber der Reihe ist Professor Helmut Schanze, der sich schwerpunktmäßig mit Medienumbrüchen, Intermedialitätsforschung und Rhetorikforschung befasst. Die Buchreihe “Medien und Fiktionen“ veröffentlicht Studien aus der Theater- und Filmwissenschaft sowie der Kommunikationswissenschaft und Publizistik. Im Fokus der Monographien stehen dabei Themen rund um die Mediengeschichte, etwa zur Rezeption von Briefen und Zeitungen in verschiedenen Jahrhunderten, sowie zur Film- und Fernsehgeschichte. Herausgeber der Reihe ist Professor Helmut Schanze, der sich schwerpunktmäßig mit Medienumbrüchen, Intermedialitätsforschung und Rhetorikforschung befasst.

    6 publications

  • Fiction and Reality

    The series Fiction and Reality focuses on the juxtaposition of fiction and reality. Firmly rooted in comparative Literature, its monographs and anthologies explore topics like the interaction of fiction and reality or fiction’s potential to resist reality. Not limited to classical literary studies, publications frequently explore their topics in relation to other disciplines like film, fan fiction or computer games.

    2 publications

  • Mediated Fictions

    Studies in Verbal and Visual Narratives

    ISSN: 2194-5918

    The Mediated Fiction series aims at providing a forum for studies in English Language and Literatures, but also Comparative Literature, the History of Sciences, and Slavonic Languages and Literatures. The series emphasis is on studies in Verbal and Visual Narratives. The editors, Professor Artur Blaim and Associate Professor Ludmila Gruszewska-Blaim, specialize in literary theory, cultural semiotics and fictional worlds in literature and cinema. The Mediated Fiction series aims at providing a forum for studies in English Language and Literatures, but also Comparative Literature, the History of Sciences, and Slavonic Languages and Literatures. The series emphasis is on studies in Verbal and Visual Narratives. The editors, Professor Artur Blaim and Associate Professor Ludmila Gruszewska-Blaim, specialize in literary theory, cultural semiotics and fictional worlds in literature and cinema. The Mediated Fiction series aims at providing a forum for studies in English Language and Literatures, but also Comparative Literature, the History of Sciences, and Slavonic Languages and Literatures. The series emphasis is on studies in Verbal and Visual Narratives. The editors, Professor Artur Blaim and Associate Professor Ludmila Gruszewska-Blaim, specialize in literary theory, cultural semiotics and fictional worlds in literature and cinema.

    23 publications

  • World Science Fiction Studies

    ISSN: 2296-8814

    World Science Fiction Studies understands science fiction to be an inherently global phenomenon. Proposals are invited for monographs and edited collections that celebrate the tremendous reach of a genre that continues to be interpreted and transformed by a variety of cultures and linguistic communities around the world. The series embraces this global vision of the genre but also supports the articulation of each community’s unique approach to the challenges of science, technology and society. The series encourages the use of contemporary theoretical approaches (e.g. postcolonialism, posthumanism, feminisms, ecocriticism) as well as engagement with positionalities understood through critical race and ethnicity studies, gender studies, queer theory, disability studies, class analysis, and beyond. Interdisciplinary work and research on any media (e.g. print, film, television, visual arts, video games, new media) is welcome. The language of the series is English. Advisory Board: Jinyi Chu (Yale University), Antonio Cordoba (Manhattan College), Elizabeth Ginway (University of Florida), Hugh O’Connell (University of Massachusetts, Boston), Iva Polak (University of Zagreb), Umberto Rossi (Sapienza University of Rome), Alfredo Luiz Suppia (University of Campinas), Ida Yoshinaga (Georgia Institute of Technology).

    4 publications

  • Genre Fiction and Film Companions

    ISSN: 2631-8725

    The Genre Fiction and Film Companions provide accessible introductions to key texts within the most popular genres of our time. Written by leading scholars in the field, brief essays on individual texts offer innovative ways of understanding, interpreting and reading the topics in question. Invaluable for students, teachers and fans alike, these surveys offer new insights into the most important literary works, films, music, events and more within genre fiction and film.

    25 publications

  • Title: Narratology Plus – Studies in Recent International Narratives for Children and Young Adults / Narratologie Plus – Studien zur Erzählweise in aktueller internationaler Kinder- und Jugendliteratur
  • Title: Sprachmythen – Fiktion oder Wirklichkeit?

    Sprachmythen – Fiktion oder Wirklichkeit?

    by Lieselotte Anderwald (Volume editor) 2012
    ©2012 Edited Collection
  • Title: Fiktionen und Realitäten

    Fiktionen und Realitäten

    Schriftstellerinnen im deutschsprachigen Literaturbetrieb
    by Marion Schulz (Volume editor) Brigitte Jirku (Volume editor) 2013
    ©2014 Edited Collection
  • Title: Fictions to Live In

    Fictions to Live In

    Narration as an Argument for Fiction in Salman Rushdie's Novels
    by Joel Kuortti (Author)
    ©1998 Thesis
  • Title: Intertextual Transactions in Contemporary British Fiction

    Intertextual Transactions in Contemporary British Fiction

    by Patrycja Podgajna (Author) 2021
    ©2021 Monographs
  • Title: Vom Zeugnis zur Fiktion

    Vom Zeugnis zur Fiktion

    Repräsentation von Lagerwirklichkeit und Shoah in der französischen Literatur nach 1945
    by Silke Segler-Meßner (Volume editor) Monika Neuhofer (Volume editor) Peter Kuon (Volume editor)
    ©2006 Conference proceedings
  • Title: Fictions / Realities

    Fictions / Realities

    New Forms and Interactions
    by Jörg von Brincken (Volume editor) Ute Gröbel (Volume editor) Irina Schulzki (Volume editor)
    ©2012 Monographs
  • Title: Übersetzung als Fiktion

    Übersetzung als Fiktion

    Die Rezeption der "Lettres Portugaises</I> durch Rainer Maria Rilke
    by Charlotte Frei (Author)
    ©2004 Thesis
  • Title: The Uncanny House in Elizabeth Bowen’s Fiction

    The Uncanny House in Elizabeth Bowen’s Fiction

    by Olena Lytovka (Author) 2016
    ©2016 Monographs
  • Title: Fiktionalität und Literarische Fiktion

    Fiktionalität und Literarische Fiktion

    Grundlegung der Textinterpretation 2
    by Stefan Schenk-Haupt (Author) 2025
    ©2025 Monographs
  • Title: Mediating the World in the Novels of Iain Banks

    Mediating the World in the Novels of Iain Banks

    The Paradigms of Fiction
    by Katarzyna Pisarska (Author) 2014
    ©2014 Monographs
  • Title: Die «Gläserne Decke»: Fakt oder Fiktion?

    Die «Gläserne Decke»: Fakt oder Fiktion?

    Eine literarische Spurensuche in deutschsprachigen Werken von Autorinnen
    by Dolors Sabaté Planes (Volume editor) Marion Schulz (Volume editor) 2013
    ©2010 Conference proceedings
  • Title: Welcome to the Chemical Theatre

    Welcome to the Chemical Theatre

    The Urban Chronotope in Peter Ackroyd’s Fiction
    by Marta Komsta (Author) 2015
    ©2015 Monographs
  • Title: Becoming Fiction

    Becoming Fiction

    Reassessing Atheism in Dürrenmatt's «Stoffe»
    by Olivia Gabor-Peirce (Author) 2018
    ©2017 Monographs
  • Title: Ukrainian Science Fiction

    Ukrainian Science Fiction

    Historical and Thematic Perspectives
    by Walter Smyrniw (Author) 2013
    ©2013 Monographs
  • Title: Hypermediale Fiktionen

    Hypermediale Fiktionen

    Zu einem Phänomen der Digitalen Literatur
    by Dorota Piestrak-Demirezen (Author)
    ©2009 Thesis
  • Title: Environment and Fiction

    Environment and Fiction

    Critical Readings
    by Özden Sözalan (Volume editor) Inci Bilgin Tekin (Volume editor) 2020
    ©2020 Edited Collection
  • Title: Forms and Shadows: A Cognitive-Poetic Reading of Charles Williams’s Fiction

    Forms and Shadows: A Cognitive-Poetic Reading of Charles Williams’s Fiction

    by Andrzej Sławomir Kowalczyk (Volume editor) 2017
    ©2017 Monographs
  • Title: Crime Fiction

    Crime Fiction

    A Critical Casebook
    by Stephen Butler (Volume editor) Agnieszka Sienkiewicz-Charlish (Volume editor) 2018
    ©2018 Edited Collection
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