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  • Framing Film

    The History and Art of Cinema

    Framing Film has committed itself to the acquisition and publication of serious, high-quality film studies on topics of national and international interest. The series editors are open to a full range of scholarly methodologies and analytical approaches in the examination of cinema art and history, including topics on film theory, film and society, gender and race, politics. Cutting-edge studies and diverse points of view are particularly encouraged.

    20 publications

  • Title: Frame-basierte Rechtsübersetzung

    Frame-basierte Rechtsübersetzung

    Frame-Semantik als ontologisches und rechtstranslatorisches Analyseinstrument am Beispiel französischer und bundesdeutscher Rechtstermini
    by Waldemar Nazarov (Author) 2025
    ©2025 Monographs
  • Title: Entering the Frame

    Entering the Frame

    Cinema and History in the Films of Yervant Gianikian and Angela Ricci Lucchi
    by Robert Lumley (Author)
    ©2011 Monographs
  • Title: Entering the Frame

    Entering the Frame

    Cinema and History in the Films of Yervant Gianikian and Angela Ricci Lucchi
    by Robert Lumley (Author) 2023
    ©2023 Monographs
  • Title: Breaking the Frame

    Breaking the Frame

    New School of Polish-Jewish Studies. Introduced by Jan T. Gross
    by Irena Grudzińska-Gross (Volume editor) Konrad Matyjaszek (Volume editor) 2021
    ©2022 Edited Collection
  • Title: Frames und Argumentation

    Frames und Argumentation

    Zur diskurssemantischen Operationalisierung von Frame-Relationen
    by Simon Varga (Author) 2021
    ©2020 Thesis
  • Title: Framed!

    Framed!

    Essays in French Studies
    by Lucy Bolton (Volume editor) Gerri Kimber (Volume editor) Ann Lewis (Volume editor) Michael Seabrook (Volume editor)
    ©2007 Conference proceedings
  • Title: Frames within Frames

    Frames within Frames

    The Art Museum as Cultural Artifact
    by Suzanne Oberhardt (Author)
    ©2001 Textbook
  • Title: Framing Peace

    Framing Peace

    Thinking about and Enacting Curriculum as «Radical Hope»
    by Hans Smits (Volume editor) Rahat Naqvi (Volume editor) 2014
    ©2015 Monographs
  • Title: Dangerous Dreams

    Dangerous Dreams

    Essays on American Film and Television
    by Jan Whitt (Author) 2013
    ©2013 Monographs
  • Title: Scenes in the City

    Scenes in the City

    Film Visions of Manhattan Before 9/11
    by David I. Grossvogel (Author)
    ©2003 Textbook
  • Title: Queering Contemporary French Popular Cinema

    Queering Contemporary French Popular Cinema

    Images and their Reception
    by Darren Waldron (Author)
    ©2010 Monographs
  • Title: Framing Matters

    Framing Matters

    Perspectives on Negotiation Research and Practice in Communication
    by William A. Donohue (Volume editor) Randall G. Rogan (Volume editor) Sanda Kaufman (Volume editor)
    ©2011 Textbook
  • Title: Suffrage and the Silver Screen

    Suffrage and the Silver Screen

    by Amy Shore (Author) 2014
    ©2014 Monographs
  • Title: Visual «difference»

    Visual «difference»

    Postcolonial Studies and Intercultural Cinema
    by Elizabeth Heffelfinger (Author) Laura Wright (Author) 2011
    ©2011 Textbook
  • Title: Cinematic Reveries

    Cinematic Reveries

    Gestures, Stillness, Water
    by Linda Ehrlich (Author) 2013
    ©2013 Monographs
  • Title: Contemporary African American Cinema

    Contemporary African American Cinema

    by Sheril D. Antonio (Author)
    ©2002 Textbook
  • Title: Film and Political Culture in Postwar Japan

    Film and Political Culture in Postwar Japan

    by Michael H. Gibbs (Author) 2012
    ©2012 Monographs
  • Title: Dire, Redire et Ne Pas Dire

    Dire, Redire et Ne Pas Dire

    Enjeux du Dialogue Filmique dans les «Contes des Quatre Saisons» (É. Rohmer)
    by Carmen Alberdi (Author) 2019
    ©2017 Monographs
  • Title: The Story of the Mexican Screenplay

    The Story of the Mexican Screenplay

    A Study of the Invisible Art Form and Interviews with Women Screenwriters
    by Maria Teresa DePaoli (Author) 2011
    ©2014 Textbook
  • Title: Foreign Devils

    Foreign Devils

    Exile and Host Nation in Hollywood’s Golden Age
    by Gábor Gergely (Author) 2013
    ©2013 Monographs
  • Title: Cinema & Culture

    Cinema & Culture

    Independent Film in the United States, 1980-2001
    by E. Deidre Pribram (Author)
    ©2002 Textbook
  • Title: Didn't You Used to Be Depardieu?

    Didn't You Used to Be Depardieu?

    Film as Cultural Marker in France and Hollywood
    by David I. Grossvogel (Author)
    ©2002 Textbook
  • Title: All or Nothing

    All or Nothing

    The Cinema of Mike Leigh
    by Edward Trostle Jones (Author)
    ©2004 Textbook
  • Title: Theorizing Ambivalence in Ang Lee's Transnational Cinema

    Theorizing Ambivalence in Ang Lee's Transnational Cinema

    by Chih-Yun Chiang (Author) 2012
    ©2012 Monographs
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