Framing Film

Framing Film has committed itself to the acquisition and publication of serious, high-quality film studies on topics of national and international interest. The series editors are open to a full range of scholarly methodologies and analytical approaches in the examination of cinema art and history, including topics on film theory, film and society, gender and race, politics. Cutting-edge studies and diverse points of view are particularly encouraged.

20 publications

Film Cultures

ISSN: 1663-8972

The Film Cultures series publishes high quality academic research in the field of Film Studies with an emphasis on cinema as a medium for the representation and interpretation of cultural identities throughout the world. The editors seek to encourage diversity in the theoretical backgrounds represented in the series, and invite submissions of monographs, collected papers and conference proceedings covering a broad range of film-related research disciplines.

19 publications

Stanford German Studies

ISSN: 0171-7219

16 publications

Documentary Film Cultures

ISSN: 2504-4834

This series provides a space for exploring the development of documentary film cultures in the contemporary context. The series takes an ecological approach to the study of documentary funding, production, distribution and consumption by emphasizing the interconnections between these practices and those of other media systems. It thus encourages new ways of understanding documentary films or practices as part of other, wider systems of cultural production. Volumes may focus on specific sociopolitical environments, such as that of a nation or region. Alternatively, they may explore specific themes or production practices, such as new wave documentaries, environmentalism or indigenous film communities. Studies of shared technological platforms, including films that make use of embodied technologies or using emergent distribution platforms, are also welcome. The series reflects not only the maturing of literature on documentary film and media production studies over the last two decades but also the growing interest amongst nonacademic and professional audiences in documentary texts as they occupy an increasingly hybrid cultural space: part journalism, part art cinema, part activism, part entertainment, part digital culture. Editorial Board: Jouko Aaltonen (Aalto University), John Corner (Liverpool University, UK), Yingchi Chu (Murdoch University, Australia), Jonathan Dovey (University of the West of England, Bristol), Susanna Helke (Aalto University, Finland), Anette Hill (Lund University, Sweden), Bert Hogenkamp (Netherlands Institute for Sound and Vision), Ilona Hongisto (Macquarie University, Australia), K. P. Jayasankar (Tata Institute of Social Sciences, India), Susan Kerrigan (Newcastle University, Australia), Richard Kilborn (University of Stirling), Erik Knudsen (University of Central Lancashire, UK), David MacDougall (Australian National University), Anjali Monteiro (Tata Institute of Social Sciences, Mumbai), Pablo Piedras (Universidad de Buenos Aires, Argentina), Agnieszka Piotrowska (University of Bedfordshire, UK), Laura Rascaroli (University College Cork, Ireland), Belinda Smaill (Monash University, Australia), Inge Sorensen (University of Glasgow, UK), Bjørn Sørenssen (Norwegian University of Science and Technology, Norway), Malin Walhberg (Stockholm University, Sweden), Deane Williams (Monash University, Australia), Yingjin Zhang (UC San Diego, USA)

6 publications

Studien zum Theater, Film und Fernsehen / Studies in Theatre, Film and Television

ISSN: 0721-4162

Die 1982 gegründete Schriftenreihe ist gedacht als ein Forum zur Veröffentlichung von Neuerscheinungen, die Anstöße zur Weiterentwicklung dieser Bereiche geben. Sie ist als ein Unternehmen geplant, das den schillernden Gegenstandsbereich von Theater, Film und Fernsehen durch eine Vielzahl unterschiedlicher methodischer Vorgehensweisen und inhaltlicher Akzentsetzungen in seiner ganzen Komplexität deutlich macht. So werden die einzelnen Arbeiten gleichsam als Bausteine fungieren, die in ihrer Gesamtheit den Forschungsgegenstand der Theater-, Film- und Fernsehwissenschaft widerspiegeln sollen.

40 publications

Transamerican Film and Literature

This series publishes scholarly contributions to the growing and ever-changing fields of film and literary studies across the Americas. Written in English or Spanish, the titles in this series include edited volumes, books by single authors, and translations of scholarly monographs. They typically investigate film and literature of the Americas, examining works and trends in relation to form, genre, culture, politics, historiography, and diverse areas of theory. The term "Transamerican" implies transnational perspectives on creative work from all over the Americas, with an emphasis on new assessments of Latin American work, but is not constrained to studies of multiple national cinemas or literatures, and may venture beyond the Americas for comparative purposes. It also encompasses studies of single works or bodies of work from the Americas whose thematics or aesthetics warrant attention from a broad scholarly readership. The mission of the series is to provide a site of dialogue and new collaborations between scholars working on Transamerican film and literary studies throughout the Americas and other continents, emphasizing the region's growing diversity of critical and theoretical perspectives on film and literature. Esta colección estará dedicada a publicar materiales sobre el cine y la literatura que se producen en el continente americano. Los materiales podrán estar escritos en español o en inglés, y podrán ser libros colectivos, trabajos elaborados por un autor individual, traducciones de estudios especializados, así como ediciones o traducciones académicas de textos literarios. En todos los casos serán textos orientados al estudio del cine y/o la literatura en la región continental, en términos de forma, género, cultura, política, historiografía o diversas áreas de la teoría. El término "transamerican" implica una perspectiva transnacional en los estudios sobre trabajos creativos de todo el continente americano, con énfasis en la región latinoamericana, pero no se limita a los estudios sobre los cines o las literaturas nacionales de múltiples países. Por otra parte, admite la exploración, con fines comparativos, de terrenos que rebasan esta región, y puede incorporar estudios sobre las obras individuales o sobre el cúmulo del trabajo de un solo autor cuyas temáticas o características estéticas merecen la atención de una amplia comunidad de lectores especializados. La misión de la serie es ofrecer un espacio para el diálogo entre los investigadores que estudian el cine y la literatura en el continente americano y en otras regiones, así como enfatizar la existencia de una creciente diversidad de perspectivas teóricas y analíticas.

5 publications

Contemporary Film, Television, and Video

ISSN: 1543-0863

The Contemporary Film, Television, and Video Studies series seeks to publish serious, scholarly materials about contemporary American and international film, television, and video practices. Topics of interest include studies of national media practices, the globalization of media production and consumption, and studies of important and influential media practitioners. Submission of single author manuscripts and edited collections of essays from a wide range of theoretical and methodological perspectives are invited. The Contemporary Film, Television, and Video Studies series seeks to publish serious, scholarly materials about contemporary American and international film, television, and video practices. Topics of interest include studies of national media practices, the globalization of media production and consumption, and studies of important and influential media practitioners. Submission of single author manuscripts and edited collections of essays from a wide range of theoretical and methodological perspectives are invited. The Contemporary Film, Television, and Video Studies series seeks to publish serious, scholarly materials about contemporary American and international film, television, and video practices. Topics of interest include studies of national media practices, the globalization of media production and consumption, and studies of important and influential media practitioners. Submission of single author manuscripts and edited collections of essays from a wide range of theoretical and methodological perspectives are invited.

2 publications

Genre Fiction and Film Companions

ISSN: 2631-8725

The Genre Fiction and Film Companions provide accessible introductions to key texts within the most popular genres of our time. Written by leading scholars in the field, brief essays on individual texts offer innovative ways of understanding, interpreting and reading the topics in question. Invaluable for students, teachers and fans alike, these surveys offer new insights into the most important literary works, films, music, events and more within genre fiction and film.

25 publications

German Visual Culture

German Visual Culture invites research on German art across different periods, geographical locations, and political contexts. Books in the series engage with aesthetic and ideological continuities as well as ruptures and divergences between individual artists, movements, systems of art education, art institutions, and cultures of display. Challenging scholarship that interrogates and updates existing orthodoxies in the field is desirable. A guiding question of the series is the impact of German art on critical and public spheres, both inside and outside the German-speaking world. Reception is thus conceived in the broadest possible terms, including both the ways in which art has been perceived and defined as well as the ways in which modern and contemporary German artists have undertaken visual dialogues with their predecessors or contemporaries. Issues of cultural transfer, critical race theory and related postcolonial analysis, feminism, queer theory, and other interdisciplinary approaches are encouraged, as are studies on production and consumption, especially the art market, pioneering publishing houses, and the ‘little magazines’ of the avant-garde. All proposals for monographs and edited collections in the history of German visual culture will be considered, although English will be the language of all contributions. Submissions are subject to rigorous peer review. The series will be promoted through the series editor’s Research Forum for German Visual Culture (https://www.eca.ed.ac.uk/research/research-forum-german-visual-culture), which he founded at the University of Edinburgh in 2011, and which has involved various symposia and related publications, all connected to an international network of Germanist scholars.

20 publications

German Life and Civilization

ISSN: 0899-9899

German Life and Civilization contributes to a critical understanding of Central European cultural history from medieval times to the present. Culture is here defined in the broadest sense, comprising expressions and representations in literature, music, performative and pictorial arts, and media, as well as political and sociohistorical developments in the texture of everyday life. Building on its strengths in GDR scholarship and political literature, the series also seeks to explore newer thematic trends such as human entanglements with the environment and natural world, and transnational and minority communities. The series aims to foster progressive and inclusive scholarship that aspires to a synthetic view of culture by crossing traditional disciplinary boundaries. Manuscripts in both English and German are subject to a robust external peer review process. Series Editor: Kristopher Imbrigotta (University of Puget Sound) Series founder: Jost Hermand (University of Wisconsin) Advisory Board: Stephen Brockmann (Carnegie Mellon), Jason Groves (University of Washington), Brigitte Jirku (University of Valencia), Teresa Kovacs (Indiana University), Anke Pinkert (University of Illinois), Caroline Rupprecht (City University of New York), Marc Silberman (University of Wisconsin), Didem Uca (Emory University)

74 publications

German Studies in Canada

ISSN: 0938-2704

13 publications

The Enlightenment German and Interdisciplinary Studies

ISSN: 1043-576X

5 publications