DDR- Studien / East German Studies

DDR-Studien/East German Studies series consists of scholarly monographs, in English or German, on topics in the humanities and social sciences pertaining to the (former) German Democratic Republic. This series is not restricted to literary topics, it is intended to focus on East German culture and society in the broadest sense.

16 publications

Stanford German Studies

ISSN: 0171-7219

16 publications

South-East European History

ISSN: 2768-7562

Series Editor: Mihai Dragnea (Balkan History Association) This single-blind peer reviewed series is published in conjunction with the Balkan History Association and comprises original, high-quality disciplinary and interdisciplinary comparative study of South-East Europe from ancient to contemporary times. It welcomes submissions in several formats, including monographs, edited volumes, conference proceedings, and short form publications on various sub-disciplines of history—political, cultural, military, economic, urban, literary, oral, or the history of science communication—art history, history of religions and archaeology. Each volume may contain up to 20 black-and-white images. Proposals and author/volume editor CV should be sent to: mihaidragnea2018@gmail.com

25 publications

Crosscurrents: New Studies on the Middle East

ISSN: 2381-2443

"This series will publish book-length manuscripts pertaining to the peoples of the Middle East. The Middle East is understood in the broadest sense associated with the term, and is reflective of widely shared socio-religious patterns, histories, and heritages. For the purpose of this series, the Middle East will include what is more commonly referred to as the Near East (Lebanon, Syria, Jordan, Israel/Palestine); North Africa (Egypt, Libya, Tunisia, Algeria, Morocco, Mauritania, Mali, Chad, the Sudans, and Somalia); Turkey and Iran; Saudi Arabia, Yemen, and the countries of the Arab Gulf; and, finally, Afghanistan, Pakistan, and the Central Asian Republics. The series will be interdisciplinary and inclusive of diverse topics and methodologies. Representative fields will include art, art history, architecture, language and literature, history, politics, economics, and religion. Reinterpretations, as well as investigations of the hitherto uninvestigated, will be especially welcomed. "

5 publications

Uni Slovakia

ISSN: 2366-2697

15 publications

Studies in East Asian Literatures and Cultures

0 publications

Cinema and Media Cultures in the Middle East

ISSN: 2770-9051

The purpose of this series is to demarcate and critically examine the shifting terrain of film- and media-making in the Middle East, and of practices of film and media studies regarding it, testing them both against their larger, social enabling conditions at the national, regional, and transnational levels. Titles in the series will engage recent developments in the field of Middle East film and media studies and will help point the field in an intellectually meaningful, pedagogically effective direction in relation to both current and, in some cases, significant, previously ignored older work. The series is conceived at a moment during which Middle Eastern film and film criticism have begun to develop in new directions. Recent years have witnessed a modest increase in scholarly engagement with topics and modes of inquiry often previously considered outside academic discourse. A handful of books and special journal issues published in English over the past half-decade, focusing on specific Middle Eastern countries, such as Tunisia, Morocco, Syria, Iran, Palestine/Israel and Turkey, as well as the long-overdue establishment of cinema studies as an emerging field of academic inquiry within universities located in the Arab world indicate a preponderance of previously unproblematized issues now circulating within the field. These include critical questions from queer and transgendered perspectives about the representation of women, and from indigenous and settler-colonial studies perspectives about the representation of migrant workers and refugees, the growing importance of documentary, digital animation and hybrid shooting, the continuing influence of global cinema imperatives, and the revival of interest in militant, revolutionary and third cinema aesthetics.

2 publications

American University Studies

The books within this series include a broad range of topics within the category of english language and literature. Typically, they are excellent monographs that have been subjected to a rigorous peer-review process. They tend to be written on topics that would not be suitable for our more specific series within each discipline. Many of the titles have won national and international awards. These books can be found in university library collections around the world.

81 publications

Higher Ed

What are the purposes of higher education? When undergraduates 'declare their majors,' they agree to enter into a world defined by the parameters of a particular academic discourse, a discipline. But who decides those parameters? How do they come about? What are the discussions and proposed outcomes of disciplined inquiry? What should an undergraduate know to be considered educated in a discipline? How does the disciplinary knowledge base inform its pedagogy? Why are there different disciplines? When has a discipline 'run its course'? Where do new disciplines come from? Where do old ones go? How does a discipline produce its knowledge? What are the meanings and purposes of disciplinary research and teaching? What are the key questions of disciplined inquiry? What questions are taboo within a discipline? What can the disciplines learn from one another? What might they not want to learn and why? Once we begin asking these kinds of questions, positionality becomes a key issue. One reason why there aren't many books on the meaning and purpose of higher education is that once such questions are opened for discussion, one's subjectivity becomes an issue with respect to the presumed objective stances of Western higher education. Academics don't have positions because positions are 'biased,' 'subjective,' 'slanted,' and therefore somehow invalid. So the first thing to do is to provide a sense, however broad and general, of what dinds of positionalities will inform the books and chapters on the above questions. Certainly the questions themselves, and any others we might ask, are already suggesting a particular 'bent,' but as the series takes shape, the authors we engage will no doubt have positions on these questions. From the stance of interdisciplinary, multidisciplinary, or transdisciplinary practitioners, will the chapters and books we solicit solidify disciplinary discourses, or liquefy them? Depending on who is asked, interdisciplinary inquiry is either a polite collaboration among scholars firmly situated in their own particular discourses, or it is a blurring of the restrictive parameters that define the very notion of disciplinary discourse. So will the series have a stance on the meaning and purpose of interdisciplinary inquiry and teaching? This can possibly be finessed by attracted thinkers from disciplines that are already multicisciplinary, e.g., the various knids of 'studies' programs (Women's, Islamic, American, Cultural, etc.), or the hybrid disciplines like Ethnomusicology (Musicology, Folklore, Anthropology). But by including people from these fields (areas? disciplines?) in our series, we are already taking a stand on disciplined inquiry. A question on the comprehensive exam for the Columbia University Ethnomusicology Program was to defend Ethnomusicology as a 'field' or a 'discipline.' One's answer determined one's future, at least to the extent that the gatekeepers had a say in such matters. So, in the end, what we are proposing will no doubt involve political struggles.

31 publications

German Life and Civilization

ISSN: 0899-9899

German Life and Civilization contributes to a critical understanding of Central European cultural history from medieval times to the present. Culture is here defined in the broadest sense, comprising expressions and representations in literature, music, performative and pictorial arts, and media, as well as political and sociohistorical developments in the texture of everyday life. Building on its strengths in GDR scholarship and political literature, the series also seeks to explore newer thematic trends such as human entanglements with the environment and natural world, and transnational and minority communities. The series aims to foster progressive and inclusive scholarship that aspires to a synthetic view of culture by crossing traditional disciplinary boundaries. Manuscripts in both English and German are subject to a robust external peer review process. Series Editor: Kristopher Imbrigotta (University of Puget Sound) Series founder: Jost Hermand (University of Wisconsin) Advisory Board: Stephen Brockmann (Carnegie Mellon), Jason Groves (University of Washington), Brigitte Jirku (University of Valencia), Teresa Kovacs (Indiana University), Anke Pinkert (University of Illinois), Caroline Rupprecht (City University of New York), Marc Silberman (University of Wisconsin), Didem Uca (Emory University)

74 publications

Sport in East and Southeast Asian Societies

ISSN: 2689-3479

10 publications

German Visual Culture

This series invites research on all aspects of German visual culture – including art, architecture, film and media – across different periods, geographical locations, and political contexts. Books in the series engage with aesthetic and ideological continuities as well as ruptures and divergences between individual creators, movements, educational systems, art institutions, and cultures of display. Challenging scholarship that interrogates and updates existing orthodoxies in the field is desirable. A guiding question of the series is the impact of German visual culture on critical and public spheres, both inside and outside the German-speaking world. Reception is thus conceived in the broadest possible terms, including both the ways in which visual culture has been perceived and defined as well as the ways in which modern and contemporary German creators have undertaken visual dialogues with their predecessors or contemporaries. The series welcomes cross-disciplinary approaches from art history, anthropology, material culture; the histories of science, perception, medicine, and technology; and the history of ideas. Issues of cultural transfer, critical race theory and related postcolonial analysis, feminism, queer theory, and other interdisciplinary approaches are encouraged, as are studies on production and consumption, the art market, pioneering publishing houses, and the mass media, including film and illustrated magazines. All proposals for monographs and edited collections in the history of German visual culture will be considered. Contributions in English and German are welcome. Submissions are subject to rigorous peer review. This series was previously edited by Professor Christian Weikop, from 2018 to 2025, during which time he connected his Research Forum for German Visual Culture at the University of Edinburgh with the series.

20 publications

German Studies in Canada

ISSN: 0938-2704

13 publications

The Enlightenment German and Interdisciplinary Studies

ISSN: 1043-576X

5 publications

German Studies in America

ISSN: 0721-3727

German Studies in America publishes research across the field of German studies in the broadest sense, from literary criticism to cultural studies. The editors welcome scholarly work that takes an innovative approach to German, Swiss, or Austrian history, literature, politics, philosophy, national identity, religion, popular culture, film, music, and/or visual art. We are also eager to consider projects that adopt interdisciplinary and intersectional approaches as well as studies with theoretical approaches including psychoanalysis, gender studies, feminism, Marxism, critical race studies, etc. We publish scholarly monographs, translations and edited volumes of essays in both German and English. This series adheres to the highest academic standards and is peer reviewed.

71 publications

History of Culture of the Modern Near and Middle East

ISSN: 2199-837X

Die 1980 als Heidelberger Orientalische Studien von Anton Schall begründete und von Michael Ursinus, Raoul Motika und Christoph Herzog unter dem Titel Geschichte und Kultur des modernen Vorderen Orients (Heidelberger Studien) fortgeführte Reihe veröffentlicht monographische Studien und Sammelbände zu Fragen der Sozial-, Wirtschafts-, Geistes- und Regionalgeschichte des Vorderen Orients und Irans ab dem 15. Jahrhundert bis in die Gegenwart. Sie legt dabei ihren Schwerpunkt insbesondere auf Arbeiten, die die Erschließung und Auswertung bisher unbeachteten oder unerschlossenen Quellenmaterials in ihren Mittelpunkt stellen und konzentriert sich in geographischer Hinsicht auf die Gebiete des Osmanischen Reiches und seiner Nachfolgestaaten, veröffentlicht aber auch Arbeiten zu benachbarten Regionen. Die Bände 1 - 36 sind in der Reihe Heidelberger Studien zur Geschichte und Kultur des modernen Vorderen Orients erschienen.

4 publications

Studies in Modern German Literature

This series is continued as Studies in Modern German and Austrian Literature, edited by Robert Vilain. This series is continued as Studies in Modern German and Austrian Literature, edited by Robert Vilain. This series is continued as Studies in Modern German and Austrian Literature, edited by Robert Vilain.

91 publications

German Linguistic and Cultural Studies

At a time when German Studies faces a serious challenge to its identity and position in the European and international context, this new series aims to reflect the increasing importance of both culture (in the widest sense) and linguistics to the study of German in Britain and Ireland. GLCS will publish monographs and collections of essays of a high scholarly standard which deal with German in its socio-cultural context, in multilingual and multicultural settings, in its European and international context and with its use in the media. The series will also explore the impact on German society of particular ideas, movements and economic trends and will discuss curriculum provision and development in universities in the United Kingdom and the Republic of Ireland. Contributions in English or German will be welcome. At a time when German Studies faces a serious challenge to its identity and position in the European and international context, this new series aims to reflect the increasing importance of both culture (in the widest sense) and linguistics to the study of German in Britain and Ireland. GLCS will publish monographs and collections of essays of a high scholarly standard which deal with German in its socio-cultural context, in multilingual and multicultural settings, in its European and international context and with its use in the media. The series will also explore the impact on German society of particular ideas, movements and economic trends and will discuss curriculum provision and development in universities in the United Kingdom and the Republic of Ireland. Contributions in English or German will be welcome. At a time when German Studies faces a serious challenge to its identity and position in the European and international context, this new series aims to reflect the increasing importance of both culture (in the widest sense) and linguistics to the study of German in Britain and Ireland. GLCS will publish monographs and collections of essays of a high scholarly standard which deal with German in its socio-cultural context, in multilingual and multicultural settings, in its European and international context and with its use in the media. The series will also explore the impact on German society of particular ideas, movements and economic trends and will discuss curriculum provision and development in universities in the United Kingdom and the Republic of Ireland. Contributions in English or German will be welcome.

27 publications

Currents in Media, Social and Religious Movements in the Middle East

ISSN: 2576-2133

4 publications

Neue Forschungen zur ostmittel- und südosteuropäischen Geschichte / New Researches on East Central and South East European History / Recherches nouvelles sur l'histoire de l'Europe centrale et orientale

ISSN: 1867-013X

Im Bereich der Geschichtswissenschaft publiziert die Reihe “Neue Forschungen zur ostmittel- und südosteuropäischen Geschichte“ Monographien und Sammelbände zur Kulturpolitik insbesondere Österreich-Ungarns. Die Forschungsschwerpunkte der Herausgeber der Reihe, Professor Harald Heppner und Ulrike Tischler-Hofer, liegen auf Historiographie, allgemeinen Strukturfragen und Geschichtskultur sowie Kulturpolitik, transnationalen Beziehungen und Interkulturalität.

17 publications

Russian and East European Studies in Aesthetics and the Philosophy of Culture

This series treats such issues as art es a social phenomenon, categories of aesthetic analysis, social origins of taste, mathematical aspects of aesthetic analysis, and the material basis of cultural change. Contributors include distinguished scholars from Russia and other East European countries. This series treats such issues as art es a social phenomenon, categories of aesthetic analysis, social origins of taste, mathematical aspects of aesthetic analysis, and the material basis of cultural change. Contributors include distinguished scholars from Russia and other East European countries. This series treats such issues as art es a social phenomenon, categories of aesthetic analysis, social origins of taste, mathematical aspects of aesthetic analysis, and the material basis of cultural change. Contributors include distinguished scholars from Russia and other East European countries.

3 publications

Contemporary German Writers and Filmmakers

Contemporary German Writers and Filmmakers aims to reflect the continuing and dynamic developments in German culture since the reunification of Germany in 1990. The fall of communism, the forging of the new Berlin Republic and increasing ethnic diversity have coincided with growing international acclaim for writers of German (such as Nobel Laureates Günter Grass, Elfriede Jelinek and Herta Müller) and renewed interest in German cinema (such as the award-winning film Das Leben der Anderen / The Lives of Others). Each volume is devoted to the work of a contemporary German-speaking novelist, poet, playwright or filmmaker, containing an interview with its subject and, in the case of writers, an original piece of previously unpublished writing presented in parallel English translation. The other chapters on key aspects of the emerging œuvre and its international significance are by scholars in the field. As the volumes are intended for readers with little or no knowledge of German, all quotations are translated into English. The volumes are designed as a resource for specialists and students alike and to stimulate debate within and beyond the academy. Proposals for new volumes on significant contemporary practitioners in the literary and cinematic fields are welcomed. The language of the series is English.

8 publications

Studies in German Jewish History

7 publications

New Directions in German-American Studies

It is the purpose of this series to subject the large topic of German-America to new critical scrutiny. It does so as an international collaborative effort among scholars in disciplines ranging from modern languages to political history, from American Studies to anthropology, who present independently conceived publications as part of the larger project. Reimagined as part of multilingual America, the new examinations of the German-American tradition in this series offer not only new approaches to German-American studies, but they also force new thinking about what constitutes “German literature” and what have been the defining, though too little recognized, multilingual features of “American literature." It is the purpose of this series to subject the large topic of German-America to new critical scrutiny. It does so as an international collaborative effort among scholars in disciplines ranging from modern languages to political history, from American Studies to anthropology, who present independently conceived publications as part of the larger project. Reimagined as part of multilingual America, the new examinations of the German-American tradition in this series offer not only new approaches to German-American studies, but they also force new thinking about what constitutes “German literature” and what have been the defining, though too little recognized, multilingual features of “American literature." It is the purpose of this series to subject the large topic of German-America to new critical scrutiny. It does so as an international collaborative effort among scholars in disciplines ranging from modern languages to political history, from American Studies to anthropology, who present independently conceived publications as part of the larger project. Reimagined as part of multilingual America, the new examinations of the German-American tradition in this series offer not only new approaches to German-American studies, but they also force new thinking about what constitutes “German literature” and what have been the defining, though too little recognized, multilingual features of “American literature."

8 publications