Language as Social Action

This series explores new and exciting advances in the ways in which language both reflects and fashions social reality – and thereby constitutes critical means of social action. As well as these being central foci in face-to-face interactions across different cultures, they also assume significance in the ways that language functions in the mass medias, new technologies, organizations, and social institutions. Language As Social Action does not uphold apartheid against any particular methodological and/or ideological position, but, rather, promotes (wherever possible) cross-fertilization of ideas and empirical data across the many, all-too-contrastive, social scientific approaches to language and communication. Contributors to the series will also accord due attention to the historical, political, and economic forces that contextually bound the ways in which language patterns are analyzed, produced, and received. The series will also provide an important platform for theory-driven works that have profound, and oftentimes provocative, implications for social policy.

37 publications

The Art and Science of Music Teaching and Performance

Musicians in the practice room, during instruction, and on the stage will benefit from a critical discussion of vital issues from an interdisciplinary perspective. Whether the examination of the acquisition of musical expertise, or the evaluation of teaching methods and learning strategies based on neuroscience and psychology, this series will emphasize scientific research combined with experiental knowledge that can only be gained from the actual practice of musical performance and education. Musicians in the practice room, during instruction, and on the stage will benefit from a critical discussion of vital issues from an interdisciplinary perspective. Whether the examination of the acquisition of musical expertise, or the evaluation of teaching methods and learning strategies based on neuroscience and psychology, this series will emphasize scientific research combined with experiental knowledge that can only be gained from the actual practice of musical performance and education.

2 publications

Ästhetische Signaturen

ISSN: 2191-5156

Literarische Texte gehorchen eigenen Konstruktionsprinzipien. Diese wandeln sich nicht nur im Laufe der Zeit, sondern auch innerhalb einer Epoche und im Werk eines Autors. Die Reihe Ästhetische Signaturen möchte den genuin ästhetischen und poetologischen Gehalt von Einzeltexten, Werken einzelner Autorinnen und Autoren und literarischer Epochen herausstellen. Sie macht es sich mit der Untersuchung der spezifischen Merkmale von literarischen Texten zur Aufgabe, die ästhetische Signatur von Werken und Werkgruppen herauszuarbeiten und über die Jahrhunderte hinweg zu vergleichen.

7 publications

The City as Place: Emotions, Experiences, and Meanings

ISSN: 2632-0924

The purpose of this series is to examine the city as a lived place. Specifically, we are interested in the ways in which the city is invested with meaning through everyday lived experiences. The series is particularly interested in submissions that focus on the perceptual and felt dimensions of urban places through exploring the experiential, emotional, sensory, and affective dimensions that contribute to how people behave in, feel about, and move around in cities. Books in this series will interrogate the relationship between people and place through a focus on the diverse ways in which subjective and intimate feelings are fundamental constituents of the urban experience. We encourage authors to examine the city as a lived place from a range of different perspectives, and to be inclusive of individual and collective voices in the city to better understand the historical development and contemporary evolution of diverse urban settings. Some of the questions we seek to explore through the series include, but are not restricted to: How is the city experienced, by whom, and how does this change over time? Who shapes the experience of the city and for what reasons? How do individual and shared joy, fear, pride, nostalgia, disgust, or other emotions, shape the meanings attributed to urban spaces? How does the lived experience of, and emotional connections to, urban places inform the way particular spaces within cities are preserved and memorialized, or alternatively demolished and redeveloped? In what ways is our understanding of the lived experience of the city sharpened through the lens of comparative, transnational, and global approaches? The series seeks to examine the real and the imaginary, the representational and the non-representational, the historical and the contemporary, the remembered and the recreated in all historical periods including research on the twenty-first-century city. The series is open to work covering all geographic areas, and we encourage authors, where possible and relevant, to situate their studies in comparative, transnational, or global perspectives. Books may be published in English or in French. Series Editors: Dr Rebecca Madgin, Urban Studies, University of Glasgow and Dr Nicolas Kenny, History, Simon Fraser University. Advisory Board: Dr Anneleen Arnout (Radboud), Prof. Katie Barclay (Macquarie), Prof. Steven Cooke (Deakin), Prof. Nicole Eustace (NYU), Prof. Sian Jones (Stirling), Dr James Lesh (Melbourne), Prof. Piroska Nagy (Québec à Montréal), Dr Joseph Prestel (FU Berlin), Prof. Roey Sweet (Leicester), Prof. Astrid Swenson (Bayreuth).

2 publications

Contributions to English and American Literary Studies (CEALS)

ISSN: 2366-5068

Contributions to English and American Literary Studies provides visibility for excellent work on English, American and Anglophone literatures. The series publishes monographs and thematically focused volumes by emerging as well as established scholars engaged in exploring literary writing from the early modern period to the present as a rich imaginary form of cultural, political, and intellectual analysis. Open to a variety of theories and methods, CEALS is dedicated to strengthening the scholarly discussion of literary texts and their interconnections with cultural and historical, transatlantic and global contexts. Book proposals are welcome and may be submitted to the editors. All publications will be peer reviewed. Editorial board: Martine W. Brownley (Emory University, Atlanta) Andrew Hadfield (University of Sussex, Brighton) Heinz Ickstadt (Free University of Berlin) David James (University of Birmingham) Maurice S. Lee (Boston University) Marek Paryż (University of Warsaw) Gill Plain (University of St. Andrews) Andrew Sanders (Durham University) Hans Ulrich Seeber (University of Stuttgart) Contributions to English and American Literary Studies provides visibility for excellent work on English, American and Anglophone literatures. The series publishes monographs and thematically focused volumes by emerging as well as established scholars engaged in exploring literary writing from the early modern period to the present as a rich imaginary form of cultural, political, and intellectual analysis. Open to a variety of theories and methods, CEALS is dedicated to strengthening the scholarly discussion of literary texts and their interconnections with cultural and historical, transatlantic and global contexts. Book proposals are welcome and may be submitted to the editors. All publications will be peer reviewed. Editorial board: Martine W. Brownley (Emory University, Atlanta) Andrew Hadfield (University of Sussex, Brighton) Heinz Ickstadt (Free University of Berlin) David James (University of Birmingham) Maurice S. Lee (Boston University) Marek Paryż (University of Warsaw) Gill Plain (University of St. Andrews) Andrew Sanders (Durham University) Hans Ulrich Seeber (University of Stuttgart) Contributions to English and American Literary Studies provides visibility for excellent work on English, American and Anglophone literatures. The series publishes monographs and thematically focused volumes by emerging as well as established scholars engaged in exploring literary writing from the early modern period to the present as a rich imaginary form of cultural, political, and intellectual analysis. Open to a variety of theories and methods, CEALS is dedicated to strengthening the scholarly discussion of literary texts and their interconnections with cultural and historical, transatlantic and global contexts. Book proposals are welcome and may be submitted to the editors. All publications will be peer reviewed. Editorial board: Martine W. Brownley (Emory University, Atlanta) Andrew Hadfield (University of Sussex, Brighton) Heinz Ickstadt (Free University of Berlin) David James (University of Birmingham) Maurice S. Lee (Boston University) Marek Paryż (University of Warsaw) Gill Plain (University of St. Andrews) Andrew Sanders (Durham University) Hans Ulrich Seeber (University of Stuttgart)

10 publications

Irish Studies

The popularity of Irish Studies among both students and scholars has grown very markedly since the 1980s, extending well beyond Ireland. This series is designed to serve and foster that interest. The scholarly range of the series is multidisciplinary, including research in Irish history, literature, politics and cultural studies, and we welcome suggestions for publication whether specific or broadly-based. The popularity of Irish Studies among both students and scholars has grown very markedly since the 1980s, extending well beyond Ireland. This series is designed to serve and foster that interest. The scholarly range of the series is multidisciplinary, including research in Irish history, literature, politics and cultural studies, and we welcome suggestions for publication whether specific or broadly-based. The popularity of Irish Studies among both students and scholars has grown very markedly since the 1980s, extending well beyond Ireland. This series is designed to serve and foster that interest. The scholarly range of the series is multidisciplinary, including research in Irish history, literature, politics and cultural studies, and we welcome suggestions for publication whether specific or broadly-based.

9 publications

ALPH: Arbeiten zur Literarischen Phantastik / ALPH: Approaches to Literary Phantasy

This series has been terminated after vol. 9. ALPH: in Coleridge’s poem Kubla Khan, this is a subterranean river based on the Greek Alphaios, which connects different worlds and thus creates new spaces in secret and surprising ways. The title Alph thus stands for works of fantastic literature/phantasy to which this series devotes new and exciting studies, from all ranges of anglophone writing, but also from other languages. Interdisciplinary and comparative studies are particularly welcome. Band 9 schließt diese Reihe ab. ALPH: In Coleridges Gedicht Kubla Khan ist dies ein unterirdischer Fluss, dem griechischen Alphaios entlehnt, der verschiedene Welten verbindet und dabei auf phantastische Weise neue Räume aufdeckt. Darum geht es in den Büchern dieser Reihe, in der neue Studien zur phantastischen Literatur erscheinen, insbesondere, aber nicht nur, der englischsprachigen Welt. Interdisziplinäre und komparatistische Arbeiten sind besonders willkommen.

9 publications

Africa in the Global Space

ISSN: 2576-3598

The Africa in the Global Space series is an innovative and scholarly space providing analyses and interrogations of diverse perspectives on Africa’s role and contributions to the global socio-cultural, political, educational and developmental debates. The series provides an-up-to-date scholarly appraisal to critical questions and research on the continental trends on various subjects and concerns of paramount importance to globalization and development in Africa (politics, democracy, education, economics, philosophy, religion, gender, technology, global relationships and the role of government and non-governmental organizations). The series is dedicated to increasing the understanding of Africa’s internal and international relations, and developmental trends and policies through comparative, cross-cultural and international perspectives. This essential series that is developed by an international editorial board of emerging and established scholars is a visionary and interdisciplinary space that engages informed debates on Africa’s participation in the global nexus.

18 publications

Literary and Cultural Theory

The objective of the Literary and Cultural Theory series is to publish works, collections of articles, and conference proceedings which aim at transgressing boundaries of single disciplines and at creating common space within which themes and methodologies of those single disciplines merge and contribute to the production of a novel approach to culture, literature, and philosophy. Within thus conceived area of the humanities we place particular emphasis on: first, interdisciplinarity (both in terms of topics and methodology) and, secondly, on theoretical (or theorizing) approach, i.e., an approach which not only aims at describing cultural and literary phenomena, but also at revealing their mechanisms and multiple interrelationships, visible sometimes only when boundaries of disciplines are transgressed, and when areas of overlap are identified. Those priorities do not exclude publication of volumes within what has traditionally been considered the realm of literary studies, as long as the critical and theorizing attitude is maintained. Editors Homepage : Prof. Dr. Wojciech Kalaga

62 publications

Africa-American Literary Investigations

1 publications

Studies in Literary Criticism and Theory

The focus of this series is on studies of all literary genres that elucidate and interpret works of art in the context of criticism and theory. Theory and criticism are held to provide the hermeneutically most rewarding access to specific authors, works, and issues under consideration. Studies of a comparative nature with special reference to issues of literary history, criticism, and postmodern theory are the distinctive features of this monograph series. Emphasis is on subjects that may set trends, generate discussion, expand horizons beyond present perspectives, and/or redefine previously held notions about "major" and "minor" authors and their achievements within or outside the canon. Approaches may center on works, authors, or abstract notions of criticism and/or theory, including issues of a comparative nature concerning world literature. The focus of this series is on studies of all literary genres that elucidate and interpret works of art in the context of criticism and theory. Theory and criticism are held to provide the hermeneutically most rewarding access to specific authors, works, and issues under consideration. Studies of a comparative nature with special reference to issues of literary history, criticism, and postmodern theory are the distinctive features of this monograph series. Emphasis is on subjects that may set trends, generate discussion, expand horizons beyond present perspectives, and/or redefine previously held notions about "major" and "minor" authors and their achievements within or outside the canon. Approaches may center on works, authors, or abstract notions of criticism and/or theory, including issues of a comparative nature concerning world literature. The focus of this series is on studies of all literary genres that elucidate and interpret works of art in the context of criticism and theory. Theory and criticism are held to provide the hermeneutically most rewarding access to specific authors, works, and issues under consideration. Studies of a comparative nature with special reference to issues of literary history, criticism, and postmodern theory are the distinctive features of this monograph series. Emphasis is on subjects that may set trends, generate discussion, expand horizons beyond present perspectives, and/or redefine previously held notions about "major" and "minor" authors and their achievements within or outside the canon. Approaches may center on works, authors, or abstract notions of criticism and/or theory, including issues of a comparative nature concerning world literature.

21 publications