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«Polish Risorgimento»
Visions of the Modern Polish Nation and their Italian Foundations©2013 Monographs -
Intellectual Communities and Partnerships in Italy and Europe
Studies in Honour of Mark Davie©2012 Others -
Patterns of Patronage in Renaissance Rome
Francesco Sperulo: Poet, Prelate, Soldier, Spy - Volume I©2015 Monographs -
The Italians Who Built Toronto
Italian Workers and Contractors in the City’s Housebuilding Industry, 1950–1980©2014 Monographs -
Patterns of Patronage in Renaissance Rome
Francesco Sperulo: Poet, Prelate, Soldier, Spy – Volume II©2015 Monographs -
Storytelling in the Spectators / Storytelling dans les spectateurs
©2020 Conference proceedings -
Friedrich Leopold Graf zu Stolberg and the German Romantics
©2005 Monographs -
Italian National Identity in the Scramble for Africa
Italy’s African Wars in the Era of Nation-building, 1870-1900©2009 Monographs -
Patterns of Patronage in Renaissance Rome
Francesco Sperulo: Poet, Prelate, Soldier, Spy - Volume I and Volume IIMonographs -
Publishing Translations in Fascist Italy
©2010 Monographs -
The Italians Who Built Toronto
Italian Workers and Contractors in the City’s Housebuilding Industry, 1950–1980©2023 Monographs -
Studies in Contemporary Women’s Writing
ISSN: 2235-4123
A series founded by Gill Rye This book series supports the work of the Centre for the Study of Contemporary Women’s Writing at the Institute of Languages, Cultures and Societies, University of London, by publishing high-quality critical studies in the field. Studies in Contemporary Women’s Writing provides a forum for innovative research exploring new trends and issues in the work of new, hitherto neglected or established authors who write primarily, but not exclusively, in the languages covered by the Centre: French, German, Italian, Portuguese and the Hispanic languages. The series has redefined its remit in light of current scholarship. ‘Contemporary’ is still defined as ‘after 1968’, with a preference for studies of post-1990 texts in any genre. While the series initially focused on writing, it now welcomes research that crosses disciplinary boundaries and defines creativity in the broadest sense, including intersections between literature and the arts, cinema and music. Scholarship that embraces gender and sexuality more broadly, including the work of non-binary and queer authors, is also welcome. We encourage studies that connect texts with the social, cultural, linguistic and political contexts in which they are created, taking into account the transnational and postcolonial configuration of the contemporary world and its impact on lives and experiences. Proposals are invited for monographs and edited collections. The series welcomes single-author studies, thematic analyses across languages and cross-cultural discussions that rely on a variety of approaches and theoretical frameworks, as well as studies that showcase the application of new methodologies to primary texts. Manuscripts should be written in English. Editorial Board: Claudia Bernardi (Victoria University of Wellington), Francesca Calamita (University of Virginia), Emily Jeremiah (Royal Holloway, University of London), Shirley Jordan (Newcastle University), Catriona MacLeod (University of London Institute in Paris), Lorraine Ryan (University of Birmingham), Godela Weiss-Sussex (School of Advanced Study, University of London), Caragh Wells (University of Bristol), Claire Williams (St Peter’s College, University of Oxford)
15 publications