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  • Title: Discomfort and Joy

    Discomfort and Joy

    The Cinema of Bill Forsyth
    by Jonathan Murray (Author) 2012
    ©2011 Monographs
  • Title: Italy On Screen

    Italy On Screen

    National Identity and Italian Imaginary
    by Lucy Bolton (Volume editor) Christina Siggers Manson (Volume editor) 2011
    ©2010 Conference proceedings
  • Title: Visions of Empire and Other Imaginings

    Visions of Empire and Other Imaginings

    Cinema, Ireland and India 1910-1962
    by Jeannine Woods (Author) 2011
    ©2011 Monographs
  • Title: Theatres in the Round

    Theatres in the Round

    Multi-ethnic, Indigenous, and Intertextual Dialogues in Drama
    by Dorothy Figueira (Volume editor) Marc Maufort (Volume editor) 2011
    ©2011 Edited Collection
  • Title: Scrapbooks, Snapshots and Memorabilia

    Scrapbooks, Snapshots and Memorabilia

    Hidden Archives of Performance
    by Glen McGillivray (Author) 2011
    ©2011 Edited Collection
  • Title: What Makes a Film Tick?

    What Makes a Film Tick?

    Cinematic Affect, Materiality and Mimetic Innervation
    by Anne Rutherford (Author) 2011
    ©2011 Thesis
  • Title: New Territories

    New Territories

    Theatre, Drama, and Performance in Post-apartheid South Africa
    by Greg Homann (Volume editor) Marc Maufort (Volume editor) 2015
    ©2015 Monographs
  • Title: Third Digital Documentary

    Third Digital Documentary

    A Theory and Practice of Transmedia Arts Activism, Critical Design and Ethics
    by Anita Wen-Shin Chang (Author) 2020
    ©2020 Monographs
  • Title: Celluloid Subjects to Digital Directors

    Celluloid Subjects to Digital Directors

    Changing Aboriginalities and Australian Documentary Film, 1901–2017
    by Jennifer Debenham (Author) 2020
    ©2020 Monographs
  • Title: Unstable Ground

    Unstable Ground

    Performance and the Politics of Place
    by Gay McAuley (Volume editor)
    ©2008 Edited Collection
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