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  • Intercultural Studies

    ISSN: 1055-2804

    3 publications

  • Intercultural Studies and Foreign Language Learning

    ISSN: 1663-5809

    Learning a foreign language facilitates the most intimate access one can get to the culture and society of another language community. The process of learning a foreign language always involves intercultural levels of engagement between the languages and cultures concerned. This process is also a long and arduous one which involves an enormous variety of factors. These factors are located on individual, socio-cultural and linguistic planes. They engage in a complex interplay between any elements of these more general planes and the concrete learning process of the learner. The series Intercultural Studies and Foreign Language Learning provides a forum for publishing research in this area. It publishes monographs, edited collections and volumes of primary material on any aspect of intercultural research. The series is not limited to the field of applied linguistics but also includes relevant research from linguistic anthropology, language learning pedagogy, translation studies and language philosophy.

    24 publications

  • Interdisciplinary Studies in Performance

    The series aims at presenting innovative cross-disciplinary and intercultural research in performance practice and theory. Its mission is to expand and enrich performance studies with new research in theatre, film, dance, ritual and art. It also draws on queer and gender studies, anthropology, linguistics, archeaology, ethnography, sociology, history, media and political sciences, and even medicine and biology. The series focuses on promoting groundbreaking methodologies and new directions in studying performative culture by scrutinizing its transformative and transgressive aspects. The series Interdisciplinary Studies in Performance publishes in English and German. Volumes may be monographs as well as thematic collections of papers by scholars from Poland and from abroad.

    37 publications

  • Critical Intercultural Communication Studies

    ISSN: 1528-6118

    Within Communication, culture is broadly understood as a meaning-making process that evidences itself within discourse, mediated forms, and interactional instances to constitute group autonomy. Within that meaning-making process, intercultural communication considers relationships between institutions and their societies, media and their audiences, and peoples and their communities. The formalized study of intercultural communication has always been problematic; like most disciplines and subdisciplines, its usefulness and limitations emerge from the historical context in which it is studied. Developed after World War II, intercultural communication initially served as an applied area of study to train U.S. governmental and business entities for relationships beyond U.S. borders. Then, out of the struggles of the U.S. Civil Rights era, intercultural communication expanded to concern itself with relationships between differing racial and ethnic groups. By the turn of the twentieth century, some intercultural communication scholars had fully embraced studying the differential power relations between nations, communities, and individuals thus catalyzing a body of research known as critical intercultural communication. Now, heading into the middle of the twenty-first century, critical intercultural communication has come into focus as an area of study that emphasizes, explains, and seeks to resolve power relations within specific contexts, applying theories and modes of inquiry suited to contemporary issues understood within their ongoing historical dynamics. As our institutions and their societies, mediated forms and their corresponding audiences, and communities and their members continue to alter and morph, critical intercultural communication adapts to interpret and envision progressive, socially just ways forward. This series, therefore, invites scholarship that challenges status quo cultural constitutions by recognizing and problematizing hegemonic modes of belonging and being. Spanning a range of contexts, critical intercultural communication considers symbolic and performative orders across local, national, hemispheric and transnational circuits. Moreover, this series fosters interdisciplinary conversations that innovate ontological and epistemological forms, advancing a range of systematic intellectual approaches to cultural transformation and validation. The series is particularly interested in works grounded in BIPOC, decolonial, feminist, queer, crip, and/or kink perspectives that construct claims, knowledges, and theories capable of guiding society toward new social justice knowings.

    45 publications

  • Intercultural Research

    2 publications

  • Title: (Trans)national Tsina/oys

    (Trans)national Tsina/oys

    Hybrid Performances of Chinese and Filipina/o Identities
    by Richie Neil Hao (Author) 2023
    ©2023 Monographs
  • Title: Casting Gender

    Casting Gender

    Women and Performance in Intercultural Contexts
    by Laura Lengel (Volume editor) John T. Warren (Volume editor)
    ©2005 Textbook
  • Title: Bitches Unleashed

    Bitches Unleashed

    Performance and Embodied Politics in Favela Funk
    by Raquel Moreira (Author) 2021
    ©2021 Textbook
  • Title: The Performativity of the Intercultural Speaker

    The Performativity of the Intercultural Speaker

    Promoting «Savoir Agir» through Improvisational Tasks
    by Raphaëlle Beecroft (Author) 2022
    ©2022 Thesis
  • Title: Latina/o Communication Studies

    Latina/o Communication Studies

    Theorizing Performance
    by Bernadette Marie Calafell (Author)
    ©2007 Textbook
  • Title: Performance and Performativity in German Cultural Studies

    Performance and Performativity in German Cultural Studies

    by Carolin Duttlinger (Volume editor) Lucia Ruprecht (Volume editor) Andrew Webber (Volume editor)
    ©2003 Conference proceedings
  • Title: Performing the Gendered Self in Intercultural Communication

    Performing the Gendered Self in Intercultural Communication

    by Ozan Can Yılmaz (Author) 2022
    ©2022 Monographs
  • Title: Historical Intersections of Intercultural Studies (I)

    Historical Intersections of Intercultural Studies (I)

    Tracing Genealogies, Trajectories, Diversifications
    by Michael Steppat (Volume editor) Steve J. Kulich (Volume editor) 2025
    ©2025 Monographs
  • Title: Performance and Performativity

    Performance and Performativity

    by Mehmet Siray (Author)
    ©2009 Thesis
  • Title: Performing Purity

    Performing Purity

    Whiteness, Pedagogy, and the Reconstitution of Power
    by John T. Warren (Author)
    ©2003 Textbook
  • Title: Performance

    Performance

    Recasting the Political in Theatre and Beyond
    by Stephen Chinna (Author)
    ©2003 Monographs
  • Title: Changing Performance

    Changing Performance

    Culture and Performance in the British Theatre since 1945
    by David Keith Peacock (Author)
    ©2007 Monographs
  • Title: Dubbing, Film and Performance

    Dubbing, Film and Performance

    Uncanny Encounters
    by Charlotte Bosseaux (Author) 2015
    ©2015 Monographs
  • Title: Professionals, Amateurs and Performance

    Professionals, Amateurs and Performance

    Sports Coaching in England, 1789–1914
    by David John Day (Author) 2012
    ©2012 Monographs
  • Title: Literary Texts and Intercultural Learning

    Literary Texts and Intercultural Learning

    Exploring New Directions
    by Ana Goncalves Matos (Author) 2012
    ©2012 Monographs
  • Title: Intercultural Application Guide for Work and Studies in the USA

    Intercultural Application Guide for Work and Studies in the USA

    by Michael B. Hinner (Author)
    ©2005 Others
  • Title: Rethinking Intercultural Competence

    Rethinking Intercultural Competence

    Theoretical Challenges and Practical Issues
    by Theo Harden (Volume editor) Arnd Witte (Volume editor) 2021
    ©2021 Edited Collection
  • Title: Meter, Rhythm and Performance – Metrum, Rhythmus, Performanz

    Meter, Rhythm and Performance – Metrum, Rhythmus, Performanz

    Proceedings of the International Conference on Meter, Rhythm and Performance, held in May 1999 at Vechta
    by Christoph Küper (Volume editor)
    ©2002 Conference proceedings
  • Title: The Non-Western Legacy: Bīrūnī as a Pioneer of Intercultural Thinking and Studies
  • Title: Ownership Structure and Corporate Performance

    Ownership Structure and Corporate Performance

    A Panel Data Analysis for the German Market
    by Katinka Wölfer (Author) 2016
    ©2016 Thesis
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