ICA International Communication Association Annual Conference Theme Book Series

As of 2013, ICA and Peter Lang Publishing started co-publishing papers from ICA’s annual conference theme sessions in the form of edited collections. Written in an engaging style, these volumes are meant to appeal to a wider audience and to reach scholars in other disciplines outside of Communication Studies. As such, the collections are not conference proceedings per se but a unique set of selected essays that capture the insights and agendas of the discipline’s top scholars.

11 publications

Ars Interpretandi

ISSN: 1043-5778

The title indicates the open-ended nature of this series. lt includes books and monographs in all literatures and has as its primary focus the hermeneutic act. Topics are not restricted to critical theory, but can range from studies on a landmark poem or poetic cycle to broader essays on a literary generation or a genre, etc., provided they make clear the extent to which they insert themselves into the past or contemporary critical and self-critical discourse. Prospective authors are invited to send their proposal or an outline and text sample to the editor of the series prior to submitting a manuscript. The publisher requires a camera-ready copy of a minimum length of 200 pages and a maximum of 400 pages. The title indicates the open-ended nature of this series. lt includes books and monographs in all literatures and has as its primary focus the hermeneutic act. Topics are not restricted to critical theory, but can range from studies on a landmark poem or poetic cycle to broader essays on a literary generation or a genre, etc., provided they make clear the extent to which they insert themselves into the past or contemporary critical and self-critical discourse. Prospective authors are invited to send their proposal or an outline and text sample to the editor of the series prior to submitting a manuscript. The publisher requires a camera-ready copy of a minimum length of 200 pages and a maximum of 400 pages. The title indicates the open-ended nature of this series. lt includes books and monographs in all literatures and has as its primary focus the hermeneutic act. Topics are not restricted to critical theory, but can range from studies on a landmark poem or poetic cycle to broader essays on a literary generation or a genre, etc., provided they make clear the extent to which they insert themselves into the past or contemporary critical and self-critical discourse. Prospective authors are invited to send their proposal or an outline and text sample to the editor of the series prior to submitting a manuscript. The publisher requires a camera-ready copy of a minimum length of 200 pages and a maximum of 400 pages.

7 publications

Visual Learning

The series “Visual Learning“ covers a range of approaches in the fields from Philosophy to Psychology and Education. The editors are professor Andras Benedek and professor Kristof Nyiri. Their research focus lies on areas like human resource development, the philosophy of communication and the philosophy of images. The series “Visual Learning“ covers a range of approaches in the fields from Philosophy to Psychology and Education. The editors are professor Andras Benedek and professor Kristof Nyiri. Their research focus lies on areas like human resource development, the philosophy of communication and the philosophy of images. The series “Visual Learning“ covers a range of approaches in the fields from Philosophy to Psychology and Education. The editors are professor Andras Benedek and professor Kristof Nyiri. Their research focus lies on areas like human resource development, the philosophy of communication and the philosophy of images.

7 publications

German Visual Culture

This series invites research on all aspects of German visual culture – including art, architecture, film and media – across different periods, geographical locations, and political contexts. Books in the series engage with aesthetic and ideological continuities as well as ruptures and divergences between individual creators, movements, educational systems, art institutions, and cultures of display. Challenging scholarship that interrogates and updates existing orthodoxies in the field is desirable. A guiding question of the series is the impact of German visual culture on critical and public spheres, both inside and outside the German-speaking world. Reception is thus conceived in the broadest possible terms, including both the ways in which visual culture has been perceived and defined as well as the ways in which modern and contemporary German creators have undertaken visual dialogues with their predecessors or contemporaries. The series welcomes cross-disciplinary approaches from art history, anthropology, material culture; the histories of science, perception, medicine, and technology; and the history of ideas. Issues of cultural transfer, critical race theory and related postcolonial analysis, feminism, queer theory, and other interdisciplinary approaches are encouraged, as are studies on production and consumption, the art market, pioneering publishing houses, and the mass media, including film and illustrated magazines. All proposals for monographs and edited collections in the history of German visual culture will be considered. Contributions in English and German are welcome. Submissions are subject to rigorous peer review. Professor Christian Weikop served as series editor from 2018 to 2025, with forthcoming titles still to publish in 2026. During this time as editor, he connected his Research Forum for German Visual Culture at the University of Edinburgh with the series. Editorial Board: Sarah James (Manchester School of Art, Manchester Metropolitan University) Daniel H. Magilow (University of Tennessee, Knoxville ) Ervin Malakaj (University of British Columbia) Leila Mukhida (University of Cambridge) Robin Schuldenfrei (Courtauld Institute of Art, University of London) Aya Soika (Bard College Berlin) Ilka Voermann (Berlinische Galerie) Christian Weikop (Edinburgh College of Art, University of Edinburgh)　

20 publications

Visual Communication

ISSN: 2153-277X

Visual communication is the process through which individuals in relationships, organizations, and cultures interpret and create visual messages in response to their environment, one another, and social structures. This series seeks to enhance our understanding of visual communication and it explores the role of visual communication in culture. Topics of interest include visual perception and cognition; signs and symbols; typography and image; research on graph ic design, use of visual imagery in education. On a cultural level, research on visual media analysis and critical methods that examine the larger cultural messages imbedded in visual images is welcome. By providing a variety of approaches to the analysis of visual media and messages, this book series is designed to explore issues relating to visual literacy, visual communication, visual rhetoric, visual culture, and any unique method for examining visual communication.

16 publications

Speech Production and Perception

ISSN: 2191-8651

Speech production is a complex sensorimotor task that requires the coordination of numerous physically complex and very different biological systems. Furthermore, it is a sophisticated cognitive task that transmits information between speakers and listeners. Speech perception uses multi-modal information combining visible articulatory movements and audible acoustic properties in an adaptive way. Understanding the cognitive, motor and sensory mechanisms that underlie speech production and perception is a fascinating objective that requires interdisciplinary competences in various research areas such as linguistics, perception, psychology, cognition, neuroscience, motor control, biology, aerodynamics, acoustics, and biomechanics. The aim of this book series is to investigate the various mechanisms underlying speech production and perception. Each issue of this series will be devoted to a specific topic. This topic will be addressed from different, sometimes even controversial perspectives. Tutorials, up-to-date scientific papers, methodological reports and outstanding dissertations will be at the core of the series. The intended readers are graduate students and scientists from various research disciplines interested in speech production and perception. Scholars are welcome to submit suitable works to the editors. All articles in edited volumes undergo a double-blind peer review. All dissertations undergo a close reading by the series editors and authors will be invited to revise where required.

8 publications

Studies on Themes and Motifs in Literature

The series is designed to advance the publication of research pertaining to themes and motifs in literature. The studies cover cross-cultural patterns as well as the entire range of national literatures. They trace the development and use of themes and motifs over extended periods, elucidate the significance of specific themes or motifs for the formation of period styles, and analyze the unique structural function of themes and motifs. By examining themes or motifs in the work of an author or period, the studies point to the impulses authors received from literary tradition, the choices made, and the creative transformation of the cultural heritage. The series will include publications of colloquia and theoretical studies that contribute to a greater understanding of literature.

130 publications

Artes visuales y sociedades hispánicas

The "Visual Arts and Hispanic Societies" series is devoted to monographic or collective works in Spanish on artistic representations of the cultures of Hispanic countries, in Spain and in the Americas as well as territories or communities on other continents. The concept of ʻvisual artsʼ includes all forms of representation related to the image, whether they refer to academic arts such as photography, painting, theatre and film, or to more recent, popular and/or heterogeneous styles such as graphic novels, television, video games, street art, installations, interventions and other forms of free or ephemeral art, whether or not linked to new technologies. This collection aims to bring together authors writing from different perspectives who are interested in the social function of current or traditional art, in the way in which visual representations seek to convey critical, pragmatic, committed and/or political points of view on the conflicts through which Hispanic societies evolved in the past or are currently being transformed. La colección "Artes visuales y sociedades hispánicas" está dedicada a trabajos monográficos o colectivos en español sobre representaciones artísticas de las culturas de los países hispánicos, tanto en España y América como en algunos territorios o comunidades de otros continentes. El concepto de ʻartes visualesʼ incluye aquí toda forma de representación relacionada con la imagen, ya se refiera a artes académicas como la fotografía, la pintura, el teatro y el cine, o a estilos más recientes, populares y/o heterogéneos como la historieta, la novela gráfica, la televisión, los videojuegos, el street art, las instalaciones y otras modalidades de arte libre o efímero, ligados o no a las nuevas tecnologías. Esta colección pretende asociar a una serie de autores de horizontes diversos interesados por la función social del arte actual o tradicional, por la manera en que las representaciones visuales pretenden transmitir puntos de vista críticos, pragmáticos, comprometidos y/o políticos sobre los conflictos a través de los cuales evolucionaron en el pasado o se transforman actualmente las sociedades hispánicas. La collection "Arts visuels et sociétés hispaniques" est consacrée à des travaux monographiques ou collectifs écrits en espagnol sur les représentations artistiques des cultures des pays hispaniques, aussi bien en Espagne et en Amérique que dans certains territoires ou communautés dʼautres continents. Le concept d'ʻart visuelʼ inclut ici toutes les formes de représentation liées à lʼimage, quʼelles se réfèrent aux arts considérés comme académiques comme la photographie, la peinture, le théâtre et le cinéma, ou à des styles plus récents, populaires et/ou hétérogènes comme la bande dessinée, le roman graphique, la télévision, les jeux vidéo, le street art, les installations et autres formes dʼart libre ou éphémère, liées ou non aux nouvelles technologies. Cette collection vise à associer des auteurs d’horizons variés qui sʼintéressent à la fonction sociale de lʼart actuel ou traditionnel, ainsi qu’à la manière dont les représentations visuelles cherchent à transmettre des points de vue critiques, pragmatiques, engagés et/ou politiques sur les conflits à travers lesquels les sociétés hispaniques ont évolué dans le passé ou sont en train de se transformer.

5 publications

Teaching Critical Themes in American History

ISSN: 2576-0718

13 publications

Images of Disability. Literature, Scenic, Visual, and Virtual Arts / Imágenes de la diversidad funcional. Literatura, artes escénicas, visuales y virtuales

11 publications

Literature and the Visual Arts

Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all. Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all. Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all.

15 publications

Internationale Theologie / International Theology

Die Reihe Internationale Theologie / International Theology widmet sich einem vielfältigen Spektrum theologischer Fragestellungen. Der Schwerpunkt liegt dabei auf internationalen Forschungsgegenständen und der Auseinandersetzung mit den Lehren bekannter theologischer Persönlichkeiten.

22 publications

Enjeux internationaux / International Issues

ISSN: 2030-3688

Studies in international relations, particularly historical, stem from the changing face of diplomacy over time, where the deeper forces at play, such as those once defined by Pierre Renouvin, are taken into account. Individual states, and those who define and implement their policies, are placed at the heart of global life. According to this concept, countries pursue a course of action by taking advantage of the most diverse range of tools they can rely on, such as economic or cultural resources, which act alone or interact with others. The study of international relations grew into different fields of analysis during the 20th century, but it is now subject to a new scrutiny in this era of globalisation. This concept, which coincides with the development of neo-liberal analysis since the 1980s, reveals a new awareness about the increased number of actors NGOs and multinational companies, for example but also the large autonomy they enjoy when it comes to action. This series aims to portray these new perspectives and their impact on current research. Without casting aside studies in international relations that focus on states, it tries to better understand the diverse range of factors that play out on the world stage and how they relate to each other from the high stakes in sport to the use of colonial memory. This series targets academics and analysts who wish to apply 20th century history to contemporary thought. L’étude des relations internationales, tout particulièrement dans le champ historique, est issue d’une histoire diplomatique largement rénovée à travers la prise en compte des forces profondes telles que les a jadis définies Pierre Renouvin. Elle place les États et ceux qui sont chargés de définir et de mettre en œuvre leur politique au cœur de la vie internationale. Selon cette conception, les États conduisent leur action en jouant sur la palette des moyens les plus divers sur lesquels ils peuvent s’appuyer, tels que l’économie ou la culture, et qui agissent ou interagissent les uns par rapport aux autres. La démultiplication des champs d’analyse de la vie internationale se développe ainsi tout au long du XXe siècle, mais est l’objet d’un nouveau regard en ces temps de mondialisation. Cette dernière, contemporaine du développement des analyses néo-libérales depuis les années 1980, témoigne tout à la fois de la prise de conscience de la démultiplication des acteurs en présence – ONG, entreprises multinationales par exemple – et de la large autonomie d’action de ces multiples acteurs. La collection « enjeux internationaux » se veut représentative de ces perspectives renouvelées et de leur impact sur les recherches actuelles. Sans abandonner l’étude des relations internationales centrées sur les États, elle cherche à mieux appréhender la diversité des segments qui composent le champ international et le mode de relations entre ces derniers : de l’enjeu que constitue le sport à celui de l’usage de la mémoire coloniale. Elle s’adresse ainsi aux universitaires et analystes souhaitant interroger les grandes thématiques du siècle dernier au service d’une réflexion sur le présent.

56 publications

Artes audio-visuales y sociedades hispánicas

0 publications

Relations financières internationales / International Financial Relations

The «International Triffin Foundation», hosted by the Institute for European Studies at the Université catholique de Louvain (Belgium), has the objective of establishing a centre dedicated to the continuation of the scientific work and the intellectual legacy of Robert Triffin (1911–1993) in the field of the international monetary system, and more generally in the areas of economics, finance and the social sciences. Regular publications in the series «International Financial Relations» will ensure promotion of individual or collective works whose main themes are the ones with which Robert Triffin was particularly associated (the European Payments Union, the creation of Special Drawing Rights, the European Monetary System), as well as addressing the new problems which the international monetary system will be confronting at the dawn of the 21st century (external effects of the European Economic and Monetary Union, new tasks for the International Monetary Fund, prevention of financial crises, etc.). La « Fondation internationale Triffin », établie près l’Institut d’études européennes de l’Université catholique de Louvain (Belgique), s’est fixé pour objectif de constituer un centre dédié à la poursuite du travail scientifique et à la valorisation de l’héritage intellectuel de Robert Triffin (1911-1993) sur le système monétaire international, et plus généralement dans les domaines de l’économie, de la finance et des sciences sociales. Les publications de la collection « Relations financières internationales » assurent la promotion de travaux individuels et collectifs dont les thèmes centraux sont ceux auxquels Robert Triffin était particulièrement attaché – l’Union européenne des paiements, la création de Droits de Tirage Spéciaux, le Système monétaire européen. La collection accueille également des ouvrages qui abordent les futures difficultés auxquelles sera confronté le système monétaire international à l’aube du XXIe siècle, tels que les effets extérieurs de l’Union économique et monétaire européenne, les nouvelles tâches du Fonds monétaire international ou la prévention des crises financières. The «International Triffin Foundation», hosted by the Institute for European Studies at the Université catholique de Louvain (Belgium), has the objective of establishing a centre dedicated to the continuation of the scientific work and the intellectual legacy of Robert Triffin (1911–1993) in the field of the international monetary system, and more generally in the areas of economics, finance and the social sciences. Regular publications in the series «International Financial Relations» will ensure promotion of individual or collective works whose main themes are the ones with which Robert Triffin was particularly associated (the European Payments Union, the creation of Special Drawing Rights, the European Monetary System), as well as addressing the new problems which the international monetary system will be confronting at the dawn of the 21st century (external effects of the European Economic and Monetary Union, new tasks for the International Monetary Fund, prevention of financial crises, etc.).

5 publications

Medienästhetik und Mediennutzung. Media Production and Media Aesthetics

ISSN: 2365-2993

Media production and media aesthetics are corresponding aspects of the discussion surrounding media that form a single unit. The series focuses partly on works about the aesthetic-dialectic analysis of media design. Areas of interest include media technology development and the resulting changes in both media design and what is expected of media. At the same time, digital and online media are influencing usage to a large extent. Authors in this series address these impacts and examine the extent to which changed forms of use are encouraging the development of new technologies and applications. By linking these interacting areas, we want this series to encourage and promote discussion between the disciplines. The volumes 1–4 have been published under "Babelsberger Schriften zu Mediendramaturgie und -Ästhetik". Medienästhetik und Mediennutzung bilden als korrespondierende Aspekte des Diskurses über Medien eine Einheit. Im Fokus der Schriftenreihe stehen zum einen Arbeiten, in denen sich Autor_innen der ästhetisch-dialektischen Analyse der Gestaltung medialer Werke zuwenden. Fokussiert werden die Entwicklungen der Medientechnik und die sich daraus ergebenden Veränderungen in der Gestaltung und in den Erwartungen an Medien. Zum anderen nehmen digitale und Online-Medien einen großen Einfluss auf die Nutzung ein. Autor_innen der Reihe widmen sich diesen Auswirkungen sowie der Untersuchung dessen, inwiefern veränderte Gebrauchsformen die Entwicklung neuer Technologien und Anwendungen anstoßen. Mit der Verbindung dieser interagierenden Bereiche möchten wir in der Reihe einen Diskurs zwischen den Disziplinen anregen und befördern. Die Bände 1–4 sind unter dem Reihentitel "Babelsberger Schriften zu Mediendramaturgie und -Ästhetik" erschienen.

4 publications

New International Insights/Nouveaux Regards sur l’International

ISSN: 1780-5414

In tribute to the late founder of the collection, Eric Remacle, the editors have proposed to call this book series New International Insights. The novelty thus pursued consists of inviting prospective authors also to view the situations, case-studies and dynamics they analyse and conceptualise as innovative in an increasingly multipolar world order, more than as a mere continuation of past evolutions and theories. This is the approach characterising the editors' own research. Over a quarter of a century after the end of the cold war, Eurasian as well as Transatlantic, African, Asian-Pacific and pan-American constant innovations question most analytical conclusions almost as soon as they are reached. Yet, there is a need for theory. Examples would exceed the scope of this short presentation but a worthwhile illustration can be suggested: the turning point whereby an already innovative, sino-postsoviet Asia has proven capable, while still in its affirmative stage, to engage South Asia and construct a China-Russia-India triangle that offsets or even jeopardises most existing visions of Asia, notably neo-realist ones. Traditional visions thus yield to contemporary uncertainties. While non-State actors are still causing States to wither, withdraw or falter, new transnational and even transcontinental constructions are bringing States back in, however much around different objectives: logistical and commercial, while military cooperation appears a dated and questionable form of security enforcement. New International Insights aims at balancing book publications among authors of all intellectual origins, western as well as eastern, northern as well as southern. Only in this manner can it hope to take the vision of its early founders one step further. A post-modern world needs post-western epistemology in order to wield its new meaning. Manuscripts in political science and social sciences are encouraged for submission, preferably in English, not exceeding 650 000 signs. En hommage au fondateur de l’ancienne collection Regards sur l’international, Eric REMACLE, les éditeurs ont proposé de le renommer New International Insights. Leur objectif consiste à inviter les auteurs potentiels à considérer les situations, les études de cas et les dynamiques qu'ils souhaitent analyser et conceptualiser comme innovantes dans un ordre mondial de plus en plus multipolaire, plus que comme une simple continuation des évolutions et des théories passées. C'est l'approche qui caractérise les propres recherches des éditeurs. Plus d'un quart de siècle après la fin de la guerre froide, les innovations constantes eurasiennes, transatlantiques, africaines, asiatiques-pacifiques et panaméricaines remettent en question les conclusions les plus analytiques presque aussitôt qu'elles ont été formulées. Pourtant, il y a un besoin de théorie. Les exemples dépasseraient le cadre de cette brève présentation, mais une illustration valable peut être suggérée: le tournant par lequel une Asie sino-post-soviétique déjà innovante s'est révélée capable, tout en étant au stade de sa première affirmation, d’engager l'Asie du Sud et de construire une relation triangulaire Chine-Russie-India qui bouscule, voire remet en question la plupart des visions existantes de l’Asie, notamment les visions néoréalistes. Les visions traditionnelles cèdent ainsi aux incertitudes contemporaines. Alors que les acteurs non-étatiques provoquent toujours le recul, le retrait ou le trébuchement des États, de nouvelles constructions trans-nationales et même trans-continentales, font «　revenir　» les États, même si c’est autour d’objectifs différents: logistiques et commerciaux, tandis que la coopération militaire apparaît comme une forme datée et remise en question de mise en œuvre de la sécurité . New International Insights vise à équilibrer les publications de livres d'auteurs de toutes origines intellectuelles, occidentales et orientales, d’auteurs du Nord et du Sud. Ce n’est qu’ainsi que l’on pourra espérer faire avancer la vision de ses premiers fondateurs. Un monde post-moderne a besoin d’une épistémologie post-occidentale pour dévoiler sa nouvelle signification. Les manuscrits en science politique et en sciences sociales sont invités à être soumis, de préférence en anglais, n'excédant pas 650 000 signes, notes et annexes comprises. ----- Series Editors Pierre Chabal (PhD, Dr Habil), Political Sc. Associate Professor (regional studies), Le Havre University. Sciences-Po Europe-Asia campus 2007-2024 Esra Lagro (PhD), Jean Monnet Professor of European Union Governance and Professor of International Relations, CIRP, Turkey Saniya Nurdavletova (PhD), Eurasian National University and Astana International University, Director of Centre for International Studies Brigitte Vassort-Rousset (PhD), Professor Emerita in Political Science. Former ECPR-SGIR Chairperson. Research Fellow Sciences-Po Grenoble Scientific advisory Committee Nosgoi Altantsetseg, National University of Mongolia (ret.) History of East Asia, China and Russia, diplomatic relations Aliya Akatayeva, Satpayev University, Almaty, Kazakhstan Regional construction of Central Asia, Regional organisations of Central Asia Jean-Pascal Daloz, CNRS (Research Director) France and Yale University Political representation, cultures, social distinction, comparativism George Kallander, Professor at Syracuse University, United States History of East Asia, Korea and Japan, social movements Janar Turtogtokh, Professor at National University of Mongolia Political sociology of Mongolia and East-Asia, social and political mobilisation Libre Bararunyeretse, Ambassador (ret.) Ph.D., International negotiation processes, conflict resolution studies, African studies Sylvie Lemasson, Ph.D., Dr. Habil., Political Science Associate Professor at Sciences Po Grenoble, Diplomat European history, Border studies, International cooperation Antonio Alonso Marcos, San-Pablo University, Madrid : EU Foreign Policy and diplomacy, EU-Kazakh and EU-CA relations Aibolat Dakelkhan, Gumilyov ENU, Astana -- Kazakhstans foreign policy, Chinas diplomacy, Kazakh-Chinese relations Kyun-Gyon Moon, Jeonbuk National University, Seoul : UN, SDG, Financial Aid,Indo-Pacific, APR, Public Diplomacy Giuliano Luongo, Pegaso University, Italy. Transport geography, energy and sustainable development Nedret Kuran, Professor Dr Emerita of Comparative cultural studies and European studies Policies of reciprocal perceptions

19 publications