Estudos Luso-Brasileiros: Cultura, Literatura e Mídias Audiovisuais / Luso-Brazilian Studies: Culture, Literature and Audiovisual Media / Luso-Brasilianische Studien: Kultur, Literatur und Audiovisuelle Medien

ISSN: 2567-7802

Do ponto de vista dos estudos culturais, com foco especial em literatura e mídia, a série apresenta as principais questões e paradigmas dos estudos luso-brasileiros no circuito internacional. Ela também aborda fenômenos significativos das culturas lusófonas que têm recebido pouca atenção até o momento, especialmente a complexa dinâmica e os múltiplos entrelaçamentos das formas de expressão cultural surgidas a partir de intercâmbios transregionais e globais. Neste contexto as dimensões midiáticas das produções culturais são examinadas em suas respectivas configurações, considerando referências intertextuais, bem como contextos sociais, políticos e históricos. Levando em conta a crescente internacionalização dos estudos luso-brasileiros, a série abrange publicações em português, alemão e inglês. Aus kulturwissenschaftlicher Perspektive, unter besonderer Berücksichtigung der Literatur- und Medienwissenschaften, präsentiert die Schriftenreihe aktuelle Entwicklungen und Paradigmen der internationalen Lusitanistik. Sie erschließt auch signifikante Phänomene der portugiesischsprachigen Kulturen, die bislang wenig Beachtung finden, mit einem besonderen Augenmerk auf den komplexen Dynamiken und vielfältigen Verflechtungen kultureller Ausdruckformen, die aus transregionalen und globalen Austauschprozessen hervorgegangen sind bzw. durch diese entstehen. In diesem Zusammenhang werden die medialen Dimensionen kultureller Produktionen in ihren jeweiligen Konfigurationen untersucht, unter Berücksichtigung intertextueller Bezüge sowie sozialer, politischer und historischer Kontexte. Der Internationalität der Lusitanistik entsprechend, erscheinen in der Schriftenreihe Bücher auf Portugiesisch, Deutsch und Englisch.

8 publications

Lengua, Literatura, Traducción

ISSN: 2700-8525

The series Language, Literature, Translation (LeLiTrad) will gather research papers on the various fields related to humanistic and specialized translation approached from multidisciplinary perspectives. In the present collection, therefore, the collection would bring together papers on the translation of literary works from assumptions related to comparative studies, discourse analysis, or the relationships between literature and other arts; Also, the collection would be hosting research papers on disciplines like terminology, applied linguistics, and specialized translation in a variety of fields (such as legal, bio-sanitary, agri-food, technical, hybrid texts, veterinary sciences, economic sciences, translation for citizen security and translation for social affairs, audiovisual translation, para-translation, etc.). Next to these, research papers focused on different aspects of translation like theoretical essays and work on inter-language interpretation will also be accepted and assessed for publication. In short, the series Language, Literature, Translation aims to offer the specialized readers all theoretical and practical aspects hinging around the translation of texts and interpretation of speeches, so that they may contribute to the critical debate and the resulting enrichment of the discipline both in Spain and in the wider European context. La colección Lengua, Literatura, Traducción (LeLiTrad) reúne los distintos ámbitos relacionados con la traducción humanística y especializada desde una perspectiva multidisciplinar. En este sentido, abordamos desde esta colección la traducción literaria de obras desde presupuestos relacionados con la comparatística, el análisis del discurso, o la relación de la literatura con otras artes; por otro lado, la colección acoge trabajos sobre terminología, lingüística aplicada, y traducción especializada en sus múltiples ámbitos (jurídico, biosanitario, agroalimentario, técnico, textos híbridos, ciencias veterinarias, ciencias económicas, traducción para la inclusión, traducción para la seguridad de la ciudadanía y traducción social, traducción audiovisual, paratraducción, etc.). Junto a estos trabajos destinados a las distintas vertientes de la traducción también se contemplarán trabajos de tipo teórico sobre traductología e interpretación.En definitiva, la colección Lengua, Literatura, Traducción pretende mostrar todos los aspectos tanto teóricos como prácticos en torno a la traducción de los textos y a la interpretación de los discursos, de forma que contribuyan al debate crítico y al enriquecimiento de la disciplina dentro de España y en su contexto europeo.

24 publications

Hybris: Literatura y Cultura Latinoamericanas

ISSN: 2736-5298

Desde la Antigua Grecia y la época clásica, filósofos, artistas y críticos han profundizado en las relaciones entre la literatura y otras artes. Primero fue la pintura y artes plásticas –ut pictura poesis, de Simónides de Ceos y Horacio–, más adelante la música, la arquitectura, la representación teatral, la escultura y ya, en la época moderna y contemporánea, la fotografía, el cine, la televisión, los mass media. En la actualidad este vasto y estimulante campo de hibridaciones culturales y artísticas se ha completado con las nuevas tecnologías y todas las "narrativas transmedia", generando conceptos y actuaciones transversales anejas a la creación digital y a las nuevas realidades comunicativas: touch-media, cross-media, intermedialidad, transmedialidad, hipertextualidad, multimodalidad, etc. Esta colección, Hybris: Literatura y Cultura Latinoamericanas, pretende, por un lado, indagar en el sentido diacrónico que estas relaciones han ido perfilando en el campo literario y cultural entendidos como parámetros estéticos, prácticos, de nivelación y préstamos técnicos entre artes y, por otro, reflexionar desde una perspectiva filosófica, social, cultural y teórica sobre las posibilidades que ofrecen tales hibridaciones, siempre dentro de un contexto latinoamericano. En la mitología clásica, Hybris era la diosa de la desmesura, la insolencia, la ausencia absoluta de moderación, y evocaba la necesidad de traspasar límites. Este nuevo concepto de Hybris pretende insistir en las marcas mitológicas de la transgresión, borrando fronteras entre las artes, sacudiendo la tendencia a la parcelación y a la contención y, a la vez, reclama también la identificación con el término latino hybrida, que alude a la mezcla de sangre. Hibridación y simbiosis entre artes serán, por tanto, los contornos y contextos en los que se imbricarán estos estudios. -------------------------------------------------------------------------------------------------- Since Ancient Greece and the classical era, philosophers, artists and critics have delved into the relationships between literature and other arts. First it was painting and plastic arts –ut pictura poesis, by Simónides de Ceos and Horacio–, later on music, architecture, theatrical representation, sculpture and already, in modern and contemporary times, photography, cinema, television, the mass media. At present this vast and stimulating field of cultural and artistic hybridizations has been completed with new technologies and all "transmedia narratives", generating concepts and transversal actions attached to digital creation and new communicative realities: touch-media, cross-media, intermediality, transmediality, hypertextuality, multimodality, etc. This collection, Hybris: Latin American Literature and Culture, intends, on the one hand, to investigate in the diachronic sense that these relationships have been emerging in the literary and cultural field, understood as aesthetic, practical, leveling and technical borrowing parameters between arts and, therefore the other, is to reflect from a philosophical, social, cultural and theoretical perspective on the possibilities offered by such hybridizations, always within a Latin American context. In classical mythology, Hybris was the goddess of excess, insolence, the absolute absence of moderation, and evoked the need to go beyond limits. This new concept of Hybris intends to insist on the mythological marks of transgression, erasing borders between the arts, shaking the tendency to subdivision and containment and, at the same time, it also demandings identification with the Latin term hybrida, which alludes to the racial or cultural mixing. Hybridization and symbiosis between arts will therefore be the outlines and contexts in which these studies will be invested. Desde la Antigua Grecia y la época clásica, filósofos, artistas y críticos han profundizado en las relaciones entre la literatura y otras artes. Primero fue la pintura y artes plásticas –ut pictura poesis, de Simónides de Ceos y Horacio–, más adelante la música, la arquitectura, la representación teatral, la escultura y ya, en la época moderna y contemporánea, la fotografía, el cine, la televisión, los mass media. En la actualidad este vasto y estimulante campo de hibridaciones culturales y artísticas se ha completado con las nuevas tecnologías y todas las "narrativas transmedia", generando conceptos y actuaciones transversales anejas a la creación digital y a las nuevas realidades comunicativas: touch-media, cross-media, intermedialidad, transmedialidad, hipertextualidad, multimodalidad, etc. Esta colección, Hybris: Literatura y Cultura Latinoamericanas, pretende, por un lado, indagar en el sentido diacrónico que estas relaciones han ido perfilando en el campo literario y cultural entendidos como parámetros estéticos, prácticos, de nivelación y préstamos técnicos entre artes y, por otro, reflexionar desde una perspectiva filosófica, social, cultural y teórica sobre las posibilidades que ofrecen tales hibridaciones, siempre dentro de un contexto latinoamericano. En la mitología clásica, Hybris era la diosa de la desmesura, la insolencia, la ausencia absoluta de moderación, y evocaba la necesidad de traspasar límites. Este nuevo concepto de Hybris pretende insistir en las marcas mitológicas de la transgresión, borrando fronteras entre las artes, sacudiendo la tendencia a la parcelación y a la contención y, a la vez, reclama también la identificación con el término latino hybrida, que alude a la mezcla de sangre. Hibridación y simbiosis entre artes serán, por tanto, los contornos y contextos en los que se imbricarán estos estudios. -------------------------------------------------------------------------------------------------- Since Ancient Greece and the classical era, philosophers, artists and critics have delved into the relationships between literature and other arts. First it was painting and plastic arts –ut pictura poesis, by Simónides de Ceos and Horacio–, later on music, architecture, theatrical representation, sculpture and already, in modern and contemporary times, photography, cinema, television, the mass media. At present this vast and stimulating field of cultural and artistic hybridizations has been completed with new technologies and all "transmedia narratives", generating concepts and transversal actions attached to digital creation and new communicative realities: touch-media, cross-media, intermediality, transmediality, hypertextuality, multimodality, etc. This collection, Hybris: Latin American Literature and Culture, intends, on the one hand, to investigate in the diachronic sense that these relationships have been emerging in the literary and cultural field, understood as aesthetic, practical, leveling and technical borrowing parameters between arts and, therefore the other, is to reflect from a philosophical, social, cultural and theoretical perspective on the possibilities offered by such hybridizations, always within a Latin American context. In classical mythology, Hybris was the goddess of excess, insolence, the absolute absence of moderation, and evoked the need to go beyond limits. This new concept of Hybris intends to insist on the mythological marks of transgression, erasing borders between the arts, shaking the tendency to subdivision and containment and, at the same time, it also demandings identification with the Latin term hybrida, which alludes to the racial or cultural mixing. Hybridization and symbiosis between arts will therefore be the outlines and contexts in which these studies will be invested. Desde la Antigua Grecia y la época clásica, filósofos, artistas y críticos han profundizado en las relaciones entre la literatura y otras artes. Primero fue la pintura y artes plásticas –ut pictura poesis, de Simónides de Ceos y Horacio–, más adelante la música, la arquitectura, la representación teatral, la escultura y ya, en la época moderna y contemporánea, la fotografía, el cine, la televisión, los mass media. En la actualidad este vasto y estimulante campo de hibridaciones culturales y artísticas se ha completado con las nuevas tecnologías y todas las "narrativas transmedia", generando conceptos y actuaciones transversales anejas a la creación digital y a las nuevas realidades comunicativas: touch-media, cross-media, intermedialidad, transmedialidad, hipertextualidad, multimodalidad, etc. Esta colección, Hybris: Literatura y Cultura Latinoamericanas, pretende, por un lado, indagar en el sentido diacrónico que estas relaciones han ido perfilando en el campo literario y cultural entendidos como parámetros estéticos, prácticos, de nivelación y préstamos técnicos entre artes y, por otro, reflexionar desde una perspectiva filosófica, social, cultural y teórica sobre las posibilidades que ofrecen tales hibridaciones, siempre dentro de un contexto latinoamericano. En la mitología clásica, Hybris era la diosa de la desmesura, la insolencia, la ausencia absoluta de moderación, y evocaba la necesidad de traspasar límites. Este nuevo concepto de Hybris pretende insistir en las marcas mitológicas de la transgresión, borrando fronteras entre las artes, sacudiendo la tendencia a la parcelación y a la contención y, a la vez, reclama también la identificación con el término latino hybrida, que alude a la mezcla de sangre. Hibridación y simbiosis entre artes serán, por tanto, los contornos y contextos en los que se imbricarán estos estudios. -------------------------------------------------------------------------------------------------- Since Ancient Greece and the classical era, philosophers, artists and critics have delved into the relationships between literature and other arts. First it was painting and plastic arts –ut pictura poesis, by Simónides de Ceos and Horacio–, later on music, architecture, theatrical representation, sculpture and already, in modern and contemporary times, photography, cinema, television, the mass media. At present this vast and stimulating field of cultural and artistic hybridizations has been completed with new technologies and all "transmedia narratives", generating concepts and transversal actions attached to digital creation and new communicative realities: touch-media, cross-media, intermediality, transmediality, hypertextuality, multimodality, etc. This collection, Hybris: Latin American Literature and Culture, intends, on the one hand, to investigate in the diachronic sense that these relationships have been emerging in the literary and cultural field, understood as aesthetic, practical, leveling and technical borrowing parameters between arts and, therefore the other, is to reflect from a philosophical, social, cultural and theoretical perspective on the possibilities offered by such hybridizations, always within a Latin American context. In classical mythology, Hybris was the goddess of excess, insolence, the absolute absence of moderation, and evoked the need to go beyond limits. This new concept of Hybris intends to insist on the mythological marks of transgression, erasing borders between the arts, shaking the tendency to subdivision and containment and, at the same time, it also demandings identification with the Latin term hybrida, which alludes to the racial or cultural mixing. Hybridization and symbiosis between arts will therefore be the outlines and contexts in which these studies will be invested.

16 publications

Media Industries

The Media Industries series offers comprehensive, reader-friendly textbooks written to meet the needs of classes in newspapers, magazines, radio, and television broadcasting. Each book provides a concise, practical guide to all aspects of each industry. These volumes are also an ideal reference source for libraries. The Media Industries series offers comprehensive, reader-friendly textbooks written to meet the needs of classes in newspapers, magazines, radio, and television broadcasting. Each book provides a concise, practical guide to all aspects of each industry. These volumes are also an ideal reference source for libraries. The Media Industries series offers comprehensive, reader-friendly textbooks written to meet the needs of classes in newspapers, magazines, radio, and television broadcasting. Each book provides a concise, practical guide to all aspects of each industry. These volumes are also an ideal reference source for libraries.

8 publications

Studies in European Thought

15 publications

Intercultural Studies

ISSN: 1055-2804

3 publications

Controlling & Business Accounting

Editor's Homepage: Prof. Dr. Barbara E. Weißenberger Page d'accueil d’éditrice: Prof. Dr. Barbara E. Weißenberger Non multa, sed multum, oder: „Nicht mehr Zahlen, sondern gescheitere“ – dies stellt heute die Herausforderung in der finanzorientierten Steuerung von Unternehmen dar. Die Reihe Controlling & Business Accounting adressiert Fragestellungen, die sich in diesem Zusammenhang ergeben. Dazu gehören Themen, die an den Schnittstellen zwischen Controlling und Rechnungslegung, Wirtschaftsprüfung, Revision, Risikomanagement und Corporate Governance stehen. Aber auch Fragen der optimalen Verzahnung von Controllinginstrumenten und operativer bzw. strategischer Steuerung im nationalen und internationalen Kontext werden in dieser Reihe behandelt. Homepage der Herausgeberin: Prof. Dr. Barbara E. Weißenberger

10 publications

Popular Politics and Governance in America

ISSN: 1529-241X

Popular Politics and Governance in America, a new series of books on contemporary political science, secks to publish scholarly and teaching materials about the proeesses of populär politics and die operations of governmental institutions at both the national and state levels. Although niany tilles in. this series will appeal to gradmite and professional andiences, the will employ qualitative and quantitative analysis ira fashions primarily appropriale for undergraduate classroonis. 'Popics will include studies of partics, interest groups, elections, public opinion, chief executives, legislatures, and the bureaueracy, Peter Lang views this new series es a flagship among their several on-going series that have published numerous well-received and useful volumes in political science. Popular Politics and Governance in America, a new series of books on contemporary political science, secks to publish scholarly and teaching materials about the proeesses of populär politics and die operations of governmental institutions at both the national and state levels. Although niany tilles in. this series will appeal to gradmite and professional andiences, the will employ qualitative and quantitative analysis ira fashions primarily appropriale for undergraduate classroonis. 'Popics will include studies of partics, interest groups, elections, public opinion, chief executives, legislatures, and the bureaueracy, Peter Lang views this new series es a flagship among their several on-going series that have published numerous well-received and useful volumes in political science. Popular Politics and Governance in America, a new series of books on contemporary political science, secks to publish scholarly and teaching materials about the proeesses of populär politics and die operations of governmental institutions at both the national and state levels. Although niany tilles in. this series will appeal to gradmite and professional andiences, the will employ qualitative and quantitative analysis ira fashions primarily appropriale for undergraduate classroonis. 'Popics will include studies of partics, interest groups, elections, public opinion, chief executives, legislatures, and the bureaueracy, Peter Lang views this new series es a flagship among their several on-going series that have published numerous well-received and useful volumes in political science.

7 publications

Britische und Irische Studien zur deutschen Sprache und Literatur / British and Irish Studies in German Language and Literature

British and Irish Studies in German Language and Literature Edited by H. S. Reiss and W. E. Yates This long-established series aims to publish works of serious scholarship drawn from the whole subject range of traditional Germanistik, originating both in Great Britain and in the Republic of Ireland, and readably written. Over fifty volumes have b een published since 1974. They include new books both by distinguished senior scholars and by younger researchers, collected essays either by single authors or by several hands (these have included papers emerging from conferences, often in both Eng lish and German) and selected doctoral dissertations reworked in book form. The weight of the series has mainly fallen on literature, theatre and cultural history from the eighteenth century onwards, in some cases with a strong comparative dimension.

47 publications

Urban Girls

ISSN: 2470-122X

With more attention being directed toward adolescent girls' and young women’s educational development and human rights across the globe, urban girls as an educationally and politically disenfranchised group are becoming more of the primary focus of educational, sociological, and psychological research and discourse. There is a need for theory, inquiry, and praxis that considers the dynamics of the interactions of race, class, gender, age, and spatial location on　youth education and overall socio-emotional development. The social and cultural context of where students learn, play, and work significantly shape youth's identities and agency. Similarly, gender plays an important role on students’ academic and social development. The Urban Girls series brings scholarly attention to the unique, yet diverse, cultural experiences and identities of adolescent girls and young women being socialized in urban contexts. Authors explore and theorize how young women's racialized and gendered experiences in their families, communities, and schools and larger social contexts foster agency, resilience, and resistance. Proposals for this series can be emailed to Series Editor Venus Evans-Winters at vevansw@ilstu.edu.

4 publications

Text - Meaning - Context: Cracow Studies in English Language, Literature and Culture

ISSN: 2191-1894

The series aims at bringing together the long-divorced disciplines of the study of language, literature and culture by inviting scholars working in each of these areas to consider the unique implications of their own field in a larger epistemic context. The interdisciplinary approach of volumes in the series should allow to develop a scholarly discourse which affords a comprehensive picture of English studies. Editors wish to include both text- and corpus-based research as well as works of theoretical concern. Monographs and collections of articles appearing in the series will focus primarily on English and American language, literature and culture, but studies with a comparative slant are also invited.

23 publications

Literatur – Kultur – Ökonomie / Literature – Culture – Economy

ISSN: 2364-1304

The series provides a forum for interdisciplinary discussion of aspects of a cultural science-oriented economics. Representations of economic relationships in literature and other arts, cultural sociological studies on the relationship between art, culture and economics, linguistics and literary analysis of economic narratives and metaphors, and the importance of cultural studies concepts such as fictionality and virtuality in the context of financial economics are topics of the series. Also, studies on the design and manipulation of spaces, time management and cultural practices are within its scope. Manuscript Proposals may be submitted in literary and cultural studies, economics, sociology, and philosophy – like with comparative or interdisciplinary approach. Languages of publication are primarily German and English. All volumes are peer reviewed. Editorial Board: Bernd Blaschke (University of Bern) Elena Esposito (Bielefeld University / Università di Bologna) Nadja Gernalzick (Mainz University / University of Vienna) Anton Kirchhofer (University of Oldenburg) Eva Kormann (Karlsruhe Institute of Technology) Stefan Neuhaus (University of Koblenz) Wolfgang Reinhard (University of Freiburg) Peter Seele (Università della Svizzera italiana, Lugano) Urs Stäheli (University of Hamburg) Die Schriftenreihe bietet ein Forum für die interdisziplinäre Diskussion von Aspekten einer kulturwissenschaftlich orientierten Ökonomik. Darstellungen ökonomischer Zusammenhänge in der Literatur und anderen Künsten, kultursoziologische Untersuchungen zum Zusammenhang zwischen Kunst, Kultur und Ökonomie, sprach- und literaturwissenschaftliche Analysen ökonomischer Narrative und Metaphern sowie die Bedeutung kulturwissenschaftlicher Konzepte wie Fiktionalität und Virtualität im Rahmen der Finanzökonomie sind Themen der Reihe. Auch Studien zur Gestaltung und Veränderung von Raum und Räumen oder Zeitmanagement und kulturellen Praxen entsprechen ihrem Profil. Manuskriptvorschläge können unterbreitet werden aus Literatur- und Kulturwissenschaften, Wirtschaftswissenschaften, Soziologie und Philosophie – gern mit komparatistischem oder interdisziplinärem Ansatz. Publikationssprachen sind in erster Linie Deutsch und Englisch. Alle Bände werden peer reviewed. Wissenschaftlicher Beirat: Bernd Blaschke (Universität Bern) Elena Esposito (Universität Bielefeld / Università di Bologna) Nadja Gernalzick (Universität Mainz / Universität Wien) Anton Kirchhofer (Universität Oldenburg) Eva Kormann (KIT Karlsruhe) Stefan Neuhaus (Universität Koblenz) Wolfgang Reinhard (Universität Freiburg i.Br.) Peter Seele (Università della Svizzera italiana, Lugano) Urs Stäheli (Universität Hamburg)

16 publications