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Yearbook of the Artificial
Nature, Culture & TechnologyISSN: 1660-1084
In the different areas of the artificial - defined as the attempt to reproduce natural objects or processes by means of the available technology - researchers and designers often work within their disciplines with little or no information about research being carried out in other areas. Bioengineers, for instance, know little about the problems of Artificial Intelligence researchers, while roboticians often neglect the efforts of medical engineering, etc. The Yearbook of the Artificial discusses current theories, projects and models from a wide range of areas without going into too many technical details. The main assumption is that there are common logical and methodological problems for all disciplines that are concerned with the reproduction of natural objects and processes. The Yearbook provides a forum for all of them, and covers areas such as bioengineering, robotics, A.I., artificial neural networks, artificial life, multimedia, the history of technology, communications, art and music. In the different areas of the artificial - defined as the attempt to reproduce natural objects or processes by means of the available technology - researchers and designers often work within their disciplines with little or no information about research being carried out in other areas. Bioengineers, for instance, know little about the problems of Artificial Intelligence researchers, while roboticians often neglect the efforts of medical engineering, etc. The Yearbook of the Artificial discusses current theories, projects and models from a wide range of areas without going into too many technical details. The main assumption is that there are common logical and methodological problems for all disciplines that are concerned with the reproduction of natural objects and processes. The Yearbook provides a forum for all of them, and covers areas such as bioengineering, robotics, A.I., artificial neural networks, artificial life, multimedia, the history of technology, communications, art and music. In the different areas of the artificial - defined as the attempt to reproduce natural objects or processes by means of the available technology - researchers and designers often work within their disciplines with little or no information about research being carried out in other areas. Bioengineers, for instance, know little about the problems of Artificial Intelligence researchers, while roboticians often neglect the efforts of medical engineering, etc. The Yearbook of the Artificial discusses current theories, projects and models from a wide range of areas without going into too many technical details. The main assumption is that there are common logical and methodological problems for all disciplines that are concerned with the reproduction of natural objects and processes. The Yearbook provides a forum for all of them, and covers areas such as bioengineering, robotics, A.I., artificial neural networks, artificial life, multimedia, the history of technology, communications, art and music.
5 publications
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Natur, Wissenschaft und die Künste / Nature, Science and the Arts / Nature, Science et les Arts
ISSN: 1663-6007
Nature, Science and the Arts is an international scholarly series dealing with the history of cultural interplay between arts, humanities, natural sciences and technology, both on the level of theoretical reflection and in artistic enunciations. It is not restricted to any particular epoch, society, medium or region. By publishing contributions to this new interdisciplinary research area, the series illuminates the traditional connection between two ways of interpreting the world, a connection that has been largely marginalized since Wilhelm Diltheys strict dissociation between humanities and natural sciences. Nature, Science et les Arts est une collection scientifique internationale qui explore lhistoire des interactions entre la culture des sciences humaines et artistiques et celle des sciences naturelles et techniques, au niveau de la réflexion théorique et de larticulation artistique. Elle sintéresse pour cela à toutes les époques, formes de sociétés, médias et régions. La collection présente des études sur ces nouveaux domaines de recherche et illustre le lien traditionnel entre deux perceptions du monde qui ont été très largement marginalisées depuis la stricte séparation opérée par Wilhem Diltheys entre les sciences humaines et naturelles. Natur, Wissenschaft und die Künste ist eine internationale Wissenschaftsreihe, welche die Geschichte des Zusammenwirkens geisteswissenschaftlich-künstlerischer und naturwissenschaftlich-technischer Kultur auf der Ebene theoretischer Reflektion und künstlerischer Artikulation untersucht. Dabei gibt es keine Beschränkungen auf bestimmte Epochen, Gesellschaftsformen, Medien oder Regionen. Die Reihe stellt Untersuchungen aus diesem neuen wissenschaftlichen Forschungsgebiet vor und veranschaulicht den traditionellen Zusammenhang zweier Formen der Weltdeutung, welcher seit Wilhelm Diltheys strenger Trennung von Geistes- und Naturwissenschaften weitestgehend marginalisiert wurde.
20 publications
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Reading Rilke’s Orphic Identity
©2005 Monographs -
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Jeux de nature, natures en jeu
Des loisirs aux prises avec l’écologisation des sociétés©2017 Monographs -
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Physiology: The Language of Life and Nature
©2016 Monographs -
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Representations of German Identity
©2013 Edited Collection -
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Naturally Hypernatural I: Concepts of Nature
©2016 Edited Collection -
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Nature Walks
Peripatetic Tradition in the Non-fiction Travel Writing of Robert Macfarlane©2023 Monographs -
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Historical Analysis of the Catalan Identity
©2015 Edited Collection -
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Medicine Matters in Five Comedies of Shakespeare
From the Renaissance Context to a Reading of the Plays©2016 Monographs -
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Life: A Study in Words
©2020 Monographs