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  • Interdisciplinary Studies in Performance

    The series aims at presenting innovative cross-disciplinary and intercultural research in performance practice and theory. Its mission is to expand and enrich performance studies with new research in theatre, film, dance, ritual and art. It also draws on queer and gender studies, anthropology, linguistics, archeaology, ethnography, sociology, history, media and political sciences, and even medicine and biology. The series focuses on promoting groundbreaking methodologies and new directions in studying performative culture by scrutinizing its transformative and transgressive aspects. The series Interdisciplinary Studies in Performance publishes in English and German. Volumes may be monographs as well as thematic collections of papers by scholars from Poland and from abroad.

    37 publications

  • Theaomai – Studien zu den performativen Künsten

    ISSN: 1436-1981

    The Old Greek verb theaomai – looking both with the mind’s eye and the actual eye – since the very beginning of European theatre suggests a close relation between theatre and theory. Within the act of perception the spectators, theates, relate the things they hear and see to the site of their memory and psyche. Of all the arts those who reflect the process of perception in the aesthetic form itself are performative arts. This series publishes interdisciplinary studies between theatre- and media studies as well as studies on the visual arts that analyse the social and subjective potential of the aesthetic process of looking, hearing, and reading. Das altgriechische Verb theaomai – «mit dem geistigen wie konkreten Auge schauen» – legt seit den Anfängen des europäischen Theaters eine enge Beziehung von Theater und Theorie nahe. Diese wird vom Zuschauer theates über den Akt seiner Wahrnehmung geknüpft: er verbindet konkretes Hören und Sehen mit dem Schauplatz seines Gedächtnisses und seiner Psyche. Künste, die diesen Prozess des Wahrnehmens in der ästhetischen Form selbst reflektieren, somit Denken und sinnliche Teilnahme des Rezipienten fordern, um die Sinnpotentialitäten des ästhetischen Gegenstands zu realisieren, sind performative Künste. Die Reihe veröffentlicht interdisziplinäre Studien im Übergang von Theater-, Kunst- und Medienwissenschaft, die das gesellschafts- und subjektkritische Potential des Prozesses ästhetischer Zuschauer-, Hörer- oder Leserwahrnehmung untersuchen.

    12 publications

  • The Art and Science of Music Teaching and Performance

    Musicians in the practice room, during instruction, and on the stage will benefit from a critical discussion of vital issues from an interdisciplinary perspective. Whether the examination of the acquisition of musical expertise, or the evaluation of teaching methods and learning strategies based on neuroscience and psychology, this series will emphasize scientific research combined with experiental knowledge that can only be gained from the actual practice of musical performance and education. Musicians in the practice room, during instruction, and on the stage will benefit from a critical discussion of vital issues from an interdisciplinary perspective. Whether the examination of the acquisition of musical expertise, or the evaluation of teaching methods and learning strategies based on neuroscience and psychology, this series will emphasize scientific research combined with experiental knowledge that can only be gained from the actual practice of musical performance and education.

    2 publications

  • Title: 3. Student Complaints: Performative or Passionate Utterances?

    3. Student Complaints: Performative or Passionate Utterances?

    by Amanda Fulford (Author) Claire Skea (Author)
  • Title: Performance of Identity of Polish Tatars

    Performance of Identity of Polish Tatars

    From Religious Holidays to Everyday Rituals
    by Barbara Pawlic-Miskiewicz (Author) 2018
    ©2018 Monographs
  • Title: Dancer – Researcher – Performer: A Learning Process

    Dancer – Researcher – Performer: A Learning Process

    by Graziela Rodrigues (Author) 2017
    ©2016 Monographs
  • Title: Performative Praxis

    Performative Praxis

    Teacher Identity and Teaching in the Context of HIV/AIDS
    by Mary Jean Baxen (Author) 2011
    ©2010 Thesis
  • Title: Performative Listening

    Performative Listening

    Hearing Others in Qualitative Research
    by Chris McRae (Author) 2014
    ©2015 Monographs
  • Title: Heightened Performative Autoethnography

    Heightened Performative Autoethnography

    Resisting Oppressive Spaces within Paradigms
    by William M. Sughrua (Author) 2016
    ©2016 Textbook
  • Title: Performative Bodies, Hybrid Tongues

    Performative Bodies, Hybrid Tongues

    Race, Gender, Sex and Modernity in Latin America and the Maghreb
    by Julian Vigo (Author) 2011
    ©2010 Monographs
  • Title: The Performative Sustainability of Race

    The Performative Sustainability of Race

    Reflections on Black Culture and the Politics of Identity
    by Bryant Keith Alexander (Author)
    ©2012 Textbook
  • Title: Performance and Performativity

    Performance and Performativity

    by Mehmet Siray (Author)
    ©2009 Thesis
  • Title: J.L. Austin’s Concept of «Performative Word»

    J.L. Austin’s Concept of «Performative Word»

    A Systematic Theological Analysis in Sacramental Theology and in Igbo Traditional Religion- Its Impact on the Use of Igbo Language for Effective Evangelization in Igboland
    by Alexander Chukwujindum Uzoh (Author) 2012
    ©2012 Thesis
  • Title: The Second Birth of Theatre

    The Second Birth of Theatre

    Performances of Anglo-Saxon Monks
    by Mirosław Kocur (Author) 2017
    ©2017 Monographs
  • Title: Changing Performance

    Changing Performance

    Culture and Performance in the British Theatre since 1945
    by David Keith Peacock (Author)
    ©2007 Monographs
  • Title: Performance

    Performance

    Recasting the Political in Theatre and Beyond
    by Stephen Chinna (Author)
    ©2003 Monographs
  • Title: Stadtraum in Performance

    Stadtraum in Performance

    "Site-specific Performance Art" und die Kunst des Alltags
    by Katia Beuth (Author) 2012
    ©2012 Thesis
  • Title: Performing Identity/Performing Culture

    Performing Identity/Performing Culture

    Hip Hop as Text, Pedagogy, and Lived Practice
    by Michelle Bae-Dimitriadis (Author)
    ©2009 Textbook
  • Title: Le corps de l’audible

    Le corps de l’audible

    Écrits français sur la voix 1979–2012
    by Helga Finter (Author) 2014
    ©2014 Edited Collection
  • Title: Political Music

    Political Music

    Legitimization and Contestation
    by Tomasz Bichta (Volume editor) Anna Szwed-Walczak (Volume editor) 2021
    ©2021 Edited Collection
  • Title: Witkacy. Logos and the Elements

    Witkacy. Logos and the Elements

    by Teresa Pękala (Volume editor) 2017
    ©2017 Edited Collection
  • Title: Political Music

    Political Music

    Communication and Mobilization
    by Anna Szwed-Walczak (Volume editor) Tomasz Bichta (Volume editor) 2021
    ©2021 Edited Collection
  • Title: Wanda Jakubowska Revisited

    Wanda Jakubowska Revisited

    by Monika Talarczyk (Author) 2022
    ©2022 Monographs
  • Title: The Kinetics of the Invisible

    The Kinetics of the Invisible

    Acting Processes in Peter Brook's Theatre
    by Matteo Bonfitto (Author) 2019
    ©2017 Monographs
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