The Yearbook on History and Interpretation of Phenomenology

“The Yearbook on History and Interpretation of Phenomenology” is a peer-reviewed annual. It includes contributions about the history of phenomenology because phenomenology has its own specific development anchored in the texts of Edmund Husserl, his predecessors and followers, its distinctive themes and problems set within the frame of the philosophical and scientific discussions of their period. The yearbook is open to inquiries about the interpretation of phenomenology and to different approaches towards understanding phenomenological research, its systematic and methodological insights and its possible contributions to contemporary discussions both about pure philosophy and within the context of more interdisciplinary research. It is also open to broader discussions with other philosophical schools of thought. Volume 5 terminates the series.

5 publications

Phenomenology and Literature

ISSN: 1524-0193

The focus of this series is on studies using the tenets of phenomenology and its various (dogmatic and skeptical) evolutions to elucidate and interpret primarily literary works of art in the contexts of aesthetics, ontology, epistemology, axiology, hermeneutics, communication, reader response, reception, cultural and social theory. Studies of a comparative nature which straddle and/or combine the disciplines of philosophical and literary studies are distinctive features of this monograph series. Emphasis is on subjects that may advance the state of the art, set trends, generate and continue discussion, expand horizons beyond present perspectives, and/or redefine previously held notions. Approaches may center on individual works, authors, schools of phenomelogical thought, and/or abstract notions, including issues of a comparative nature spanning the cultures, languages, and literatures of several nations from the perspectives of world literature and philosophy. The focus of this series is on studies using the tenets of phenomenology and its various (dogmatic and skeptical) evolutions to elucidate and interpret primarily literary works of art in the contexts of aesthetics, ontology, epistemology, axiology, hermeneutics, communication, reader response, reception, cultural and social theory. Studies of a comparative nature which straddle and/or combine the disciplines of philosophical and literary studies are distinctive features of this monograph series. Emphasis is on subjects that may advance the state of the art, set trends, generate and continue discussion, expand horizons beyond present perspectives, and/or redefine previously held notions. Approaches may center on individual works, authors, schools of phenomelogical thought, and/or abstract notions, including issues of a comparative nature spanning the cultures, languages, and literatures of several nations from the perspectives of world literature and philosophy. The focus of this series is on studies using the tenets of phenomenology and its various (dogmatic and skeptical) evolutions to elucidate and interpret primarily literary works of art in the contexts of aesthetics, ontology, epistemology, axiology, hermeneutics, communication, reader response, reception, cultural and social theory. Studies of a comparative nature which straddle and/or combine the disciplines of philosophical and literary studies are distinctive features of this monograph series. Emphasis is on subjects that may advance the state of the art, set trends, generate and continue discussion, expand horizons beyond present perspectives, and/or redefine previously held notions. Approaches may center on individual works, authors, schools of phenomelogical thought, and/or abstract notions, including issues of a comparative nature spanning the cultures, languages, and literatures of several nations from the perspectives of world literature and philosophy.

4 publications

New Studies in Phenomenology / Neue Studien zur Phänomenologie

Die Reihe mit Veröffentlichungen in deutscher und englischer Sprache widmet sich ohne Orthodoxie Fragen der transzendentalen bzw. hermeneutischen Phänomenologie, wie sie sich von Husserl und Heidegger her ergeben, und entwickelt, vornehmlich ausgehend von der Rezeption dieser ersten Klassiker der Phänomenologie und zugleich in Befolgung von Husserls Gründungsmaxime "Zu den Sachen selbst" Perspektiven für die künftige Forschung. Die bisherigen Bände bezogen sich u.a. auf folgende bleibenden Sachprobleme: Wahrnehmung, Wille, Weltoffenheit des menschlichen Daseins, Gottesbegriff, Grundstimmungen und politische Welt.

9 publications