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Post-war British Fiction as ‘Metaphysical Ethography’
‘Gods, Godgames and Goodness’ in John Fowles’s "The Magus</I> and Iris Murdoch’s "The Sea, the Sea</I>©2008 Monographs -
Changing Polish Identities
Post-War and Post-Accession Polish Migrants in Manchester©2013 Monographs -
War-torn Tales
Literature, Film and Gender in the Aftermath of World War II©2008 Conference proceedings -
Combating Corruption Through Electronic Governance in Least Developed and Post-war Countries
Afghanistan’s Experience©2020 Monographs -
Migrant Memories
Cultural History, Cinema and the Italian Post-War Diaspora in Britain©2014 Monographs -
Children of the Liberation
Transatlantic Experiences and Perspectives of Black Germans of the Post-War Generation©2020 Edited Collection -
Thomas Bernhard’s Comic Materialism
Class, Art, and «Socialism» in Post-War Austria©2012 Monographs -
New Readings in British Drama
From the Post-War Period To the Contemporary Era©2021 Edited Collection -
Giorgio Scerbanenco
Urban Space, Violence and Gender Identity in Post-War Italian Crime Fiction©2016 Thesis -
Prime the Pump
Catholicism, Arts Policy and the Post-war Irish Amateur Drama Movement 1949 to 1969©2025 Monographs -
The Resurrection of the «Spectre»
A Marxist Analysis of Race, Class and Alienation in the Post-war British Novel©2018 Thesis -
Fear Management
Foreign Threats in the Post-War Polish Propaganda. The Influence and the Reception of the Communist Media (1944-1956)©2019 Monographs -
The Press March to War
Newspapers Set the Stage for Military Intervention in Post-World War II America©2012 Textbook -
Sean Keating in Context
Responses to Culture and Politics in Post-Civil War Ireland©2009 Edited Collection -
Günter Grass’s ‘Danzig Quintet’
Explorations in the Memory and History of the Nazi Era from "Die Blechtrommel</I> to "Im Krebsgang</I>©2007 Monographs