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  • Speech Production and Perception

    ISSN: 2191-8651

    Speech production is a complex sensorimotor task that requires the coordination of numerous physically complex and very different biological systems. Furthermore, it is a sophisticated cognitive task that transmits information between speakers and listeners. Speech perception uses multi-modal information combining visible articulatory movements and audible acoustic properties in an adaptive way. Understanding the cognitive, motor and sensory mechanisms that underlie speech production and perception is a fascinating objective that requires interdisciplinary competences in various research areas such as linguistics, perception, psychology, cognition, neuroscience, motor control, biology, aerodynamics, acoustics, and biomechanics. The aim of this book series is to investigate the various mechanisms underlying speech production and perception. Each issue of this series will be devoted to a specific topic. This topic will be addressed from different, sometimes even controversial perspectives. Tutorials, up-to-date scientific papers, methodological reports and outstanding dissertations will be at the core of the series. The intended readers are graduate students and scientists from various research disciplines interested in speech production and perception. Scholars are welcome to submit suitable works to the editors. All articles in edited volumes undergo a double-blind peer review. All dissertations undergo a close reading by the series editors and authors will be invited to revise where required.

    8 publications

  • Medienästhetik und Mediennutzung. Media Production and Media Aesthetics

    ISSN: 2365-2993

    Media production and media aesthetics are corresponding aspects of the discussion surrounding media that form a single unit. The series focuses partly on works about the aesthetic-dialectic analysis of media design. Areas of interest include media technology development and the resulting changes in both media design and what is expected of media. At the same time, digital and online media are influencing usage to a large extent. Authors in this series address these impacts and examine the extent to which changed forms of use are encouraging the development of new technologies and applications. By linking these interacting areas, we want this series to encourage and promote discussion between the disciplines. The volumes 1–4 have been published under "Babelsberger Schriften zu Mediendramaturgie und -Ästhetik". Medienästhetik und Mediennutzung bilden als korrespondierende Aspekte des Diskurses über Medien eine Einheit. Im Fokus der Schriftenreihe stehen zum einen Arbeiten, in denen sich Autor_innen der ästhetisch-dialektischen Analyse der Gestaltung medialer Werke zuwenden. Fokussiert werden die Entwicklungen der Medientechnik und die sich daraus ergebenden Veränderungen in der Gestaltung und in den Erwartungen an Medien. Zum anderen nehmen digitale und Online-Medien einen großen Einfluss auf die Nutzung ein. Autor_innen der Reihe widmen sich diesen Auswirkungen sowie der Untersuchung dessen, inwiefern veränderte Gebrauchsformen die Entwicklung neuer Technologien und Anwendungen anstoßen. Mit der Verbindung dieser interagierenden Bereiche möchten wir in der Reihe einen Diskurs zwischen den Disziplinen anregen und befördern. Die Bände 1–4 sind unter dem Reihentitel "Babelsberger Schriften zu Mediendramaturgie und -Ästhetik" erschienen.

    4 publications

  • Education and Struggle

    Narrative, Dialogue, and the Political Production of Meaning

    ISSN: 2168-6432

    "WE ARE THE STORIES WE TELL. The series "Education and Struggle" focuses on conflict as a discursive process where people struggle for legitimacy and the narrative process becomes a political struggle for meaning. But this series will also include the voices of authors and activists who are involved in conflicts over material necessities in their communities, schools, places of worship, and public squares as part of an ongoing search for dignity, self-determination and autonomy. This series focuses on conflict and struggle within the realm of educational politics based around a series of interrelated themes: indigenous struggles; western-Islamic conflicts; globalization and the clash of worldviews; neoliberalism as the war within;colonization and neocolonization; the coloniality of power and decolonial pedagogy; war and conflict and the struggle for liberation. It publishes narrative accounts of specific struggles as well as theorizing "conflict narratives" and the political production of meaning in educational studies. During this time of global conflict and the crisis of capitalism, Education and Struggle promises to be on the cutting edge of social, cultural, educational and political transformation. Central to the series is the idea that language is essentially a dialogical production that is formed through a process of social conflict and interaction. The aim is to focus on key semiotic, literary andpolitical concepts as a basis for a philosophy of language and culture where the underlying materialist philosophy of language and culture serves as the basis for the larger project that we might call dialogism (after Bakhtin’s usage). As the late V.N. Volosinov suggests “Without signs there is no ideology”, “Everything ideological possesses semiotic value” and “individual consciousness is a socio-ideological fact”. It is a small step to claim, therefore, “consciousness itself can arise and become a viable fact only in the material embodiment of signs”. This series is a vehicle for materialist semiotics in the narrative and dialogue of education and struggle."

    39 publications

  • Title: Production of Emotions

    Production of Emotions

    Perspectives and Functions
    by Teresa Bruś (Volume editor) Marcin Tereszewski (Volume editor) 2016
    ©2016 Edited Collection
  • Title: Places of Food Production

    Places of Food Production

    Origin, Identity, Imagination
    by Silke Bartsch (Volume editor) Patricia Lysaght (Volume editor) 2019
    ©2017 Edited Collection
  • Title: Speech production and perception: Learning and memory

    Speech production and perception: Learning and memory

    by Susanne Fuchs (Volume editor) Joanne Cleland (Volume editor) Amélie Rochet-Capellan (Volume editor) 2019
    ©2019 Edited Collection
  • Title: Knowledge Production in European Universities

    Knowledge Production in European Universities

    States, Markets, and Academic Entrepreneurialism
    by Marek Kwiek (Author) 2012
    ©2013 Monographs
  • Title: Opening Up Knowledge Production through Participatory Research?

    Opening Up Knowledge Production through Participatory Research?

    Agricultural Research for Vietnam’s Northern Uplands
    by Jakob Rupert Friederichsen (Author) 2009
    ©2009 Thesis
  • Title: Individual Differences in Speech Production and Perception

    Individual Differences in Speech Production and Perception

    by Susanne Fuchs (Volume editor) Daniel Pape (Volume editor) Caterina Petrone (Volume editor) Pascal Perrier (Volume editor) 2015
    ©2015 Edited Collection
  • Title: Towards a Cross-Linguisitic Assessment of Speech Production

    Towards a Cross-Linguisitic Assessment of Speech Production

    by Hans W. Dechert (Volume editor) Manfred Raupach (Volume editor)
    ©1980 Others
  • Title: National Production Regimes in Post-Socialist Countries

    National Production Regimes in Post-Socialist Countries

    The Case of the Czech Republic
    by Mirka C. Wilderer (Author)
    ©2002 Thesis
  • Title: Production and Perception of Thematic Contrast in German

    Production and Perception of Thematic Contrast in German

    by Bettina Braun (Author)
    ©2006 Monographs
  • Title: Playboys of the Western World

    Playboys of the Western World

    Production Histories
    by Adrian Frazier (Author) 2020
    ©2004 Edited Collection
  • Title: Cyclical Learning Processes in Second Language Production

    Cyclical Learning Processes in Second Language Production

    by Mary Carroll (Author)
    ©1984 Others
  • Title: Pierre Bourdieu

    Pierre Bourdieu

    A Critical Introduction to Media and Communication Theory
    by David W. Park (Author) 2010
    ©2014 Monographs
  • Title: Transient Print

    Transient Print

    Essays on the History of Printed Ephemera
    by Lisa Peters (Volume editor) Elaine Jackson (Volume editor) 2023
    ©2023 Edited Collection
  • Title: Resistance and Emancipation

    Resistance and Emancipation

    Cultural and Poetic Practices
    by Arturo Casas (Volume editor) Ben Bollig (Volume editor) 2012
    ©2011 Conference proceedings
  • Title: Site and Sound

    Site and Sound

    Understanding Independent Music Scenes
    by Holly Kruse (Author)
    ©2003 Textbook
  • Title: Filmsynchronisation in Deutschland bis 1955

    Filmsynchronisation in Deutschland bis 1955

    by Gerd Naumann (Author) 2016
    ©2016 Thesis
  • Title: From Potentials to Reality: Transforming Africa's Food Production

    From Potentials to Reality: Transforming Africa's Food Production

    Investment and policy priorities for sufficient, nutritious and sustainable food supplies
    by Joachim von Braun (Volume editor) Assefa Admassie (Volume editor) Sheryl Hendriks (Volume editor) Getaw Tadesse (Volume editor) Heike Baumüller (Volume editor) 2021
    ©2021 Edited Collection
  • Title: Gatewatching

    Gatewatching

    Collaborative Online News Production
    by Axel Bruns (Author)
    ©2005 Textbook
  • Title: Les défis énergétiques du XXIe  siècle

    Les défis énergétiques du XXIe siècle

    Transition, concurrence et efficacité au prisme des sciences humaines
    by Yves Bouvier (Volume editor)
    ©2013 Conference proceedings
  • Title: Articulatory Coordination and Syllable Structure in Italian

    Articulatory Coordination and Syllable Structure in Italian

    by Anne Hermes (Author) 2013
    ©2013 Thesis
  • Title: ‘Tickling the Palate’

    ‘Tickling the Palate’

    Gastronomy in Irish Literature and Culture
    by Máirtin Mac Con Iomaire (Volume editor) Eamon Maher (Volume editor) 2014
    ©2014 Edited Collection
  • Title: Brewing Identities

    Brewing Identities

    Globalisation, Guinness and the Production of Irishness
    by Brenda Murphy (Author) 2014
    ©2015 Monographs
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