Speech Production and Perception

ISSN: 2191-8651

Speech production is a complex sensorimotor task that requires the coordination of numerous physically complex and very different biological systems. Furthermore, it is a sophisticated cognitive task that transmits information between speakers and listeners. Speech perception uses multi-modal information combining visible articulatory movements and audible acoustic properties in an adaptive way. Understanding the cognitive, motor and sensory mechanisms that underlie speech production and perception is a fascinating objective that requires interdisciplinary competences in various research areas such as linguistics, perception, psychology, cognition, neuroscience, motor control, biology, aerodynamics, acoustics, and biomechanics. The aim of this book series is to investigate the various mechanisms underlying speech production and perception. Each issue of this series will be devoted to a specific topic. This topic will be addressed from different, sometimes even controversial perspectives. Tutorials, up-to-date scientific papers, methodological reports and outstanding dissertations will be at the core of the series. The intended readers are graduate students and scientists from various research disciplines interested in speech production and perception. Scholars are welcome to submit suitable works to the editors. All articles in edited volumes undergo a double-blind peer review. All dissertations undergo a close reading by the series editors and authors will be invited to revise where required.

8 publications

Betriebswirtschaftliche Beiträge zu Energie-, Rohstoff- und Umweltfragen

5 publications

Histoire de l’énergie/History of Energy

ISSN: 2033-7469

La collection «Histoire de l’énergie» est née du constat de l’éparpillement des publications sur le thème de l’énergie, au moment même où les approches sont en train d’être profondément renouvelées. Le projet scientifique de la collection consiste à rendre compte, par des publications de thèses, d’actes de colloques ou de travaux de recherche, de la diversité des approches scientifiques. L’objectif est de proposer une vaste réflexion sur les différentes énergies, tant pour ce qui est de leur production que de leur consommation. Les acteurs (entreprises, États, consommateurs), les marchés, les modes de vie conduisent à privilégier une approche globale dans laquelle les différentes énergies sont tout à la fois concurrentes et complémentaires.En adoptant ces perspectives volontairement larges, la collection «Histoire de l’énergie» entend servir de point d’ancrage à des travaux académiques et de faciliter leur diffusion. The series «History of Energy» brings together diverse academic publications on questions of energy, at a time when academic approaches are undergoing profound changes. The series aims to show the variety of these approaches by publishing PhD theses, conference proceedings and other research. Actors (such as companies, states and consumers), markets and lifestyles all contribute to the global analysis developed in the series, in which all aspects of energy are considered. The series provides an outlet for new and original contributions to the history of energy.

17 publications

Veröffentlichungen des Instituts für Energie- und Regulierungsrecht Berlin

ISSN: 2363-684X

The series of books entitled Veröffentlichungen des Instituts für Energie- und Regulierungsrecht Berlin, published by the Institute for Energy and Regulatory Law in Berlin, presents studies carried out within the Department of Law. The editor Professor Franz Jürgen Säcker has hereby established a platform for the publication of monographs and anthologies in collaboration with the Free University of Berlin. The series had previously been published as Veröffentlichungen des Instituts für deutsches und europäisches Wirtschafts-, Wettbewerbs- und Regulierungsrecht der Freien Universität Berlin. Die Buchreihe Veröffentlichungen des Instituts für Energie- und Regulierungsrecht Berlin präsentiert Studien aus dem Fachbereich der Rechtswissenschaft. Der Herausgeber Professor Franz Jürgen Säcker, schafft hier in Zusammenarbeit mit der Freien Universität Berlin eine Plattform für Monographien und Sammelbände. Diese Reihe wurde bisher unter dem Titel Veröffentlichungen des Instituts für deutsches und europäisches Wirtschafts-, Wettbewerbs- und Regulierungsrecht der Freien Universität Berlin geführt.

31 publications

Medienästhetik und Mediennutzung. Media Production and Media Aesthetics

ISSN: 2365-2993

Media production and media aesthetics are corresponding aspects of the discussion surrounding media that form a single unit. The series focuses partly on works about the aesthetic-dialectic analysis of media design. Areas of interest include media technology development and the resulting changes in both media design and what is expected of media. At the same time, digital and online media are influencing usage to a large extent. Authors in this series address these impacts and examine the extent to which changed forms of use are encouraging the development of new technologies and applications. By linking these interacting areas, we want this series to encourage and promote discussion between the disciplines. The volumes 1–4 have been published under "Babelsberger Schriften zu Mediendramaturgie und -Ästhetik". Medienästhetik und Mediennutzung bilden als korrespondierende Aspekte des Diskurses über Medien eine Einheit. Im Fokus der Schriftenreihe stehen zum einen Arbeiten, in denen sich Autor_innen der ästhetisch-dialektischen Analyse der Gestaltung medialer Werke zuwenden. Fokussiert werden die Entwicklungen der Medientechnik und die sich daraus ergebenden Veränderungen in der Gestaltung und in den Erwartungen an Medien. Zum anderen nehmen digitale und Online-Medien einen großen Einfluss auf die Nutzung ein. Autor_innen der Reihe widmen sich diesen Auswirkungen sowie der Untersuchung dessen, inwiefern veränderte Gebrauchsformen die Entwicklung neuer Technologien und Anwendungen anstoßen. Mit der Verbindung dieser interagierenden Bereiche möchten wir in der Reihe einen Diskurs zwischen den Disziplinen anregen und befördern. Die Bände 1–4 sind unter dem Reihentitel "Babelsberger Schriften zu Mediendramaturgie und -Ästhetik" erschienen.

4 publications

Education and Struggle

ISSN: 2168-6432

"WE ARE THE STORIES WE TELL. The series "Education and Struggle" focuses on conflict as a discursive process where people struggle for legitimacy and the narrative process becomes a political struggle for meaning. But this series will also include the voices of authors and activists who are involved in conflicts over material necessities in their communities, schools, places of worship, and public squares as part of an ongoing search for dignity, self-determination and autonomy. This series focuses on conflict and struggle within the realm of educational politics based around a series of interrelated themes: indigenous struggles; western-Islamic conflicts; globalization and the clash of worldviews; neoliberalism as the war within;colonization and neocolonization; the coloniality of power and decolonial pedagogy; war and conflict and the struggle for liberation. It publishes narrative accounts of specific struggles as well as theorizing "conflict narratives" and the political production of meaning in educational studies. During this time of global conflict and the crisis of capitalism, Education and Struggle promises to be on the cutting edge of social, cultural, educational and political transformation. Central to the series is the idea that language is essentially a dialogical production that is formed through a process of social conflict and interaction. The aim is to focus on key semiotic, literary andpolitical concepts as a basis for a philosophy of language and culture where the underlying materialist philosophy of language and culture serves as the basis for the larger project that we might call dialogism (after Bakhtin’s usage). As the late V.N. Volosinov suggests “Without signs there is no ideology”, “Everything ideological possesses semiotic value” and “individual consciousness is a socio-ideological fact”. It is a small step to claim, therefore, “consciousness itself can arise and become a viable fact only in the material embodiment of signs”. This series is a vehicle for materialist semiotics in the narrative and dialogue of education and struggle."

39 publications