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Framing Film
The History and Art of CinemaFraming Film has committed itself to the acquisition and publication of serious, high-quality film studies on topics of national and international interest. The series editors are open to a full range of scholarly methodologies and analytical approaches in the examination of cinema art and history, including topics on film theory, film and society, gender and race, politics. Cutting-edge studies and diverse points of view are particularly encouraged. Framing Film has committed itself to the acquisition and publication of serious, high-quality film studies on topics of national and international interest. The series editors are open to a full range of scholarly methodologies and analytical approaches in the examination of cinema art and history, including topics on film theory, film and society, gender and race, politics. Cutting-edge studies and diverse points of view are particularly encouraged. Framing Film has committed itself to the acquisition and publication of serious, high-quality film studies on topics of national and international interest. The series editors are open to a full range of scholarly methodologies and analytical approaches in the examination of cinema art and history, including topics on film theory, film and society, gender and race, politics. Cutting-edge studies and diverse points of view are particularly encouraged.
20 publications
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Film Cultures
ISSN: 1663-8972
The Film Cultures series publishes high quality academic research in the field of Film Studies with an emphasis on cinema as a medium for the representation and interpretation of cultural identities throughout the world. The editors seek to encourage diversity in the theoretical backgrounds represented in the series, and invite submissions of monographs, collected papers and conference proceedings covering a broad range of film-related research disciplines.
19 publications
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Russische Satire
Strategien kritischer Auseinandersetzung in Vergangenheit und Gegenwart©2016 Edited Collection -
Die nicht mehr neuen Menschen. Russische Filme und Romane der Jahrtausendwende
©2012 Edited Collection -
Film-Träume – Traum-Filme
Hans Richters Film Dreams That Money Can Buy (1947) als poetologische Reflexion der historischen Avantgarde©2010 Monographs -
Deutsch-russischer Sprachkontakt
Deutsche Transferenzen und Code-switching in der Rede Russischsprachiger in Berlin©2005 Thesis -
Russische Grammatik
Aus dem Russischen übersetzt von Johann Lorenz Stavenhagen. Nachdruck der Ausgabe St. Petersburg 1764.©1980 Monographs -
Filme der Kindheit – Kindheit im Film
Beispiele aus Skandinavien, Mittel- und Osteuropa©2010 Conference proceedings -
Der russische Werther
Analysen und Materialien zu einem Kapitel deutsch-russischer Literaturbeziehungen.©1988 Monographs -
Zur Interpretation russischer Nominalgruppen
Anaphorische Bezüge und thematische Strukturen im Satz und im Text.©1985 Monographs -
Feuchtwanger and Film- Feuchtwanger und Film
©2009 Conference proceedings -
Goethes Lyrik in russischer Übersetzung
©1985 Monographs -
Russische Postromantik
Baron Brambeus und die Spaltungen romantischer Autorschaft©2017 Postdoctoral Thesis -
Russische Deklamationsforschung
Texte von S. I. Bernštejn. Herausgegeben und kommentiert von Witalij Schmidt©2020 Others -
Der Raum im Film- L’espace dans le film
©2002 Edited Collection -
Multilingualism in Film
©2019 Edited Collection -
What Is Film?
©2016 Monographs -
Russische Sprachlehre
Nachdruck der Ausgabe Riga 1773. Nachdruck besorgt von Gerd Freidhof und Bernd Scholz©1982 Monographs