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  • Eurosinica

    ISSN: 2235-6258

    "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. For Authors EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Editors • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Board Members • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Pour les auteurs EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Éditeurs • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Les membres du conseil d'administration • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Für Autoren EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Herausgeber • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Vorstandsmitglieder • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) "

    12 publications

  • Title: Gestaltetes Verstummen

    Gestaltetes Verstummen

    Nicht-Sprechen als narrative Konstituente in der russischen Prosa der frühen Moderne
    by Mirjam Goller (Author)
    ©2003 Thesis
  • Title: La palabra y el silencio en el episodio amoroso de la Eneida

    La palabra y el silencio en el episodio amoroso de la Eneida

    by Antonio Mauriz Martinez (Author)
    ©2003 Thesis
  • Title: Pragmatik des Schweigens

    Pragmatik des Schweigens

    Schweigeakte, Schweigephasen und handlungsbegleitendes Schweigen im Russischen
    by Wolfgang Stadler (Author)
    ©2010 Postdoctoral Thesis
  • Title: Motive der Literatur der Renaissance und die Renaissance als literarisches Motiv
  • Title: Dialektische Naturphilosophie

    Dialektische Naturphilosophie

    Geschichte – Probleme – Perspektiven
    by Gottfried Schweiger (Author)
    ©2011 Thesis
  • Title: Zwischen Schweigen und Schreiben

    Zwischen Schweigen und Schreiben

    Interdisziplinäre Perspektiven auf zeitgeschichtliche Jugendromane von Kirsten Boie und Gina Mayer
    by Norman Ächtler (Volume editor) Monika Rox-Helmer (Volume editor) 2013
    ©2013 Edited Collection
  • Title: Linguistik des Schweigens

    Linguistik des Schweigens

    Eine Kulturgeschichte des kommunikativen Schweigens
    by Fleur Ulsamer-Weiland (Author)
    ©2002 Thesis
  • Title: Das Schweigen und die Gabe

    Das Schweigen und die Gabe

    Analytische Studien zu Ambivalenzen in Heinrich von Kleists "Penthesilea" und "Das Käthchen von Heilbronn"
    by Kiran Desai-Breun (Author)
    ©1999 Thesis
  • Title: Das Schweigen brechen

    Das Schweigen brechen

    Berliner Lektionen zu Spätfolgen der Schoa
    by Alexandra Rossberg (Volume editor) Johan Lansen (Volume editor)
    ©2003 Edited Collection
  • Title: Schweigen als Indiz der Schuld

    Schweigen als Indiz der Schuld

    Ein Vergleich des deutschen und englischen Rechts zur Würdigung des Schweigens des Beschuldigten
    by Philipp Rau (Author)
    ©2004 Thesis
  • Title: «Die Toten schweigen nicht»

    «Die Toten schweigen nicht»

    Brecht-Aufsätze
    by Jost Hermand (Author) 2011
    ©2010 Edited Collection
  • Title: «Failing better»

    «Failing better»

    Die Rezeption Samuel Becketts in Österreich
    by Hannes Schweiger (Author)
    ©2005 Thesis
  • Title: Zeit aus Schweigen

    Zeit aus Schweigen

    Johannes Bobrowski - Leben und Werk
    by Andreas Degen (Volume editor) Thomas Taterka (Volume editor)
    ©2009 Monographs
  • Title: Das Motiv der Zeitreise in zeitgenössischen Romanen
  • Title: Schreiben statt Schweigen – Weibliche Stimmen im Porfiriat

    Schreiben statt Schweigen – Weibliche Stimmen im Porfiriat

    Eine Analyse sechs mexikanischer Frauenzeitschriften (1883-1910)
    by Yasmin Temelli (Author)
    ©2010 Monographs
  • Title: Vom mystischen Schweigen zum Reden aus Gewissheit

    Vom mystischen Schweigen zum Reden aus Gewissheit

    Wittgensteins Sprachparadigmen theologisch gedeutet – mit einer Anwendung auf Tillichs Symboltheorie
    by Karsten Schneider (Author) 2013
    ©2013 Thesis
  • Title: Musik-Wissenschaft an ihren Grenzen

    Musik-Wissenschaft an ihren Grenzen

    Manfred Angerer zum 50. Geburtstag
    by Dominik Schweiger (Volume editor) Michael Staudinger (Volume editor) Nikolaus Urbanek (Volume editor)
    ©2004 Edited Collection
  • Title: Das Motiv des Geldes in der Prosa Gottfried Kellers

    Das Motiv des Geldes in der Prosa Gottfried Kellers

    by Christian Stotz (Author)
    ©1998 Thesis
  • Title: Hitler – Motive und Methoden einer unwahrscheinlichen Karriere

    Hitler – Motive und Methoden einer unwahrscheinlichen Karriere

    Eine biographische Studie
    by Heinz Schreckenberg (Author)
    ©2006 Monographs
  • Title: Die personenkonstituierenden Motive im Gesamtwerk von Siegfried Lenz

    Die personenkonstituierenden Motive im Gesamtwerk von Siegfried Lenz

    by Melanie Keutken (Author) 2013
    ©2013 Thesis
  • Title: Motivating the Symbolic

    Motivating the Symbolic

    Towards a Cognitive Theory of the Linguistic Sign
    by Hubert Kowalewski (Author) 2016
    ©2016 Monographs
  • Title: Akzeptanz und Motivation

    Akzeptanz und Motivation

    Empirische Ansätze zur Erforschung des unterrichtlichen Einsatzes von bilingualen und mehrsprachigen Modulen
    by Dagmar Abendroth-Timmer (Author)
    ©2008 Postdoctoral Thesis
  • Title: Motivation und Volition

    Motivation und Volition

    Evaluation eines psychologischen Interventionsprogrammes
    by Karin Priemuth (Author)
    ©2003 Thesis
  • Title: Der traurige Clown

    Der traurige Clown

    Kurt Tucholskys Weg in das Schweigen
    by Michael Segner (Author) 2013
    ©2013 Monographs
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