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  • Stage and Screen Studies

    ISSN: 1660-2560

    This series of monographs is concerned with drama and allied entertainment in a wide variety of kinds in the theatre and on film, television and video screens. The emphasis is on the history and interpretation of dramatic entertainment, performance and production in regular and musical theatre, including music hall and variety stages, in para-theatrical activities, like fairground performance and festivals, and in the silent and sound cinema and on television and video. The series engages particularly with the social, political and economic contexts of drama on past and present stages and screens, considering the work of dramatists, performers, directors, designers, technicians and administrators, and will aim to be very wide-ranging in scope, its subjects spanning Classical, Medieval and Renaissance European drama and theatre, Eastern theatre forms, and international modern drama in its various performance kinds. Within this broad remit, the series hopes to publish historical, critical and theoretical studies, annotated anthologies of critical, theoretical and dramatic texts, and collections of interviews and screenplays.

    10 publications

  • Ibero-American Screens / Pantallas Iberoamericanas

    This series approaches the Ibero-American audiovisual field—cinema and television—from an interdisciplinary perspective, with special emphasis on studies stemming from Media Studies and Cultural Studies. We are especially interested in those volumes that examine audiovisual production in the Iberian Peninsula and/or Latin America from a comparative perspective. In addition, the collection will include studies on the production, distribution and circulation of audiovisual artifacts in the digital era. Consequently, we include works that explore the relationship between audiovisual media and other fields of popular culture, such as music and sports. We accept both theoretical proposals on audiovisual media and historical approaches that scrutinize a specific period of cinema or television in one or several geopolitical spaces. The series includes volumes on industrials aspects and political economy and reflections on key aspects for the articulation of both national and transnational imaginaries, such as memory and representational templates. The featured volumes can be monographs or collections of essays by different authors, in Spanish or English. Esta colección se acerca al ámbito audiovisual iberoamericano—cine y televisión— desde una perspectiva interdisciplinar, con especial énfasis en estudios provenientes de la Comunicación y los Estudios Culturales. Son de especial interés aquellos volúmenes que examinen la producción audiovisual de la Península Ibérica y/o Latinoamérica desde una perspectiva comparativa. Además, son especialmente relevantes aquellos estudios que aborden las transformaciones en la producción, distribución y circulación de los artefactos audiovisuales en la era digital. Por consiguiente, se incluyen trabajos que exploren la relación del audiovisual con otros campos de la cultura popular, como la música y deportes. Se aceptan propuestas de carácter teórico sobre diversos ámbitos del audiovisual y volúmenes de cariz más histórico que abordan un periodo concreto del cine o televisión de uno o varios espacios geopolíticos. La colección incluye tanto volúmenes que se centren en aspectos industriales o de economía política como reflexiones sobre temas clave en la articulación de imaginarios colectivos nacionales o transnacionales como la memoria y la representación. Los libros pueden ser manuscritos monográficos o colecciones de ensayos de diversos autores, en español o inglés.

    8 publications

  • Title: Du split-screen au multi-screen-- From split-screen to multi-screen

    Du split-screen au multi-screen-- From split-screen to multi-screen

    La narration vidéo-filmique spatialement distribuée-- Spatially distributed video-cinematic narration
    by Marcin Sobieszczanski (Volume editor) Céline Masoni Lacroix (Volume editor) 2010
    ©2011 Edited Collection
  • Title: Korean Screen Cultures

    Korean Screen Cultures

    Interrogating Cinema, TV, Music and Online Games
    by Andrew David Jackson (Volume editor) Colette Balmain (Volume editor) 2015
    ©2016 Edited Collection
  • Title: Screen Lessons

    Screen Lessons

    What We Have Learned from Teachers on Television and in the Movies
    by Mary M. Dalton (Volume editor) Laura R. Linder (Volume editor) 2017
    ©2017 Textbook
  • Title: Italy On Screen

    Italy On Screen

    National Identity and Italian Imaginary
    by Lucy Bolton (Volume editor) Christina Siggers Manson (Volume editor) 2011
    ©2010 Conference proceedings
  • Title: The Mind Screen

    The Mind Screen

    Identification Desire and Its Cinematic Arena
    by Georg Schmid (Author) 2015
    ©2016 Monographs
  • Title: Men on the Screen

    Men on the Screen

    Re-visions of Masculinity in Spanish Cinema (1939-2019)
    by Juan Rey (Volume editor) 2020
    ©2020 Monographs
  • Title: Samuel Beckett’s Abstract Drama

    Samuel Beckett’s Abstract Drama

    Works for Stage and Screen- 1962-1985
    by Erik Tonning (Author)
    ©2007 Monographs
  • Title: Suffrage and the Silver Screen

    Suffrage and the Silver Screen

    by Amy Shore (Author) 2014
    ©2014 Monographs
  • Title: D. H. Lawrence on Screen

    D. H. Lawrence on Screen

    Re-Visioning Prose Style in the Films of «The Rocking-Horse Winner», "Sons and Lovers</I>, and "Women in Love</I>
    by Jane Jaffe Young (Author)
    ©1999 Monographs
  • Title: Hollywood Through Private Eyes

    Hollywood Through Private Eyes

    The Screen Adaptation of the ‘Hard-Boiled’ Private Detective Novel in the Studio Era
    by Philip Kiszely (Author)
    ©2006 Monographs
  • Title: Stanislavsky and Meyerhold

    Stanislavsky and Meyerhold

    by Robert Leach (Author)
    ©2003 Monographs
  • Title: Performance

    Performance

    Recasting the Political in Theatre and Beyond
    by Stephen Chinna (Author)
    ©2003 Monographs
  • Title: Ibsen’s Theatre of Ritualistic Visions

    Ibsen’s Theatre of Ritualistic Visions

    An Interdisciplinary Study of Ten Plays
    by Trausti Olafsson (Author)
    ©2008 Monographs
  • Title: Chivalric Festivals at the Ferrarese Court of Alfonso II d’Este

    Chivalric Festivals at the Ferrarese Court of Alfonso II d’Este

    by Alessandro Marcigliano (Author)
    ©2003 Monographs
  • Title: Changing Performance

    Changing Performance

    Culture and Performance in the British Theatre since 1945
    by David Keith Peacock (Author)
    ©2007 Monographs
  • Title: The Many Lives of Galileo

    The Many Lives of Galileo

    Brecht, Theatre and Translation’s Political Unconscious
    by Dougal McNeill (Author)
    ©2005 Monographs
  • Title: Roger Blin

    Roger Blin

    Collaborations and Methodologies
    by Mark Batty (Author)
    ©2007 Monographs
  • Title: Staging the Post-Avant-Garde

    Staging the Post-Avant-Garde

    Italian Experimental Performance after 1970
    by Gabriella Giannachi (Author) Nick Kaye (Author)
    ©2002 Monographs
  • Title: Genetic Screening

    Genetic Screening

    by Michael Fischer (Volume editor) Markus Hengstschläger (Volume editor)
    ©2010 Edited Collection
  • Title: Screening Reality

    Screening Reality

    French Documentary Film during the German Occupation
    by Steve Wharton (Author)
    ©2006 Monographs
  • Title: A Screenful of Sugar?

    A Screenful of Sugar?

    Prescription Drug Websites Investigated
    by Jon C. Schommer (Author) Lewis H. Glinert (Author) 2013
    ©2014 Monographs
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