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Revival and Invention

Sculpture through its Material Histories

by Sébastien Clerbois (Volume editor) Martina Droth (Volume editor) 2011

©2011 Conference proceedings
A God or a Bench

Sculpture as a Problematic Art during the Ancien Régime

by Anne Betty Weinshenker (Author)

©2008 Monographs
Networks of Stone

Sculpture and Society in Archaic and Classical Athens

by Helle Hochscheid (Author) 2015

©2015 Monographs
Articulate Objects

Voice, Sculpture and Performance

by Aura Satz (Volume editor) Jon Wood (Volume editor)

©2009 Edited Collection
Depth of Field

Relief Sculpture in Renaissance Italy

by Donal Cooper (Volume editor) Marika Leino (Volume editor)

©2007 Conference proceedings
Where Love Happens

Changing Social Practices of Love in the Long Nineteenth Century

by Helene Grøn (Volume editor) Lene Østermark-Johansen (Volume editor) Viktoria de Rijke (Volume editor) 2025

©2025 Edited Collection
Le sonnet et les arts visuels : dialogues, interactions, visibilité

by Bénédicte Mathios (Volume editor) 2012

©2012 Edited Collection
Visualizing Dublin

Visual Culture, Modernity and the Representation of Urban Space

by Justin Carville (Volume editor) 2013

©2014 Edited Collection
The Power of Pygmalion

Ancient Greek Sculpture in Modern Greek Poetry, 1860-1960

by Liana Giannakopoulou (Author)

Monographs
The Power of Pygmalion

Ancient Greek Sculpture in Modern Greek Poetry, 1860-1960

by Liana Giannakopoulou (Author)

©2007 Monographs
Or blanc

Sculpture en ivoire, Congo et discours colonial sous le règne de Léopold II (1885-1909)

by Sébastien Clerbois (Author) 2023

©2023 Monographs
Marguerite Duras à la croisée des arts

by Michelle Royer (Volume editor) Lauren Upadhyay (Volume editor) 2019

©2019 Conference proceedings
« Ce Salon à quoi tout se ramène »

Le Salon de peinture et de sculpture, 1791-1890

by James Kearns (Volume editor) Pierre Vaisse (Volume editor) 2011

©2010 Edited Collection
Thomas E. A. Dale, Pygmalion’s Power: Romanesque Sculpture, the Senses, and Religious Experience., University Park, PA: The Pennsylvania State University Press, 2019, x, 276 pages, 21 color plates, 113 b/w ill.

by Michael Vargas (Author)
Beate Fricke, Fallen Idols – Risen Saints. Sainte Foy of Conques and the Revival of Monumental Sculpture in Medieval Art, trans. Andrew Griebeler. Studies in the Visual Cultures of the Middle Ages, 7. Turnhout: Brepols, 2015, 282 S.

by Romedio Schmitz-Esser (Author)

results

Revival and Invention

A God or a Bench

Networks of Stone

Articulate Objects

Depth of Field

Where Love Happens

Le sonnet et les arts visuels : dialogues, interactions, visibilité

Visualizing Dublin

The Power of Pygmalion

The Power of Pygmalion

Or blanc

Marguerite Duras à la croisée des arts

PART[h]Enope

« Ce Salon à quoi tout se ramène »

Thomas E. A. Dale, Pygmalion’s Power: Romanesque Sculpture, the Senses, and Religious Experience., University Park, PA: The Pennsylvania State University Press, 2019, x, 276 pages, 21 color plates, 113 b/w ill.

Beate Fricke, Fallen Idols – Risen Saints. Sainte Foy of Conques and the Revival of Monumental Sculpture in Medieval Art, trans. Andrew Griebeler. Studies in the Visual Cultures of the Middle Ages, 7. Turnhout: Brepols, 2015, 282 S.

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