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  • Stage and Screen Studies

    ISSN: 1660-2560

    This series of monographs is concerned with drama and allied entertainment in a wide variety of kinds in the theatre and on film, television and video screens. The emphasis is on the history and interpretation of dramatic entertainment, performance and production in regular and musical theatre, including music hall and variety stages, in para-theatrical activities, like fairground performance and festivals, and in the silent and sound cinema and on television and video. The series engages particularly with the social, political and economic contexts of drama on past and present stages and screens, considering the work of dramatists, performers, directors, designers, technicians and administrators, and will aim to be very wide-ranging in scope, its subjects spanning Classical, Medieval and Renaissance European drama and theatre, Eastern theatre forms, and international modern drama in its various performance kinds. Within this broad remit, the series hopes to publish historical, critical and theoretical studies, annotated anthologies of critical, theoretical and dramatic texts, and collections of interviews and screenplays.

    10 publications

  • Title: Staging the Post-Avant-Garde

    Staging the Post-Avant-Garde

    Italian Experimental Performance after 1970
    by Gabriella Giannachi (Author) Nick Kaye (Author)
    ©2002 Monographs
  • Title: Stage Histories

    Stage Histories

    Post-War British Historical Drama
    by Paweł Schreiber (Author) 2015
    ©2016 Monographs
  • Title: Samuel Beckett’s Abstract Drama

    Samuel Beckett’s Abstract Drama

    Works for Stage and Screen- 1962-1985
    by Erik Tonning (Author)
    ©2007 Monographs
  • Title: The Semiotic Stage

    The Semiotic Stage

    Prague School Theater Theory
    by Michael Lowell Quinn (Author)
    ©1995 Others
  • Title: From Stage to Page

    From Stage to Page

    Critical Reception of Irish Plays in the London Theatre, 1925–1996
    by Peter James Harris (Author) 2011
    ©2011 Monographs
  • Title: Not a Stage!

    Not a Stage!

    A Critical Re-Conception of Young Adolescent Education
    by Mark D. Vagle (Volume editor)
    ©2012 Textbook
  • Title: Ireland on Stage

    Ireland on Stage

    Beckett and After
    by Hiroko Mikami (Volume editor) Minako Okamuro (Volume editor) Naoko Yagi (Volume editor) 2020
    ©2020 Edited Collection
  • Title: Stanislavsky and Meyerhold

    Stanislavsky and Meyerhold

    by Robert Leach (Author)
    ©2003 Monographs
  • Title: The Many Lives of Galileo

    The Many Lives of Galileo

    Brecht, Theatre and Translation’s Political Unconscious
    by Dougal McNeill (Author)
    ©2005 Monographs
  • Title: Roger Blin

    Roger Blin

    Collaborations and Methodologies
    by Mark Batty (Author)
    ©2007 Monographs
  • Title: Changing Performance

    Changing Performance

    Culture and Performance in the British Theatre since 1945
    by David Keith Peacock (Author)
    ©2007 Monographs
  • Title: Hollywood Through Private Eyes

    Hollywood Through Private Eyes

    The Screen Adaptation of the ‘Hard-Boiled’ Private Detective Novel in the Studio Era
    by Philip Kiszely (Author)
    ©2006 Monographs
  • Title: Chivalric Festivals at the Ferrarese Court of Alfonso II d’Este

    Chivalric Festivals at the Ferrarese Court of Alfonso II d’Este

    by Alessandro Marcigliano (Author)
    ©2003 Monographs
  • Title: Performance

    Performance

    Recasting the Political in Theatre and Beyond
    by Stephen Chinna (Author)
    ©2003 Monographs
  • Title: Ibsen’s Theatre of Ritualistic Visions

    Ibsen’s Theatre of Ritualistic Visions

    An Interdisciplinary Study of Ten Plays
    by Trausti Olafsson (Author)
    ©2008 Monographs
  • Title: Mario Praz: Voice Centre Stage

    Mario Praz: Voice Centre Stage

    by Elisa Bizzotto (Volume editor) 2019
    ©2019 Edited Collection
  • Title: The Early Modern Stage-Jew

    The Early Modern Stage-Jew

    Heritage, Inspiration, and Concepts – With the first edition of Nathaniel Wiburne’s «Machiavellus»
    by Saskia Zinsser-Krys (Author) 2017
    ©2017 Thesis
  • Title: Songbirds on the Literary Stage

    Songbirds on the Literary Stage

    The Woman Singer and her Song in French and German Prose Fiction, from Goethe to Berlioz
    by Julia Effertz (Author) 2015
    ©2015 Monographs
  • Title: The Stage as ‘Der Spielraum Gottes’

    The Stage as ‘Der Spielraum Gottes’

    by Olivia Gabor (Author)
    ©2006 Monographs
  • Title: Acting Funny on the Catalan Stage

    Acting Funny on the Catalan Stage

    El teatre còmic en català (1900–2016)
    by John London (Volume editor) Gabriel Sansano (Volume editor) 2022
    ©2022 Edited Collection
  • Title: Staging America, Staging the Self

    Staging America, Staging the Self

    Figurations of Loss in John Berryman's Dream Songs
    by Anna Warso (Author) 2022
    ©2021 Monographs
  • Title: Ibsen and Chekov on the Irish Stage

    Ibsen and Chekov on the Irish Stage

    by Ros Dixon (Volume editor) Irina Ruppo Malone (Volume editor) 2019
    ©2019 Edited Collection
  • Title: «Sturdy Black Bridges» on the American Stage

    «Sturdy Black Bridges» on the American Stage

    The Portrayal of Black Motherhood in Selected Plays by Contemporary African American Women Playwrights
    by Susanna Bösch (Author)
    ©1997 Thesis
  • Title: Franz Kafka’s «The Trial»: Four Stage Adaptations

    Franz Kafka’s «The Trial»: Four Stage Adaptations

    by Paul M. Malone (Author)
    ©2003 Thesis
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