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  • Actes du XIème Congrès de l’Association Internationale de Littérature Comparée (Paris, août 1985)

    Proceedings of the XIth Congress of the International Comparative Literature Association (Paris, August, 1985)

    5 publications

  • Recherche littéraire / Literary Research

    Revue de l’Association internationale de littérature comparée (AILC) / Journal of the International Comparative Literature Association (ICLA)

    ISSN: 0849-0570

    Aims and Scope As the annual peer-reviewed publication of the International Comparative Literature Association (ICLA), Recherche littéraire / Literary Research is an Open Access journal published by Peter Lang. Its mission is to inform comparative literature scholars worldwide of recent contributions to the field. To that end, it publishes scholarly essays, review essays discussing recent research developments in particular sub-fields of the discipline, as well as reviews of books on comparative topics. Scholarly essays are submitted to a double-blind peer review. Submissions by early-career comparative literature scholars are strongly encouraged. Journal published with the support of the International Comparative Literature Association (ICLA). Past issues back to 2014 can be accessed on the ICLA website: https://www.ailc-icla.org/literary-research/ * * * Objectifs et portée En tant que publication annuelle de l’Association internationale de littérature comparée (AILC), Recherche littéraire / Literary Research est une revue expertisée par des pair·e·s et publiée par Peter Lang en libre accès voie dorée. Elle vise à faire connaître aux comparatistes du monde entier les développements récents de la discipline. Dans ce but, la revue publie des articles de recherche scientifique, des essais critiques dressant l’état des lieux d’un domaine particulier de la littérature comparée, ainsi que des comptes rendus de livres sur des sujets comparatistes. Les articles de recherche sont soumis à une évaluation par des pair·e·s en double anonyme. Des soumissions par de jeunes chercheuses et chercheurs en littérature comparée sont fortement encouragées. Revue publiée avec le concours de l’Association internationale de littérature comparée (AILC). Les numéros antérieurs, remontant à 2014, sont accessibles sur le site de l’AILC: https://www.ailc-icla.org/fr/recherche-litteraire/ * * * Editor in Chief / Rédacteur en Chef: Marc Maufort, Université Libre de Bruxelles (ULB), Belgique/Belgium Assistant Editor / Rédactrice adjointe: Jessica Maufort, National Fund for Scientific Research-Belgium & Université Libre de Bruxelles (ULB), Belgique/Belgium Editorial Assistant / Assistant de rédaction: Samuel Pauwels (Brussels, Belgium) Editorial Board / Comité éditorial: Dorothy Figueira, University of Georgia, USA / John Burt Foster, George Mason University, USA / Peter Hajdu, Hungarian Academy of Sciences, Hungary / Helga Mitterbauer, Université Libre de Bruxelles (ULB), Belgium / David O’Donnell, Victoria University of Wellington, New Zealand / Haun Saussy, University of Chicago, USA / Anne Tomiche, Université de Paris, France / ZHANG Longxi, City University of Hong Kong, China Advisory Board / Comité consultatif: Thomas Oliver Beebee, Penn State University, USA / César Dominguez, Universidade de Santiago de Compostela, España / Massimo Fusillo, Università degli studi dell’Aquila, Italia / Scott Miller, Brigham Young University, USA / E.V. Ramakrishnan, Central University of Gujarat, India / Monica Spiridon, Universitatea din Bucureşti, România / Jüri Talvet, University of Tartu, Estonia / Hein Viljoen, North-West University, Potchesfstroom, South Africa * * * Submission Guidelines Reviews and essays are written in French or English, the two official languages of the ICLA. Book reviews should be between 1500 and 2000 words. Edited volumes and journal issues will also be considered for review. Review essays about the state of the art, about several related books, or about a work of major significance for the field will be allowed to exceed 3500 words, excluding works cited and footnotes. Scholarly essays should count between 6000 and 8000 words (excluding works cited and footnotes) and follow the Chicago Style sheet (parenthetical bibliographical references in the body of the text as well as a final list of Works Cited). Scholarly essays should also be preceded by an abstract in English of approximately 250 words and by 6 to 7 keywords for indexation purposes. The stylesheet for all types of submissions can be downloaded here: https://www.peterlang.com/app/uploads/2022/08/3_Literary-Research-Stylesheet-2022.pdf Inquiries and submissions: Marc Maufort, Editor, Email: Marc.Maufort@ulb.be Langues et littératures modernes CP 175 Université libre de Bruxelles (ULB) Av. F.D. Roosevelt 50 1050 Brussels, Belgium * * * Instructions aux auteur·e·s Les comptes rendus ainsi que les articles de recherche peuvent être écrits en français ou en anglais, les deux langues officielles de l’AILC. Un compte rendu comptera entre 1500 et 2000 mots. Des ouvrages collectifs et des numéros de revues pourront également faire l’objet d’un compte rendu. Un essai critique sur l’état de l’art, sur un ensemble d’ouvrages, ou sur un livre ambitieux pourra dépasser 3500 mots, hormis bibliographie et notes en bas de page. Les articles de recherche compteront entre 6000 et 8000 mots (hormis bibliographie et notes en bas de page) et suivront les règles de présentation bibliographique du «Chicago Style» (références bibliographiques entre parenthèses dans le corps du texte et bibliographie en fin d’article). Ces articles de recherche doivent également être précédés d’un résumé en anglais d’environ 250 mots et de 6 à 7 mots-clés à des fins d’indexation. Une traduction en anglais du titre de l’article est également demandée. Les normes de présentation pour tous les types de soumissions peuvent être téléchargées ici: https://www.peterlang.com/app/uploads/2022/08/3_Literary-Research-Stylesheet-2022.pdf Renseignements et soumissions: Marc Maufort, Rédacteur, Email: Marc.Maufort@ulb.be Langues et littératures modernes CP 175 Université libre de Bruxelles (ULB) Av. F.D. Roosevelt 50 1050 Brussels, Belgium *** Statement of Publication Ethics AUTHORS: Submissions should be original and free from any plagiarism. Authors should not offer their submissions concurrently elsewhere. The submitted work should not have been previously published in any language. Authors are fully responsible for the contents of their essays. They should secure permission for the reprinting of any copyrighted material. LR/RL does not charge any fees for the submission of manuscripts and their publication. REVIEWERS: All scholarly articles are rigorously assessed through anonymous peer review (authorship will not be divulged and readers will remain unidentified). Submissions are assessed by at least two international experts in the relevant fields. A third reader will be consulted, if necessary. Peer reviews will last approximately 3 months. The journal and its editorial team adhere to Peter Lang’s code of ethics regarding peer review: reviewers are asked to abide by the COPE Ethical Guidelines for Peer Reviewers (https://www.peterlang.com/app/uploads/2021/07/COPE-Ethical-Guidelines_2016.pdf), which ensures the integrity of the academic research we publish. More information on Peter Lang’s commitment to academic excellence can be found here: https://www.peterlang.com/for-authors/. In case of conflict, the journal will follow the steps outlined by COPE here: https://publicationethics.org/files/Full%20set%20of%20flowcharts.pdf. EDITORS: LR/RL is committed to the impartiality of the editorial process. The journal will pay particular attention to any conflict of interests. The journal will promote good editorial practice, such as the adherence to clear instructions. LR/RL does not endorse the opinions of authors once their work is published. The journal is published in Gold Open Access, under the copyright license Creative Commons CC-BY-ND-NC 4.0 International. Each issue will be immediately available in its entirety on Peter Lang’s website upon publication. *** Déclaration d’éthique de publication AUTEUR·E·S: Les soumissions doivent être originales et exemptes de tout plagiat. Les auteur·e·s ne doivent pas proposer leurs soumissions simultanément ailleurs. Le travail soumis ne doit avoir été publié auparavant dans aucune langue. Les auteur·e·s sont entièrement responsables du contenu de leurs essais. Il·Elle·s doivent obtenir l’autorisation de réimprimer tout matériel protégé par le droit d’auteur. LR/RL ne facture aucun frais pour la soumission des manuscrits et leur publication. ÉVALUATEUR·RICE·S: Tous les articles scientifiques sont rigoureusement évalués par un examen anonyme par des pairs (la paternité des auteur·e·s ne sera pas divulguée et les lecteur·rice·s resteront non identifié·e·s). Les soumissions sont évaluées par au moins deux expert·e·s internationaux·ales dans les domaines concernés. Une troisième personne sera consultée, si nécessaire. Les évaluations par les pairs dureront environ 3 mois. La revue et son équipe éditoriale adhèrent au code de déontologie de Peter Lang concernant l’évaluation par les pairs: les évaluateur·rice·s sont prié·e·s de respecter les Directives éthiques du COPE pour l'évaluation par les pairs (https://www.peterlang.com/app/uploads/2021/07/COPE-Ethical-Guidelines_2016.pdf), qui garantissent l’intégrité de la recherche scientifique que nous publions. Pour plus d’informations sur l’engagement de Peter Lang en faveur de l’excellence académique, cliquez ici: https://www.peterlang.com/for-authors/. En cas de conflit, la revue suivra les étapes décrites par COPE ici: https://publicationethics.org/files/Full%20set%20of%20flowcharts.pdf. ÉDITEUR·RICE·S: LR/RL s’engage à respecter l’impartialité du processus éditorial. La revue portera une attention particulière à tout conflit d’intérêts. Elle encouragera les bonnes pratiques éditoriales, telles que le respect d’instructions claires. LR/RL ne cautionne pas l’opinion des auteur·e·s une fois leur travail publié. La revue est publiée en Open Access voie dorée, sous la licence de copyright Creative Commons CC-BY-ND-NC 4.0 International. Chaque numéro sera immédiatement disponible dans son intégralité sur le site web de Peter Lang dès sa publication. *** Abstracting and Indexing / Indexation EBSCO, MLA Directory of Periodicals, OAPEN

    9 publications

  • The Literature and Poetry of Exile

    ISSN: 1077-0194

    This series aims to publish literary and poetic texts, as well as studies, commentaries, and interpretations of the experiences and reactions to exile. The purpose of the series is to encourage responses to those enigmatic but essential questions: What is the meaning of exile? What imaginative and concrete imagery does it evoke? This series is committed to the belief that exile is a fundamental characteristic of our age and bears witness to its existential reality. We want this series to provide a forum for writers in exile and to make it possible for their voices to be heard.

    1 publications

  • Britische und Irische Studien zur deutschen Sprache und Literatur / British and Irish Studies in German Language and Literature

    British and Irish Studies in German Language and Literature Edited by H. S. Reiss and W. E. Yates This long-established series aims to publish works of serious scholarship drawn from the whole subject range of traditional Germanistik, originating both in Great Britain and in the Republic of Ireland, and readably written. Over fifty volumes have b een published since 1974. They include new books both by distinguished senior scholars and by younger researchers, collected essays either by single authors or by several hands (these have included papers emerging from conferences, often in both Eng lish and German) and selected doctoral dissertations reworked in book form. The weight of the series has mainly fallen on literature, theatre and cultural history from the eighteenth century onwards, in some cases with a strong comparative dimension.

    47 publications

  • Literature and the Visual Arts

    New Foundations

    Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all. Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all. Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all.

    15 publications

  • Title: Between Two Shores / Idir Dhá Chladach

    Between Two Shores / Idir Dhá Chladach

    Writing the Aran Islands, 1890-1980
    by Mairéad Conneely (Author) 2011
    ©2011 Monographs
  • Title: The Aran Islands in Anglo-Irish and Irish Literature

    The Aran Islands in Anglo-Irish and Irish Literature

    A Literary History and Selected Studies
    by Andrea Maria Mayr (Author)
    ©2008 Thesis
  • Title: Irish Literature

    Irish Literature

    Feminist Perspectives
    by Patricia Coughlan (Volume editor) Tina O'Toole (Volume editor) 2020
    ©2008 Edited Collection
  • Title: Irish Literature and the First World War

    Irish Literature and the First World War

    Culture, Identity and Memory
    by Terry Phillips (Author) 2015
    ©2015 Monographs
  • Title: Islands and Cities in Medieval Myth, Literature, and History

    Islands and Cities in Medieval Myth, Literature, and History

    Papers Delivered at the International Medieval Congress, University of Leeds, in 2005, 2006, and 2007
    by Andrea Grafetstätter (Volume editor) Sieglinde Hartmann (Volume editor) James Ogier (Volume editor)
    ©2011 Edited Collection
  • Title: Sprachinselwelten – The World of Language Islands

    Sprachinselwelten – The World of Language Islands

    Entwicklung und Beschreibung der deutschen Sprachinseln am Anfang des 21. Jahrhunderts. The Developmental Stages and the Description of German Language Islands at the Beginning of the 21st Century
    by Nina Berend (Volume editor) Elisabeth Knipf-Komlósi (Volume editor) 2013
    ©2006 Edited Collection
  • Title: Islands of Law

    Islands of Law

    A Legal History of the British Isles
    by Richard S. Tompson (Author)
    ©2000 Textbook
  • Title: Irish Theatre International

    Irish Theatre International

    Volume 2 Number 1
    by Paul Murphy (Volume editor) 2022
    ©2009 Monographs
  • Title: Irish Literature in the British Context and  Beyond

    Irish Literature in the British Context and Beyond

    21st Century Perspectives from Kyoto
    by Hiroko Ikeda (Volume editor) Kazuo Yokouchi (Volume editor) 2020
    ©2020 Edited Collection
  • Title: Journeys in the Sun: Travel Literature and Desire in the Balearic Islands (1903–1939)

    Journeys in the Sun: Travel Literature and Desire in the Balearic Islands (1903–1939)

    Second edition
    by Eduard Moyà (Author) 2017
    ©2017 Monographs
  • Title: Umwelt-engagierte Literatur aus Island und Norwegen.

    Umwelt-engagierte Literatur aus Island und Norwegen.

    Ein interdisziplinärer Beitrag zu den «environmental humanities»
    by Reinhard Hennig (Author) 2014
    ©2015 Thesis
  • Title: The Variation of Chinese Literature and the Formation of World Literature
  • Title: Irish Studies and the Dynamics of Memory

    Irish Studies and the Dynamics of Memory

    Transitions and Transformations
    by Marguerite Corporaal (Volume editor) Christopher Cusack (Volume editor) Ruud van den Beuken (Volume editor) 2017
    Edited Collection
  • Title: The Island Motif in the Fiction of L. M. Montgomery, Margaret Laurence, Margaret Atwood, and Other Canadian Women Novelists
  • Title: Ironies of Art/Tragedies of Life

    Ironies of Art/Tragedies of Life

    Essays on Irish Literature
    by Liliana Sikorska (Volume editor)
    ©2005 Edited Collection
  • Title: Frank McGuinness’s Dramaturgy of Difference and the Irish Theatre

    Frank McGuinness’s Dramaturgy of Difference and the Irish Theatre

    by David Cregan (Author) 2011
    ©2011 Monographs
  • Title: The Leaving of Ireland

    The Leaving of Ireland

    Migration and Belonging in Irish Literature and Film
    by John Lynch (Volume editor) Katherina Dodou (Volume editor) 2015
    ©2015 Edited Collection
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