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  • Contemporary Film, Television, and Video

    ISSN: 1543-0863

    The Contemporary Film, Television, and Video Studies series seeks to publish serious, scholarly materials about contemporary American and international film, television, and video practices. Topics of interest include studies of national media practices, the globalization of media production and consumption, and studies of important and influential media practitioners. Submission of single author manuscripts and edited collections of essays from a wide range of theoretical and methodological perspectives are invited. The Contemporary Film, Television, and Video Studies series seeks to publish serious, scholarly materials about contemporary American and international film, television, and video practices. Topics of interest include studies of national media practices, the globalization of media production and consumption, and studies of important and influential media practitioners. Submission of single author manuscripts and edited collections of essays from a wide range of theoretical and methodological perspectives are invited. The Contemporary Film, Television, and Video Studies series seeks to publish serious, scholarly materials about contemporary American and international film, television, and video practices. Topics of interest include studies of national media practices, the globalization of media production and consumption, and studies of important and influential media practitioners. Submission of single author manuscripts and edited collections of essays from a wide range of theoretical and methodological perspectives are invited.

    2 publications

  • Art and Thought / Art et pensée

    Histories of the Avant-Garde / histoires des avant-gardes

    If the past is continually retold in the present, as Walter Benjamin suggests, what can critical perspectives reveal and what do they obscure about the history of our modern time? Art and Thought: Histories of the Avant-Garde revisits and reconceptualises the histories of modernism, avant-gardism and postmodernism. Volumes in the series will each offer a critical perspective developed in response to specific cultural artefacts and their qualities. They will engage with literary, artistic and theoretical works, from the past as well as the present, and explore the interactions between literature, visual art, film and music, including the livre d’artiste. The series showcases work by new as well as established scholars, whether monographs, single- or multi-authored collections of essays, and new editions of salient or neglected primary texts in English or French, including original aesthetic works. Writing on translation as well as in translation is welcome. Walter Benjamin nous rappelle que le passé se dit au présent. Dans quelle mesure la pensée critique permet-elle d’illuminer notre histoire ? La collection Art et pensée : histoires des avant-gardes se propose de penser à nouveaux frais les problématiques liant les esthétiques de la modernité, de l’avant-garde et du postmoderne. Chaque volume répondra aux qualités ponctuelles d'objets esthétiques et culturels considérés par une perspective critique propre. Des œuvres de littérature, d’art et de réflexion y seront abordées, qui souligneront les rapports intimes de l’écriture, du visuel, de la musique, du cinéma. Les livres d’artistes ne seront pas oubliés. La collection présentera, en langue française ou anglaise, le travail critique de chercheurs établis ou en début de carrière. Elle offrira à ses lecteurs des monographies, des collections d’essais, des volumes collectifs, et des éditions nouvelles d’œuvres marquantes ou jusqu’à présent négligées, y compris les œuvres littéraires et esthétiques. Les œuvres en traduction nouvelle tout comme les travaux sur la traduction même seront vivement accueillis.

    8 publications

  • Art – Knowledge – Theory

    ISSN: 2235-2759

    Art Knowledge Theory is a book series that explores artistic modes of expression as forms of knowledge production. It focuses on transdisciplinary, epistemological and methodological approaches to contemporary art. Linking artistic and scientific practices, tools, techniques and theories, the volumes investigate the cultures of aesthetics and science studies as they relate to works of art. Art Knowledge Theory analyzes the role of art in contemporary culture by probing the philosophical, historical and social parameters by which images are accessed and assessed. As an amplification - as well as intervention or even a correction to historical research, this series questions the state of the art and knowledge within a culture, characterized by technology and science.

    8 publications

  • Hermeneutics of Art

    7 publications

  • Title: Thinking Media Aesthetics

    Thinking Media Aesthetics

    Media Studies, Film Studies and the Arts
    by Liv Hausken (Volume editor) 2013
    ©2014 Edited Collection
  • Title: Video ausstellen

    Video ausstellen

    Potenziale der Präsentation
    by Katharina Ammann (Author)
    ©2009 Thesis
  • Title: Les mots de la vidéo

    Les mots de la vidéo

    Construction discursive d'un art contemporain
    by Melissa Rérat (Author) 2022
    ©2022 Thesis
  • Title: Video Journalism

    Video Journalism

    Beyond the One-Man Band
    by Mary Angela Bock (Author)
    ©2012 Textbook
  • Title: Opera and Video

    Opera and Video

    Technology and Spectatorship
    by Héctor Pérez (Volume editor) 2012
    ©2012 Conference proceedings
  • Title: Video Interaction Analysis

    Video Interaction Analysis

    Methods and Methodology
    by Ulrike Tikvah Kissmann (Volume editor)
    ©2009 Edited Collection
  • Title: Tony Conrad

    Tony Conrad

    Video – und darüber hinaus
    by Tabea Lurk (Author) 2015
    ©2016 Thesis
  • Title: Good Video Games and Good Learning

    Good Video Games and Good Learning

    Collected Essays on Video Games, Learning and Literacy, 2nd Edition
    by James Paul Gee (Author) 2013
    ©2007 Textbook
  • Title: Video Analysis: Methodology and Methods

    Video Analysis: Methodology and Methods

    Qualitative Audiovisual Data Analysis in Sociology
    by Hubert Knoblauch (Volume editor) Bernt Schnettler (Volume editor) Jürgen Raab (Volume editor) Hans-Georg Soeffner (Volume editor) 2006
    ©2012 Conference proceedings
  • Title: Video Game Translation and Cognitive Semantics

    Video Game Translation and Cognitive Semantics

    by Mateusz Sajna (Author) 2016
    ©2016 Monographs
  • Title: Du split-screen au multi-screen-- From split-screen to multi-screen

    Du split-screen au multi-screen-- From split-screen to multi-screen

    La narration vidéo-filmique spatialement distribuée-- Spatially distributed video-cinematic narration
    by Marcin Sobieszczanski (Volume editor) Céline Masoni Lacroix (Volume editor) 2010
    ©2011 Edited Collection
  • Title: The Power of (Re)Creation and Social Transformation of Binomial ‘Art-Technology’ in Times of Crisis: Musical Poetic Narrative in Rozalén’s ‘Lyric Video’ “Aves Enjauladas”
  • Title: Social Networks

    Social Networks

    From Text to Video
    by Susan B. Barnes (Author) 2013
    ©2013 Textbook
  • Title: Learning in Video Game Affinity Spaces

    Learning in Video Game Affinity Spaces

    by Elisabeth R. Hayes (Volume editor) Sean C. Duncan (Volume editor)
    ©2012 Textbook
  • Title: Her Art

    Her Art

    Greek Women in the Arts from Antiquity to Modernity
    by Diane Touliatos-Miles (Volume editor)
    ©2011 Edited Collection
  • Title: Multidisciplinary Perspectives on Narrative Aesthetics in Video Games

    Multidisciplinary Perspectives on Narrative Aesthetics in Video Games

    by Deniz Denizel (Volume editor) Deniz Eyüce Sansal (Volume editor) Tuna Tetik (Volume editor) 2021
    ©2021 Edited Collection
  • Title: The Wolf at the Door

    The Wolf at the Door

    Stanley Kubrick, History, and the Holocaust
    by Geoffrey Cocks (Author)
    ©2013 Textbook
  • Title: War/Play

    War/Play

    Video Games and the Militarization of Society
    by John Martino (Author) 2013
    ©2015 Monographs
  • Title: «How art produces art»

    «How art produces art»

    Samuel Richardsons «Clarissa» im Spiegel ihrer deutschen Übersetzungen
    by Astrid Krake (Author) Universität Münster (Author)
    ©2000 Thesis
  • Title: Art State, Art Activism and Expanded Concept of Art
  • Title: Art, Identity and Cosmopolitanism

    Art, Identity and Cosmopolitanism

    William Rothenstein and the British Art World, c.1880–1935
    by Samuel Shaw (Author) 2024
    ©2024 Monographs
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