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  • Contemporary Film, Television, and Video

    ISSN: 1543-0863

    The Contemporary Film, Television, and Video Studies series seeks to publish serious, scholarly materials about contemporary American and international film, television, and video practices. Topics of interest include studies of national media practices, the globalization of media production and consumption, and studies of important and influential media practitioners. Submission of single author manuscripts and edited collections of essays from a wide range of theoretical and methodological perspectives are invited. The Contemporary Film, Television, and Video Studies series seeks to publish serious, scholarly materials about contemporary American and international film, television, and video practices. Topics of interest include studies of national media practices, the globalization of media production and consumption, and studies of important and influential media practitioners. Submission of single author manuscripts and edited collections of essays from a wide range of theoretical and methodological perspectives are invited. The Contemporary Film, Television, and Video Studies series seeks to publish serious, scholarly materials about contemporary American and international film, television, and video practices. Topics of interest include studies of national media practices, the globalization of media production and consumption, and studies of important and influential media practitioners. Submission of single author manuscripts and edited collections of essays from a wide range of theoretical and methodological perspectives are invited.

    2 publications

  • Speech Production and Perception

    ISSN: 2191-8651

    Speech production is a complex sensorimotor task that requires the coordination of numerous physically complex and very different biological systems. Furthermore, it is a sophisticated cognitive task that transmits information between speakers and listeners. Speech perception uses multi-modal information combining visible articulatory movements and audible acoustic properties in an adaptive way. Understanding the cognitive, motor and sensory mechanisms that underlie speech production and perception is a fascinating objective that requires interdisciplinary competences in various research areas such as linguistics, perception, psychology, cognition, neuroscience, motor control, biology, aerodynamics, acoustics, and biomechanics. The aim of this book series is to investigate the various mechanisms underlying speech production and perception. Each issue of this series will be devoted to a specific topic. This topic will be addressed from different, sometimes even controversial perspectives. Tutorials, up-to-date scientific papers, methodological reports and outstanding dissertations will be at the core of the series. The intended readers are graduate students and scientists from various research disciplines interested in speech production and perception. Scholars are welcome to submit suitable works to the editors. All articles in edited volumes undergo a double-blind peer review. All dissertations undergo a close reading by the series editors and authors will be invited to revise where required.

    8 publications

  • Title: Girls, Cultural Productions, and Resistance

    Girls, Cultural Productions, and Resistance

    by Michelle S. Bae (Volume editor) Olga Ivashkevich (Volume editor)
    ©2012 Textbook
  • Title: Video ausstellen

    Video ausstellen

    Potenziale der Präsentation
    by Katharina Ammann (Author)
    ©2009 Thesis
  • Title: Video Journalism

    Video Journalism

    Beyond the One-Man Band
    by Mary Angela Bock (Author)
    ©2012 Textbook
  • Title: Opera and Video

    Opera and Video

    Technology and Spectatorship
    by Héctor Pérez (Volume editor) 2012
    ©2012 Conference proceedings
  • Title: Les mots de la vidéo

    Les mots de la vidéo

    Construction discursive d'un art contemporain
    by Melissa Rérat (Author) 2022
    ©2022 Thesis
  • Title: Video Interaction Analysis

    Video Interaction Analysis

    Methods and Methodology
    by Ulrike Tikvah Kissmann (Volume editor)
    ©2009 Edited Collection
  • Title: Tony Conrad

    Tony Conrad

    Video – und darüber hinaus
    by Tabea Lurk (Author) 2015
    ©2016 Thesis
  • Title: Production of Emotions

    Production of Emotions

    Perspectives and Functions
    by Teresa Bruś (Volume editor) Marcin Tereszewski (Volume editor) 2016
    ©2016 Edited Collection
  • Title: Good Video Games and Good Learning

    Good Video Games and Good Learning

    Collected Essays on Video Games, Learning and Literacy, 2nd Edition
    by James Paul Gee (Author) 2013
    ©2007 Textbook
  • Title: Video Analysis: Methodology and Methods

    Video Analysis: Methodology and Methods

    Qualitative Audiovisual Data Analysis in Sociology
    by Hubert Knoblauch (Volume editor) Bernt Schnettler (Volume editor) Jürgen Raab (Volume editor) Hans-Georg Soeffner (Volume editor) 2006
    ©2012 Conference proceedings
  • Title: Video Game Translation and Cognitive Semantics

    Video Game Translation and Cognitive Semantics

    by Mateusz Sajna (Author) 2016
    ©2016 Monographs
  • Title: Du split-screen au multi-screen-- From split-screen to multi-screen

    Du split-screen au multi-screen-- From split-screen to multi-screen

    La narration vidéo-filmique spatialement distribuée-- Spatially distributed video-cinematic narration
    by Marcin Sobieszczanski (Volume editor) Céline Masoni Lacroix (Volume editor) 2010
    ©2011 Edited Collection
  • Title: Social Networks

    Social Networks

    From Text to Video
    by Susan B. Barnes (Author) 2013
    ©2013 Textbook
  • Title: Speech production and perception: Learning and memory

    Speech production and perception: Learning and memory

    by Susanne Fuchs (Volume editor) Joanne Cleland (Volume editor) Amélie Rochet-Capellan (Volume editor) 2019
    ©2019 Edited Collection
  • Title: Learning in Video Game Affinity Spaces

    Learning in Video Game Affinity Spaces

    by Elisabeth R. Hayes (Volume editor) Sean C. Duncan (Volume editor)
    ©2012 Textbook
  • Title: Youth-full Productions

    Youth-full Productions

    Cultural Practices and Constructions of Content and Social Spaces
    by Nancy Ares (Volume editor)
    ©2010 Textbook
  • Title: Places of Food Production

    Places of Food Production

    Origin, Identity, Imagination
    by Silke Bartsch (Volume editor) Patricia Lysaght (Volume editor) 2019
    ©2017 Edited Collection
  • Title: War/Play

    War/Play

    Video Games and the Militarization of Society
    by John Martino (Author) 2013
    ©2015 Monographs
  • Title: Multidisciplinary Perspectives on Narrative Aesthetics in Video Games

    Multidisciplinary Perspectives on Narrative Aesthetics in Video Games

    by Deniz Denizel (Volume editor) Deniz Eyüce Sansal (Volume editor) Tuna Tetik (Volume editor) 2021
    ©2021 Edited Collection
  • Title: Analysing English as a Lingua Franca in Video Games

    Analysing English as a Lingua Franca in Video Games

    Linguistic Features, Experiential and Functional Dimensions of Online and Scripted Interactions
    by Pietro Luigi Iaia (Author) 2016
    ©2016 Monographs
  • Title: Einsatz von Interactive Video im computerunterstützten universitären Unterricht

    Einsatz von Interactive Video im computerunterstützten universitären Unterricht

    CULLIS Teilprojekt II
    by Stefan Neumann (Author)
    ©1996 Thesis
  • Title: Individual Differences in Speech Production and Perception

    Individual Differences in Speech Production and Perception

    by Susanne Fuchs (Volume editor) Daniel Pape (Volume editor) Caterina Petrone (Volume editor) Pascal Perrier (Volume editor) 2015
    ©2015 Edited Collection
  • Title: Knowledge Production in European Universities

    Knowledge Production in European Universities

    States, Markets, and Academic Entrepreneurialism
    by Marek Kwiek (Author) 2012
    ©2013 Monographs
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