Loading...

results

53 results
Sort by 
Filter
  • Visual Learning

    The series “Visual Learning“ covers a range of approaches in the fields from Philosophy to Psychology and Education. The editors are professor Andras Benedek and professor Kristof Nyiri. Their research focus lies on areas like human resource development, the philosophy of communication and the philosophy of images. The series “Visual Learning“ covers a range of approaches in the fields from Philosophy to Psychology and Education. The editors are professor Andras Benedek and professor Kristof Nyiri. Their research focus lies on areas like human resource development, the philosophy of communication and the philosophy of images. The series “Visual Learning“ covers a range of approaches in the fields from Philosophy to Psychology and Education. The editors are professor Andras Benedek and professor Kristof Nyiri. Their research focus lies on areas like human resource development, the philosophy of communication and the philosophy of images.

    7 publications

  • Visual Communication

    ISSN: 2153-277X

    Visual communication is the process through which individuals in relationships, organizations, and cultures interpret and create visual messages in response to their environment, one another, and social structures. This series seeks to enhance our understanding of visual communication and it explores the role of visual communication in culture. Topics of interest include visual perception and cognition; signs and symbols; typography and image; research on graph ic design, use of visual imagery in education. On a cultural level, research on visual media analysis and critical methods that examine the larger cultural messages imbedded in visual images is welcome. By providing a variety of approaches to the analysis of visual media and messages, this book series is designed to explore issues relating to visual literacy, visual communication, visual rhetoric, visual culture, and any unique method for examining visual communication.

    16 publications

  • German Visual Culture

    This series invites research on all aspects of German visual culture – including art, architecture, film and media – across different periods, geographical locations, and political contexts. Books in the series engage with aesthetic and ideological continuities as well as ruptures and divergences between individual creators, movements, educational systems, art institutions, and cultures of display. Challenging scholarship that interrogates and updates existing orthodoxies in the field is desirable. A guiding question of the series is the impact of German visual culture on critical and public spheres, both inside and outside the German-speaking world. Reception is thus conceived in the broadest possible terms, including both the ways in which visual culture has been perceived and defined as well as the ways in which modern and contemporary German creators have undertaken visual dialogues with their predecessors or contemporaries. The series welcomes cross-disciplinary approaches from art history, anthropology, material culture; the histories of science, perception, medicine, and technology; and the history of ideas. Issues of cultural transfer, critical race theory and related postcolonial analysis, feminism, queer theory, and other interdisciplinary approaches are encouraged, as are studies on production and consumption, the art market, pioneering publishing houses, and the mass media, including film and illustrated magazines. All proposals for monographs and edited collections in the history of German visual culture will be considered. Contributions in English and German are welcome. Submissions are subject to rigorous peer review. This series was previously edited by Professor Christian Weikop, from 2018 to 2025, during which time he connected his Research Forum for German Visual Culture at the University of Edinburgh with the series.

    20 publications

  • Artes visuales y sociedades hispánicas

    The "Visual Arts and Hispanic Societies" series is devoted to monographic or collective works in Spanish on artistic representations of the cultures of Hispanic countries, in Spain and in the Americas as well as territories or communities on other continents. The concept of ʻvisual artsʼ includes all forms of representation related to the image, whether they refer to academic arts such as photography, painting, theatre and film, or to more recent, popular and/or heterogeneous styles such as graphic novels, television, video games, street art, installations, interventions and other forms of free or ephemeral art, whether or not linked to new technologies. This collection aims to bring together authors writing from different perspectives who are interested in the social function of current or traditional art, in the way in which visual representations seek to convey critical, pragmatic, committed and/or political points of view on the conflicts through which Hispanic societies evolved in the past or are currently being transformed. La colección "Artes visuales y sociedades hispánicas" está dedicada a trabajos monográficos o colectivos en español sobre representaciones artísticas de las culturas de los países hispánicos, tanto en España y América como en algunos territorios o comunidades de otros continentes. El concepto de ʻartes visualesʼ incluye aquí toda forma de representación relacionada con la imagen, ya se refiera a artes académicas como la fotografía, la pintura, el teatro y el cine, o a estilos más recientes, populares y/o heterogéneos como la historieta, la novela gráfica, la televisión, los videojuegos, el street art, las instalaciones y otras modalidades de arte libre o efímero, ligados o no a las nuevas tecnologías. Esta colección pretende asociar a una serie de autores de horizontes diversos interesados por la función social del arte actual o tradicional, por la manera en que las representaciones visuales pretenden transmitir puntos de vista críticos, pragmáticos, comprometidos y/o políticos sobre los conflictos a través de los cuales evolucionaron en el pasado o se transforman actualmente las sociedades hispánicas. La collection "Arts visuels et sociétés hispaniques" est consacrée à des travaux monographiques ou collectifs écrits en espagnol sur les représentations artistiques des cultures des pays hispaniques, aussi bien en Espagne et en Amérique que dans certains territoires ou communautés dʼautres continents. Le concept d'ʻart visuelʼ inclut ici toutes les formes de représentation liées à lʼimage, quʼelles se réfèrent aux arts considérés comme académiques comme la photographie, la peinture, le théâtre et le cinéma, ou à des styles plus récents, populaires et/ou hétérogènes comme la bande dessinée, le roman graphique, la télévision, les jeux vidéo, le street art, les installations et autres formes dʼart libre ou éphémère, liées ou non aux nouvelles technologies. Cette collection vise à associer des auteurs d’horizons variés qui sʼintéressent à la fonction sociale de lʼart actuel ou traditionnel, ainsi qu’à la manière dont les représentations visuelles cherchent à transmettre des points de vue critiques, pragmatiques, engagés et/ou politiques sur les conflits à travers lesquels les sociétés hispaniques ont évolué dans le passé ou sont en train de se transformer.

    5 publications

  • Literature and the Visual Arts

    New Foundations

    Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all. Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all. Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all.

    15 publications

  • Title: Visual Techniques Applied in Social Research

    Visual Techniques Applied in Social Research

    by Florentina Scarneci-Domnisoru (Volume editor) 2020
    ©2020 Edited Collection
  • Title: Data Rights Law 1.0

    Data Rights Law 1.0

    The Theoretical Basis
    by Key Laboratory of Big Data Strategy (Author) Yuming Lian (Editor) 2019
    ©2019 Monographs
  • Title: Phrases and Phraseology – Data and Descriptions

    Phrases and Phraseology – Data and Descriptions

    Data and Descriptions
    by Stefania Nuccorini (Volume editor)
    ©2002 Edited Collection
  • Title: Dancing the Data

    Dancing the Data

    by Carl Bagley (Volume editor) Mary Beth Cancienne (Volume editor)
    ©2002 Textbook
  • Title: Virtual Reality – Real Visuality

    Virtual Reality – Real Visuality

    Virtual, Visual, Veridical
    by András Benedek (Volume editor) Ágnes Veszelszki (Volume editor) 2017
    ©2017 Edited Collection
  • Title: Big Data

    Big Data

    Post-truth and Disinformation in Politics and Economy
    by Aleksander Żołnierski (Volume editor) Dariusz Jaruga (Volume editor) 2025
    ©2025 Edited Collection
  • Title: Rounding of Income Data

    Rounding of Income Data

    An Empirical Analysis of the Quality of Income Data with Respect to Rounded Values and Income Brackets with Data from the European Community Household Panel
    by Jens Ulrich Hanisch (Author)
    ©2007 Thesis
  • Title: Disrupting Data in Qualitative Inquiry

    Disrupting Data in Qualitative Inquiry

    Entanglements with the Post-Critical and Post-Anthropocentric
    by Mirka Koro-Ljungberg (Volume editor) Teija Löytönen (Volume editor) Marek Tesar (Volume editor) 2017
    ©2017 Textbook
  • Title: Unique-Visual Narratives

    Unique-Visual Narratives

    The Evolution of Art and Literature in Turkey
    by Asya Sakine Uçar (Author) 2025
    Monographs
  • Title: Visual Art as Theology

    Visual Art as Theology

    by Barbara Dee Baumgarten (Author)
    ©1994 Monographs
  • Title: Bourdieu and Data Analysis

    Bourdieu and Data Analysis

    Methodological Principles and Practice
    by Michael Grenfell (Volume editor) Frédéric Lebaron (Volume editor) 2014
    ©2014 Edited Collection
  • Title: Data Mining in der Praxis

    Data Mining in der Praxis

    Ein Ansatz zur Nutzung der Potentiale von Data Mining im betrieblichen Umfeld
    by Bertram Küppers (Author)
    ©1999 Thesis
  • Title: Big Data et influence

    Big Data et influence

    Stratégies, design, éthique et régulation
    by Camila Pérez Lagos (Volume editor) Mehdi Ghassemi (Volume editor) Rania Aoun (Volume editor) 2024
    ©2024 Others
  • Title: Visual Spirituality

    Visual Spirituality

    Art, Mediums, and Cognitive Dissociation
    by Susan B. Barnes (Author) 2022
    ©2022 Textbook
  • Title: Visualizing Dublin

    Visualizing Dublin

    Visual Culture, Modernity and the Representation of Urban Space
    by Justin Carville (Volume editor) 2013
    ©2014 Edited Collection
  • Title: Visualizing Culture

    Visualizing Culture

    Analyzing the Cultural Aesthetics of the Web
    by Roxanne M. O'Connell (Author) 2013
    ©2015 Textbook
  • Title: Kommerzielles Text- und Data-Mining im Urheberrecht

    Kommerzielles Text- und Data-Mining im Urheberrecht

    by Maximilian Wellmann (Author) 2022
    ©2022 Thesis
  • Title: Visualizing the Web

    Visualizing the Web

    Evaluating Online Design from a Visual Communication Perspective
    by Sheree Josephson (Volume editor) Susan B. Barnes (Volume editor) Mark Lipton (Volume editor)
    ©2011 Textbook
  • Title: Visual «difference»

    Visual «difference»

    Postcolonial Studies and Intercultural Cinema
    by Elizabeth Heffelfinger (Author) Laura Wright (Author) 2011
    ©2011 Textbook
Previous
Search in
Search area
Subject
Category of text
Price
Language
Publication Schedule
Open Access
Publication Year