Jahrbuch der Berliner Wissenschaftlichen Gesellschaft e.V.

ISSN: 0171-3302

In den Bänden des "Jahrbuchs der Berliner Wissenschaftlichen Gesellschaft e.V. " wird die Arbeit der Gesellschaft veröffentlicht und rekapituliert. Die Berliner Wissenschaftliche Gesellschaft e.V. unterstützt interdisziplinäre Forschungsprojekte und will den Dialog zwischen Wissenschaft, Wirtschaft und Politik fördern. Die Beiträge stammen von renommierten Wissenschaftlern und zeichnen sich durch thematische Vielfalt aus. In den Bänden des "Jahrbuchs der Berliner Wissenschaftlichen Gesellschaft e.V. " wird die Arbeit der Gesellschaft veröffentlicht und rekapituliert. Die Berliner Wissenschaftliche Gesellschaft e.V. unterstützt interdisziplinäre Forschungsprojekte und will den Dialog zwischen Wissenschaft, Wirtschaft und Politik fördern. Die Beiträge stammen von renommierten Wissenschaftlern und zeichnen sich durch thematische Vielfalt aus. In den Bänden des "Jahrbuchs der Berliner Wissenschaftlichen Gesellschaft e.V. " wird die Arbeit der Gesellschaft veröffentlicht und rekapituliert. Die Berliner Wissenschaftliche Gesellschaft e.V. unterstützt interdisziplinäre Forschungsprojekte und will den Dialog zwischen Wissenschaft, Wirtschaft und Politik fördern. Die Beiträge stammen von renommierten Wissenschaftlern und zeichnen sich durch thematische Vielfalt aus.

3 publications

Wissenschaftliche Grundlagen der Kunsttherapie

Die Publikationsreihe "Wissenschaftliche Grundlagen der Kunsttherapie" ist ein Forum für den wissenschaftlichen Dialog über zentrale Themen und Begriffe der therapeutischen Praxis mit dem Ziel einer den vielfältigen kunsttherapeutischen Ansätzen und den damit verbundenen heterogenen Begriffsbildungen übergeordneten Theoriebildung. Die einzelnen Bände der Publikationsreihe sind jeweils auf einen thematischen Schwerpunkt ausgerichtet. Mit der Zusammenführung von Sichtweisen und Konzepten aus der Kunsttherapie und ihren Bezugswissenschaften sollen die einzelnen Bände dazu beitragen für das mehrdimensionale und komplexe Geschehen in der Kunsttherapie eigene, fachspezifische Darstellungsformen und Begründungen zu entwickeln und dafür eine gemeinsame Sprache zu finden. Homepage des Herausgebers: Prof. Peter Sinapius

4 publications

The Age of Revolution and Romanticism

This series publishes and promotes significant works concerned with a crucial period in European cultural and literary history: from the Enlightenment to the post-revolutionary era. The emphasis is on studies that transcend traditional boundaries between disciplines and that focus on interactions of literature, art, philosophy and politics. This series publishes and promotes significant works concerned with a crucial period in European cultural and literary history: from the Enlightenment to the post-revolutionary era. The emphasis is on studies that transcend traditional boundaries between disciplines and that focus on interactions of literature, art, philosophy and politics. This series publishes and promotes significant works concerned with a crucial period in European cultural and literary history: from the Enlightenment to the post-revolutionary era. The emphasis is on studies that transcend traditional boundaries between disciplines and that focus on interactions of literature, art, philosophy and politics.

32 publications

Aufklärung - Vormärz - Revolution

8 publications

Symbolon

ISSN: 0082-0660

In der Reihe "Symbolon" werden Beiträge zur Symbolwissenschaft veröffentlicht. Jeder Band hat ein Schwerpunktthema oder auch mehrere Themen, die sich aus den Vorträgen der Jahrestagung der Gesellschaft für wissenschaftliche Symbolforschung e.V. ergeben. Behandelt werden Fragen aus den Gebieten der Philosophie, Theologie, Religionswissenschaft und Linguistik.

14 publications

The Modernist Revolution in World Literature

ISSN: 1528-9672

In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to “make it new” is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to “make it new” is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to “make it new” is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series

3 publications