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  • Studies in Contemporary Women's Writing

    ISSN: 2235-4123

    A series founded by Gill Rye This book series supports the work of the Centre for the Study of Contemporary Women’s Writing at the Institute of Languages, Cultures and Societies, University of London, by publishing high-quality critical studies in the field. Studies in Contemporary Women’s Writing provides a forum for innovative research exploring new trends and issues in the work of new, hitherto neglected or established authors who write primarily, but not exclusively, in the languages covered by the Centre: French, German, Italian, Portuguese and the Hispanic languages. The series has redefined its remit in light of current scholarship. ‘Contemporary’ is still defined as ‘after 1968’, with a preference for studies of post-1990 texts in any genre. While the series initially focused on writing, it now welcomes research that crosses disciplinary boundaries and defines creativity in the broadest sense, including intersections between literature and the arts, cinema and music. Scholarship that embraces gender and sexuality more broadly, including the work of non-binary and queer authors, is also welcome. We encourage studies that connect texts with the social, cultural, linguistic and political contexts in which they are created, taking into account the transnational and postcolonial configuration of the contemporary world and its impact on lives and experiences. Proposals are invited for monographs and edited collections. The series welcomes single-author studies, thematic analyses across languages and cross-cultural discussions that rely on a variety of approaches and theoretical frameworks, as well as studies that showcase the application of new methodologies to primary texts. Manuscripts should be written in English. Editorial Board: Claudia Bernardi (Victoria University of Wellington), Francesca Calamita (University of Virginia), Emily Jeremiah (Royal Holloway, University of London), Shirley Jordan (Newcastle University), Catriona MacLeod (University of London Institute in Paris), Lorraine Ryan (University of Birmingham), Godela Weiss-Sussex (School of Advanced Study, University of London), Caragh Wells (University of Bristol), Claire Williams (St Peter’s College, University of Oxford)

    15 publications

  • Title: Radical Contemporary Theatre Practices By Women In Ireland

    Radical Contemporary Theatre Practices By Women In Ireland

    by Miriam Haughton (Volume editor) Mária Kurdi (Volume editor)
    ©2015 Edited Collection
  • Title: Theatre Talk

    Theatre Talk

    Voices of Irish Theatre Practitioners
    by Lilian Chambers (Volume editor) Ger Fritz Gibbon (Volume editor) Eamonn Jordan (Volume editor) Dan Farrelly (Volume editor)
    ©2009 Monographs
  • Title: Theatre Stuff

    Theatre Stuff

    Critical Essays on Contemporary Irish Theatre
    by Eamonn Jordan (Volume editor)
    ©2009 Edited Collection
  • Title: Women's Autobiographies, Culture, Feminism

    Women's Autobiographies, Culture, Feminism

    by Kristi Siegel (Author)
    ©2000 Monographs
  • Title: Theatre Stuff

    Theatre Stuff

    Critical Essays and Contemporary Irish Theatre
    by Eamonn Jordan (Volume editor) Ger Fitzgibbon (Volume editor) Eamonn Jordan (Volume editor) 2022
    ©2009
  • Title: Applied Theatre

    Applied Theatre

    Bewilderment and Beyond
    by James Thompson (Author) 2003
    ©2008 Monographs
  • Title: To Watch Theatre

    To Watch Theatre

    Essays on Genre and Corporeality
    by Rachel Fensham (Volume editor)
    ©2009 Monographs
  • Title: Théâtre et réception

    Théâtre et réception

    Le spectateur postdramatique
    by Catherine Bouko (Author) 2011
    ©2010 Monographs
  • Title: The Theatre of Martyrdom

    The Theatre of Martyrdom

    Performing Piety in 1640s France
    by Charles Stone (Author) 2022
    Monographs
  • Title: The Art of Theatre

    The Art of Theatre

    Word, Image and Performance in France and Belgium, c. 1830–1910
    by Claire Moran (Volume editor) 2013
    ©2013 Edited Collection
  • Title: The Theatre of Conor McPherson

    The Theatre of Conor McPherson

    «Right beside the Beyond»
    by Lilian Chambers (Volume editor) Eamonn Jordan (Volume editor) 2019
    ©2012 Edited Collection
  • Title: Theatres in the Round

    Theatres in the Round

    Multi-ethnic, Indigenous, and Intertextual Dialogues in Drama
    by Dorothy Figueira (Volume editor) Marc Maufort (Volume editor) 2011
    ©2011 Edited Collection
  • Title: The Gate Theatre, Dublin

    The Gate Theatre, Dublin

    Inspiration and Craft
    by David Clare (Volume editor) Des Lally (Volume editor) Patrick Lonergan (Volume editor) 2019
    ©2018 Edited Collection
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