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Studies in Contemporary Women’s Writing
ISSN: 2235-4123
A series founded by Gill Rye This book series supports the work of the Centre for the Study of Contemporary Women’s Writing at the Institute of Languages, Cultures and Societies, University of London, by publishing high-quality critical studies in the field. Studies in Contemporary Women’s Writing provides a forum for innovative research exploring new trends and issues in the work of new, hitherto neglected or established authors who write primarily, but not exclusively, in the languages covered by the Centre: French, German, Italian, Portuguese and the Hispanic languages. The series has redefined its remit in light of current scholarship. ‘Contemporary’ is still defined as ‘after 1968’, with a preference for studies of post-1990 texts in any genre. While the series initially focused on writing, it now welcomes research that crosses disciplinary boundaries and defines creativity in the broadest sense, including intersections between literature and the arts, cinema and music. Scholarship that embraces gender and sexuality more broadly, including the work of non-binary and queer authors, is also welcome. We encourage studies that connect texts with the social, cultural, linguistic and political contexts in which they are created, taking into account the transnational and postcolonial configuration of the contemporary world and its impact on lives and experiences. Proposals are invited for monographs and edited collections. The series welcomes single-author studies, thematic analyses across languages and cross-cultural discussions that rely on a variety of approaches and theoretical frameworks, as well as studies that showcase the application of new methodologies to primary texts. Manuscripts should be written in English. Editorial Board: Claudia Bernardi (Victoria University of Wellington), Francesca Calamita (University of Virginia), Emily Jeremiah (Royal Holloway, University of London), Shirley Jordan (Newcastle University), Catriona MacLeod (University of London Institute in Paris), Lorraine Ryan (University of Birmingham), Godela Weiss-Sussex (School of Advanced Study, University of London), Caragh Wells (University of Bristol), Claire Williams (St Peter’s College, University of Oxford)
15 publications
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Writing About Women
Feminist Literary StudiesISSN: 1053-7937
This is a literary series devoted to feminist studies on past and contemporary women authors, exploring social, psychological, political, economic, and historical insights directed toward an interdisciplinary approach. The series is dedicated to the memory of Simone de Beauvoir, early pioneer in feminist literary theory. This is a literary series devoted to feminist studies on past and contemporary women authors, exploring social, psychological, political, economic, and historical insights directed toward an interdisciplinary approach. The series is dedicated to the memory of Simone de Beauvoir, early pioneer in feminist literary theory. This is a literary series devoted to feminist studies on past and contemporary women authors, exploring social, psychological, political, economic, and historical insights directed toward an interdisciplinary approach. The series is dedicated to the memory of Simone de Beauvoir, early pioneer in feminist literary theory.
22 publications
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Patterns of Patronage in Renaissance Rome
Francesco Sperulo: Poet, Prelate, Soldier, Spy – Volume II©2015 Monographs -
Patterns of Patronage in Renaissance Rome
Francesco Sperulo: Poet, Prelate, Soldier, Spy - Volume I and Volume IIMonographs -
Women’s Concerns
Twelve Women Entrepreneurs of the Eighteenth and Nineteenth Centuries©2009 Monographs -
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Integration – Legitimation – Korruption- Integration – Legitimation – Corruption
Politische Patronage in Früher Neuzeit und Moderne- Political Patronage in Early Modern and Modern History©2011 Edited Collection -
Patterns of Patronage in Renaissance Rome
Francesco Sperulo: Poet, Prelate, Soldier, Spy - Volume I©2015 Monographs -
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«We had been the women’s army – Women’s Army Auxiliary Corps (WAAC)»
Kriegserfahrungen von Frauen im Hilfsdienst der britischen Armee des Ersten Weltkrieges©2005 Thesis -
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Marcin Mielczewski and Music under the Patronage of the Polish Vasas
Translated by John Comber©2015 Monographs -
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Fürsprache und Eigenleistung.
Johanne Charlotte Unzers „Grundriß einer Weltweißheit für das Frauenzimmer“ (1767) zwischen Patronage, Selbstermächtigung und Rezeptionsabbruch -
Landmarks in German Women’s Writing
©2007 Edited Collection -
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Women Studies
©2022 Monographs -
