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  • Women, Gender and Sexuality in German Literature and Culture

    ISSN: 1094-6233

    Women, Gender and Sexuality in German Literature and Culture welcomes proposals for monographs and rigorously edited essay collections focusing on the work of women and LGBTQ+ creators as well as the representation of women, gender and/or sexuality in literature, media and culture. The series contributes to efforts to broaden the German-language canon by publishing pioneering studies of relatively unknown writers, artists and filmmakers and cutting-edge assessments of more established figures. Studies of the history of women and LGBTQ+ subjects in German-speaking cultures, such as the participation of women in German, Austrian, Swiss and exile intellectual life and the struggle for equal rights, as well as historical considerations of gender and sexuality in German-speaking countries, are also encouraged. Editorial Board: Clare Bielby (University of York), Helga Druxes (Williams College), Priscilla Layne (University of North Carolina), Ervin Malakaj (University of British Columbia), Helmut Puff (University of Michigan), Anna Richards (Birkbeck University of London), Carrie Smith (University of Alberta), Tom Smith (University of St Andrews), Helen Watanabe-O'Kelly (University of Oxford), Yasemin Yildiz (University of California, Los Angeles)

    19 publications

  • Writing About Women

    Feminist Literary Studies

    ISSN: 1053-7937

    This is a literary series devoted to feminist studies on past and contemporary women authors, exploring social, psychological, political, economic, and historical insights directed toward an interdisciplinary approach. The series is dedicated to the memory of Simone de Beauvoir, early pioneer in feminist literary theory. This is a literary series devoted to feminist studies on past and contemporary women authors, exploring social, psychological, political, economic, and historical insights directed toward an interdisciplinary approach. The series is dedicated to the memory of Simone de Beauvoir, early pioneer in feminist literary theory. This is a literary series devoted to feminist studies on past and contemporary women authors, exploring social, psychological, political, economic, and historical insights directed toward an interdisciplinary approach. The series is dedicated to the memory of Simone de Beauvoir, early pioneer in feminist literary theory.

    22 publications

  • Studies in Contemporary Women’s Writing

    ISSN: 2235-4123

    A series founded by Gill Rye This book series supports the work of the Centre for the Study of Contemporary Women’s Writing at the Institute of Languages, Cultures and Societies, University of London, by publishing high-quality critical studies in the field. Studies in Contemporary Women’s Writing provides a forum for innovative research exploring new trends and issues in the work of new, hitherto neglected or established authors who write primarily, but not exclusively, in the languages covered by the Centre: French, German, Italian, Portuguese and the Hispanic languages. The series has redefined its remit in light of current scholarship. ‘Contemporary’ is still defined as ‘after 1968’, with a preference for studies of post-1990 texts in any genre. While the series initially focused on writing, it now welcomes research that crosses disciplinary boundaries and defines creativity in the broadest sense, including intersections between literature and the arts, cinema and music. Scholarship that embraces gender and sexuality more broadly, including the work of non-binary and queer authors, is also welcome. We encourage studies that connect texts with the social, cultural, linguistic and political contexts in which they are created, taking into account the transnational and postcolonial configuration of the contemporary world and its impact on lives and experiences. Proposals are invited for monographs and edited collections. The series welcomes single-author studies, thematic analyses across languages and cross-cultural discussions that rely on a variety of approaches and theoretical frameworks, as well as studies that showcase the application of new methodologies to primary texts. Manuscripts should be written in English. Editorial Board: Claudia Bernardi (Victoria University of Wellington), Francesca Calamita (University of Virginia), Emily Jeremiah (Royal Holloway, University of London), Shirley Jordan (Newcastle University), Catriona MacLeod (University of London Institute in Paris), Lorraine Ryan (University of Birmingham), Godela Weiss-Sussex (School of Advanced Study, University of London), Caragh Wells (University of Bristol), Claire Williams (St Peter’s College, University of Oxford)

    15 publications

  • Phenomenology and Literature

    ISSN: 1524-0193

    The focus of this series is on studies using the tenets of phenomenology and its various (dogmatic and skeptical) evolutions to elucidate and interpret primarily literary works of art in the contexts of aesthetics, ontology, epistemology, axiology, hermeneutics, communication, reader response, reception, cultural and social theory. Studies of a comparative nature which straddle and/or combine the disciplines of philosophical and literary studies are distinctive features of this monograph series. Emphasis is on subjects that may advance the state of the art, set trends, generate and continue discussion, expand horizons beyond present perspectives, and/or redefine previously held notions. Approaches may center on individual works, authors, schools of phenomelogical thought, and/or abstract notions, including issues of a comparative nature spanning the cultures, languages, and literatures of several nations from the perspectives of world literature and philosophy. The focus of this series is on studies using the tenets of phenomenology and its various (dogmatic and skeptical) evolutions to elucidate and interpret primarily literary works of art in the contexts of aesthetics, ontology, epistemology, axiology, hermeneutics, communication, reader response, reception, cultural and social theory. Studies of a comparative nature which straddle and/or combine the disciplines of philosophical and literary studies are distinctive features of this monograph series. Emphasis is on subjects that may advance the state of the art, set trends, generate and continue discussion, expand horizons beyond present perspectives, and/or redefine previously held notions. Approaches may center on individual works, authors, schools of phenomelogical thought, and/or abstract notions, including issues of a comparative nature spanning the cultures, languages, and literatures of several nations from the perspectives of world literature and philosophy. The focus of this series is on studies using the tenets of phenomenology and its various (dogmatic and skeptical) evolutions to elucidate and interpret primarily literary works of art in the contexts of aesthetics, ontology, epistemology, axiology, hermeneutics, communication, reader response, reception, cultural and social theory. Studies of a comparative nature which straddle and/or combine the disciplines of philosophical and literary studies are distinctive features of this monograph series. Emphasis is on subjects that may advance the state of the art, set trends, generate and continue discussion, expand horizons beyond present perspectives, and/or redefine previously held notions. Approaches may center on individual works, authors, schools of phenomelogical thought, and/or abstract notions, including issues of a comparative nature spanning the cultures, languages, and literatures of several nations from the perspectives of world literature and philosophy.

    4 publications

  • Title: «We Had Won the War»

    «We Had Won the War»

    Translated with an Introduction by Barbara F. Ichiishi
    by Barbara F. Ichiishi (Author)
    ©2013 Monographs
  • Title: Women and Contemporary World Literature

    Women and Contemporary World Literature

    Power, Fragmentation, and Metaphor
    by Deborah Weagel (Author)
    ©2009 Monographs
  • Title: Women and Children´s Literature. A Love Affair?

    Women and Children´s Literature. A Love Affair?

    by Antonella Cagnolati (Volume editor) 2020
    ©2021 Edited Collection
  • Title: The Political Woman in Print

    The Political Woman in Print

    German Women’s Writing 1845–1919
    by Birgit Mikus (Author) 2014
    ©2014 Monographs
  • Title: Peripheralities: "Minor" Literatures, Women’s Literature, and Adrienne Orosz de Csicser’s Novels
  • Title: Women Driven Mad

    Women Driven Mad

    Women’s Madness in English and American Literature
    by Gönül Bakay (Author) Handan Dedehayir (Author) 2022
    ©2022 Edited Collection
  • Title: Discovering Women’s History

    Discovering Women’s History

    German-Speaking Journalists (1900–1950)
    by Christa Spreizer (Volume editor) 2014
    ©2014 Edited Collection
  • Title: Domesticating the Public

    Domesticating the Public

    Women’s Discourse on Gender Roles in Nineteenth-Century Germany
    by Daniela Richter (Author) 2012
    ©2012 Monographs
  • Title: Miss-representation

    Miss-representation

    Women, Literature, Sex and Culture
    by Clare Gorman (Volume editor) 2020
    ©2020 Prompt
  • Title: Enlightened Reactions

    Enlightened Reactions

    Emancipation, Gender, and Race in German Women’s Writing
    by Traci S. O'Brien (Author) 2012
    ©2011 Monographs
  • Title: Representations of Muslim Women in German Popular Culture, 1990–2015

    Representations of Muslim Women in German Popular Culture, 1990–2015

    by Lauren Selfe (Author) 2019
    ©2019 Monographs
  • Title: Black Women’s Activism

    Black Women’s Activism

    Reading African American Women’s Historical Romances
    by Rita B. Dandridge (Author)
    ©2004 Textbook
  • Title: Trading Women, Traded Women

    Trading Women, Traded Women

    A Historical Scrutiny of Gendered Trading
    by Gönül Bakay (Volume editor) Mihaela Mudure (Volume editor) 2016
    ©2017 Edited Collection
  • Title: Women Writing War

    Women Writing War

    The Life-writing of the Algerian «moudjahidate»
    by Caroline E. Kelley (Author) 2019
    ©2020 Monographs
  • Title: Woman as Witness

    Woman as Witness

    Essays on Testimonial Literature by Latin American Women
    by Linda S. Maier (Volume editor) Isabel Dulfano (Volume editor)
    ©2004 Monographs
  • Title: Women and Autonomy in Kate Chopin’s Short Fiction

    Women and Autonomy in Kate Chopin’s Short Fiction

    by Allen F. Stein (Author)
    ©2005 Monographs
  • Title: Littérature générale / Littérature comparée- General Literature / Comparative Literature

    Littérature générale / Littérature comparée- General Literature / Comparative Literature

    General Literature / Comparative Literature
    by Paul Chavy (Volume editor) György M. Vajda (Volume editor)
    ©1992 Others
  • Title: Women in Exile

    Women in Exile

    Feuchtwanger and Gender Dynamics in Exile and Exile Literature
    by Birgit Maier-Katkin (Volume editor) Marje Schuetze-Coburn (Volume editor) Michaela Ullmann (Volume editor) 2024
    ©2024 Edited Collection
  • Title: Women Studies

    Women Studies

    by Aysegül Akaydın (Volume editor) Nur Emine Koc (Volume editor) 2022
    ©2022 Monographs
  • Title: Women’s Concerns

    Women’s Concerns

    Twelve Women Entrepreneurs of the Eighteenth and Nineteenth Centuries
    by Jill Jepson (Author)
    ©2009 Monographs
  • Title: Africana Women Writers

    Africana Women Writers

    Performing Diaspora, Staging Healing
    by DeLinda Marzette (Author) 2013
    ©2014 Monographs
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