Views from the Past and Present
Edited By Virginia Lea, Darren E. Lund and Paul R. Carr
Whiteness is a narrative. It is the privileged dimension of the complex story of "race" that was, and continues to be, seminal in shaping the socio-economic structure and cultural climate of the United States and other Western nations. Without acknowledging this story, it is impossible to understand fully the current political and social contexts in which we live. Critical Multicultural Perspectives on Whiteness explores multiple analyses of whiteness, drawing on both past and current key sources to tell the story in a more comprehensive way. This book features both iconic essays that address the social construction of whiteness and critical resistance as well as excellent new critical perspectives.
1. Romancing the Shadow (Toni Morrison)
Romancing the Shadow
Originally published as Morrison, Toni. (1992). Chapter 2: Romancing the Shadow. In Playing in the Dark: Whiteness and the Literary Imagination, 31–59. Cambridge, MA: Harvard University Press.
At the end of The Narrative of Arthur Gordon Pym, Edgar Allan Poe describes the last two days of an extraordinary journey:
March 21st.-A sullen darkness now hovered above us-but from out the milky depths of the ocean a luminous glare arose, and stole up along the bulwarks of the boat. We were nearly overwhelmed by the white ashy shower which settled upon us and upon the canoe, but melted into the water as it fell …
March 22nd.-The darkness had materially increased, relieved only by the glare of the water thrown back from the white curtain before us. Many gigantic and pallidly white birds flew continuously now from beyond the veil, and their scream was the eternal Tekeli-li! as they retreated from our vision. Hereupon Nu-Nu stirred in the bottom of the boat; but upon touching him, we found his spirit departed. And now we rushed into the embraces of the cataract, where a chasm threw itself open to receive us. But there arose in our pathway a shrouded human figure, very far larger in its proportions than any dweller among men. And the hue of the skin of the figure was of the perfect whiteness of the snow.
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