Technology and the Hermeneutics of Time and Space in Modern and Postmodern Art from Cubism to Installation
~ E N D N O T E S ~ Chapter Two: Technology and the Cultural Construction of Time and Space 1. Benjamin Lee Whorf, Language, Thought, and Reality (MA: The MIT Press, 1956). 2. Edward Sapir, Language (NY: Harcourt, Brace and Co., 1921). 3. Whorf, Language, Thought and Reality, p. 27. 4. Adam Parry, ed., The Making of Homeric Verse: The Collected Papers of Milman Parry (NY: Oxford University Press, 1987). 5. Albert B. Lord, The Singer of Tales (MA: Harvard University Press, 1960). 6. Walter J. Ong, Orality and Literacy —The Technologizing of the Word (NY: Routledge, 1991), pp. 31-33. 7. Eric Havelock, Origins of Western Literacy (Toronto: Ontario Institute for Studies in Education, Monograph Series 14, 1971). 8. John R. Goody, The Domestication of the Savage Mind (England: Cambridge UP, 1977). 9. Julian Jaynes, The Origin of Consciousness in the Breakdown of the Bicameral Mind (Boston: Houghton Mifflin, 1976). 10. Mircea Eliade, The Sacred and the Profane (NY: Harcourt, Brace and World, Inc., 1959). 11. Ong, Orality and Literacy, pp. 117-38. 12. op. cit. 13. David Reisman, “The Oral and Written Traditions,” in Explorations in Com- munications, edited by M. McLuhan and E. Carpenter. (MA: Beacon Press, 1966), pp. 109-116. 14. op. cit. 15. op. cit. 16. Mircea Eliade, The Myth of the Eternal Return (NJ: Princeton University Press, 1965). 17. op. cit. 18. Harold Innis, The Bias of Communication (Toronto: University of Toronto Press, 1951. 19. In assigning dates here, I follow the main lines of contemporary scholarship...
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