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Probenpraxis, Hybridität und Heritage
Untersuchungen zur Proben- und Aufführungspraxis barocker Musik in Bolivien 2016 und 2017©2024 Thesis -
Louis Aubert (1877-1968) : un compositeur entre trois époques
©2024 Edited Collection -
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Sound Representations of Memory
©2024 Monographs -
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Mirjams Töchter - Maecenas Schwestern?
Tzedaka als Reforminstrument im Gabe-Akt jüdischer Musikmäzeninnen©2024 Thesis -
El Objeto Digital Aurático (ODA)
Gestión, archivo y conservación de la cultura contemporánea digitalMonographs -
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Bande dessinée et engagement
©2024 Edited Collection -
The Political Gesture in Pedro Costa’s Films
©2024 Monographs -
Camille Mauclair (1872-1945), critique, théoricien et historien de l’art
Un chemin périlleux entre cosmopolitisme et nationalisme sous la IIIe République©2024 Monographs -
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Branding «Western Music»
©2024 Edited Collection -
Cathedral Rituals and Chanting Practices among the Medieval Orthodox Slavs – Kondakarnoie Pienie
The Forefeast, Christmas and Epiphany Cycles©2024 Monographs -
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How Musical Rhythm Reveals Human Attitudes
An Annotated Translation by Nigel Nettheim©2011 Monographs -
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Art, Identity and Cosmopolitanism
William Rothenstein and the British Art World, c.1880–1935©2024 Monographs