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Produsing Theory in a Digital World 2.0

The Intersection of Audiences and Production in Contemporary Theory – Volume 2

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Edited By Rebecca Ann Lind

Continuing the explorations begun in the first Produsing Theory volume, this book provides a site at which varied theories – some still emerging – can intersect and shine a light into the spaces between what previously had been neatly separated and discrete components of media systems. In some settings, division by audience, content, and production settings remains useful, but this volume, like the first, is all about the interstices.
Contributors reflect varied perspectives in their approaches to the spaces formed as a result of rapidly developing and swiftly deploying new communications technologies and social software. They shine multiple spotlights into the intersection of audiences and production, providing a guide toward a nuanced understanding of the interstitial spaces.

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) ISBN 978-1-4331-1519-6 (Volume 1 paperback) ISBN 978-1-4539-0840-2 (Volume 1 e-book) ISBN 978-1-4331-2729-8 (Volume 2 hardcover) ISBN 978-1-4331-2728-1 (Volume 2 paperback) ISBN 978-1-4539-1629-2 (Volume 2 e-book) ISSN 1526-3169 Bibliographic information published by Die Deutsche Nationalbibliothek. Die Deutsche Nationalbibliothek lists this publication in the “Deutsche Nationalbibliografie”; detailed bibliographic data are available on the Internet at http://dnb.d-nb.de/. Cover image: SONOMA I, by Chuck Sabec (2015). Reprinted with kind permission of the artist and Studio Eight Fine Art (www.StudioEightFineArt.com). All rights reserved. Layout of interior text by ChiTownMuggle. © 2015 Peter Lang Publishing, Inc., New York 29 Broadway, 18th floor, New York, NY 10006 www.peterlang.com All rights reserved. Reprint or reproduction, even partially, in all forms such as microfilm, xerography, microfiche, microcard, and offset strictly prohibited.

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