A Course Book (2nd Edition)
Each chapter takes a particular legally themed film or television show, such as Philadelphia, Dead Man Walking, or Law and Order, treating it as both a cultural text and a legal text.
The new edition has been updated with new photos and includes greater emphasis on television than in the first edition because there are so many DVDs of older TV shows now available.
Law and Popular Culture is written in an accessible and engaging style, without theoretical jargon, and can serve as a basic text for undergraduates or graduate courses and be taught by anyone who enjoys pop culture and is interested in law. An instructor’s manual is available on request from the publisher and author.
We’re in a segregated Alabama courtroom in the mid-1930s. The packed room is hushed as Atticus Finch rises to begin his closing argument to the jury in the case of Tom Robinson. Robinson, a young black man, is falsely accused of raping a white woman. The film is To Kill a Mockingbird (1962).
Two white eyewitnesses (the alleged victim and her father) have testified against Tom Robinson. The jury is all male and all white. Finch’s closing is brave and eloquent. He says: “In our courts all men are created equal. I’m no idealist to believe firmly in the integrity of our courts and our jury system. That’s no ideal to me. That is a living, working reality.” But the case is hopeless. The jury quickly convicts Tom Robinson. Soon he is dead, supposedly shot while trying to escape.
With his stirring but futile defense of Tom Robinson, Atticus Finch became the patron saint of lawyers. The heroic character of Atticus Finch inspired countless young people to become lawyers. It has the same power to inspire them today.