Belle Necropolis
Ghosts of Imperial Vienna
Series:
Katherine Arens
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- ISBN:
- 978-1-4541-9161-2
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- New York, Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, Wien, 2015. 231 pp.
- Cover
- Title
- Copyright
- About the author
- About the book
- This eBook can be cited
- Contents
- Acknowledgments
- Necropolis: Introduction to the Ghosts of Imperial Vienna
- 1. Excursus from the Crypt: In memoriam, by Helene Vetsera
- Postscript, by Heinrich Baltazzi-Scharschmid
- 2. From Mayerling’s Ghosts to Today’s Revenants: An Introduction to the Memory Cultures of Austria
- 3. The Persistence of Mitteleuropa in Memory: The Ghosts of Central Europe
- Travels Across Habsburg Europe
- Narrating Politics: The Appeal to Biopolitics
- Habsburg Wraiths: The Case of Jörg Haider
- Ghosts of Austria
- 4. Habsburg Nostalgia as Postmemory, and What Comes After
- Science Fiction Habsburgiana
- Revisiting the Action: Twitting the Allies
- History, Memory, and Collective Trauma
- 5. “Glücklich ist, wer [nicht] vergißt”: From Broadway to the Necropolis
- Habsburg Revenants: Broadway-an-der-Wien
- Broadway an der Wien—The West End, East
- Some Conclusions: The Musical as Austrian Popular Culture
- 6. Building the Habsburg Subject: Scholarly Historical Fictions
- Prussian-Cold-War Vienna: From the Public to the Academy
- Schorske’s Modernist fin de siècle
- The Ringstrasse as a Social-Textual Project
- Some Conclusions: The Ideology of Austrian Historicism
- Afterword: Beyond Necrophilia
- Appendix: An Introduction to the Denkschrift
- Denkschrift, by Baroness Helene Vetsera
- Nachschrift, von Heinrich Baltazzi-Scharschmid
- Notes
- Necropolis
- 1. Excursus from the Crypt
- 2. From Mayerling’s Ghosts to Today’s Revenants
- 3. The Persistence of Mitteleuropa in Memory
- 4. Habsburg Nostalgia as Postmemory, and What Comes After
- 5. “Glücklich ist, wer [nicht] vergißt”
- 6. Building the Habsburg Subject
- Afterword
- Appendix
- Bibliography
- Index of Names
- Series index
- Cover
- Title
- Copyright
- About the author
- About the book
- This eBook can be cited
- Contents
- Acknowledgments
- Necropolis: Introduction to the Ghosts of Imperial Vienna
- 1. Excursus from the Crypt: In memoriam, by Helene Vetsera
- Postscript, by Heinrich Baltazzi-Scharschmid
- 2. From Mayerling’s Ghosts to Today’s Revenants: An Introduction to the Memory Cultures of Austria
- 3. The Persistence of Mitteleuropa in Memory: The Ghosts of Central Europe
- Travels Across Habsburg Europe
- Narrating Politics: The Appeal to Biopolitics
- Habsburg Wraiths: The Case of Jörg Haider
- Ghosts of Austria
- 4. Habsburg Nostalgia as Postmemory, and What Comes After
- Science Fiction Habsburgiana
- Revisiting the Action: Twitting the Allies
- History, Memory, and Collective Trauma
- 5. “Glücklich ist, wer [nicht] vergißt”: From Broadway to the Necropolis
- Habsburg Revenants: Broadway-an-der-Wien
- Broadway an der Wien—The West End, East
- Some Conclusions: The Musical as Austrian Popular Culture
- 6. Building the Habsburg Subject: Scholarly Historical Fictions
- Prussian-Cold-War Vienna: From the Public to the Academy
- Schorske’s Modernist fin de siècle
- The Ringstrasse as a Social-Textual Project
- Some Conclusions: The Ideology of Austrian Historicism
- Afterword: Beyond Necrophilia
- Appendix: An Introduction to the Denkschrift
- Denkschrift, by Baroness Helene Vetsera
- Nachschrift, von Heinrich Baltazzi-Scharschmid
- Notes
- Necropolis
- 1. Excursus from the Crypt
- 2. From Mayerling’s Ghosts to Today’s Revenants
- 3. The Persistence of Mitteleuropa in Memory
- 4. Habsburg Nostalgia as Postmemory, and What Comes After
- 5. “Glücklich ist, wer [nicht] vergißt”
- 6. Building the Habsburg Subject
- Afterword
- Appendix
- Bibliography
- Index of Names
- Series index
Series index
Chapter
- Subjects:
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AUSTRIAN CULTURE
Extract
The series on Austrian Culture provides critical evaluations, in English or German, of Austrian authors, artists, works, currents, or figures from the Middle Ages to the present. Austria is defined as those parts of the old Habsburg empire that produced notable writings in the German language, including Czechoslovakia (Prague) and the Bukovina (Czernowitz). The series offers a forum for the exploration of the multifarious relationships between literature and other aspects of Austrian culture, such as philosophy, music, art, architecture, and the theater. Dissertations and other monograph-length material as well as scholarly translations or editions of outstanding literary works are welcome.
For additional information about this series or for the submission of manuscripts, please contact:
Margarete Lamb-FaffelbergerLafayette CollegeDept. of Foreign Lang. & LiteraturesPardee Hall 433Easton, PA 18042
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Or login to access all content.- Cover
- Title
- Copyright
- About the author
- About the book
- This eBook can be cited
- Contents
- Acknowledgments
- Necropolis: Introduction to the Ghosts of Imperial Vienna
- 1. Excursus from the Crypt: In memoriam, by Helene Vetsera
- Postscript, by Heinrich Baltazzi-Scharschmid
- 2. From Mayerling’s Ghosts to Today’s Revenants: An Introduction to the Memory Cultures of Austria
- 3. The Persistence of Mitteleuropa in Memory: The Ghosts of Central Europe
- Travels Across Habsburg Europe
- Narrating Politics: The Appeal to Biopolitics
- Habsburg Wraiths: The Case of Jörg Haider
- Ghosts of Austria
- 4. Habsburg Nostalgia as Postmemory, and What Comes After
- Science Fiction Habsburgiana
- Revisiting the Action: Twitting the Allies
- History, Memory, and Collective Trauma
- 5. “Glücklich ist, wer [nicht] vergißt”: From Broadway to the Necropolis
- Habsburg Revenants: Broadway-an-der-Wien
- Broadway an der Wien—The West End, East
- Some Conclusions: The Musical as Austrian Popular Culture
- 6. Building the Habsburg Subject: Scholarly Historical Fictions
- Prussian-Cold-War Vienna: From the Public to the Academy
- Schorske’s Modernist fin de siècle
- The Ringstrasse as a Social-Textual Project
- Some Conclusions: The Ideology of Austrian Historicism
- Afterword: Beyond Necrophilia
- Appendix: An Introduction to the Denkschrift
- Denkschrift, by Baroness Helene Vetsera
- Nachschrift, von Heinrich Baltazzi-Scharschmid
- Notes
- Necropolis
- 1. Excursus from the Crypt
- 2. From Mayerling’s Ghosts to Today’s Revenants
- 3. The Persistence of Mitteleuropa in Memory
- 4. Habsburg Nostalgia as Postmemory, and What Comes After
- 5. “Glücklich ist, wer [nicht] vergißt”
- 6. Building the Habsburg Subject
- Afterword
- Appendix
- Bibliography
- Index of Names
- Series index
- Cover
- Title
- Copyright
- About the author
- About the book
- This eBook can be cited
- Contents
- Acknowledgments
- Necropolis: Introduction to the Ghosts of Imperial Vienna
- 1. Excursus from the Crypt: In memoriam, by Helene Vetsera
- Postscript, by Heinrich Baltazzi-Scharschmid
- 2. From Mayerling’s Ghosts to Today’s Revenants: An Introduction to the Memory Cultures of Austria
- 3. The Persistence of Mitteleuropa in Memory: The Ghosts of Central Europe
- Travels Across Habsburg Europe
- Narrating Politics: The Appeal to Biopolitics
- Habsburg Wraiths: The Case of Jörg Haider
- Ghosts of Austria
- 4. Habsburg Nostalgia as Postmemory, and What Comes After
- Science Fiction Habsburgiana
- Revisiting the Action: Twitting the Allies
- History, Memory, and Collective Trauma
- 5. “Glücklich ist, wer [nicht] vergißt”: From Broadway to the Necropolis
- Habsburg Revenants: Broadway-an-der-Wien
- Broadway an der Wien—The West End, East
- Some Conclusions: The Musical as Austrian Popular Culture
- 6. Building the Habsburg Subject: Scholarly Historical Fictions
- Prussian-Cold-War Vienna: From the Public to the Academy
- Schorske’s Modernist fin de siècle
- The Ringstrasse as a Social-Textual Project
- Some Conclusions: The Ideology of Austrian Historicism
- Afterword: Beyond Necrophilia
- Appendix: An Introduction to the Denkschrift
- Denkschrift, by Baroness Helene Vetsera
- Nachschrift, von Heinrich Baltazzi-Scharschmid
- Notes
- Necropolis
- 1. Excursus from the Crypt
- 2. From Mayerling’s Ghosts to Today’s Revenants
- 3. The Persistence of Mitteleuropa in Memory
- 4. Habsburg Nostalgia as Postmemory, and What Comes After
- 5. “Glücklich ist, wer [nicht] vergißt”
- 6. Building the Habsburg Subject
- Afterword
- Appendix
- Bibliography
- Index of Names
- Series index