Studies in Classicism and Romanticism: "Festschrift</I> for Dennis F. Mahoney in Celebration of his Sixty-Fifth Birthday
Mahoney has taught German language, culture, literature, and film at the University of Vermont for thirty-five years, and has received national and international recognition. On campus he has been a champion of international education, advising students about studying abroad, setting up an exchange program with the University of Augsburg, and inviting students and colleagues from Germany to Vermont. He has received an Excellence in Teaching Award, an Award for Outstanding Contributions to International Education, and he was the first American to be named president of the International Novalis Society.
The title of this Festschrift captures Mahoney’s life-long occupation with this rich period of German cultural, intellectual, and literary life. The essays display his erudition and expertise on such subjects as the multifaceted Age of Goethe, including the continuing discussion of the nature of the Bildungsroman and the influence of the French Revolution. The essays deal primarily with Goethe, Schiller, and Novalis, but Gotthold Ephraim Lessing, Georg Forster, Caroline von Wolzogen, Jean Paul, E.T.A. Hoffmann, Achim von Amim, and others are discussed as well. These individual essays are representative of Mahoney’s accomplishments as a literary scholar – and a remarkable professor, colleague, and friend.
Chapter 2. The Thematic Significance of Astrology in Schiller’s Wallenstein
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THE THEMATIC SIGNIFICANCE OF ASTROLOGY IN SCHILLER’S WALLENSTEIN
The Wallenstein of history, the chief general for the Imperial forces during the Thirty Years War, was a confirmed believer in astrology, his horoscope cast by no less a personage than the renowned astronomer Johannes Kepler.1 In 1624, Wallenstein requested an extension of the forecasts originally made in 1608. With great reluctance, Kepler made predictions as far as 1634, but warned Wallenstein against seeking explicit guidance from the stars.2 As it turned out, Kepler’s choice of 1634 as a boundary of forecasts proved uncannily accurate. At the height of his powers in early 1634, Wallenstein was deposed by Emperor Ferdinand II for allegedly conspiring with Sweden and the Protestant forces; on February 25, 1634, he and his closest advisors were murdered in the Bohemian town of Eger.
In his own Geschichte des dreissigjährigen Krieges (History of the Thirty Years War) (1792), Schiller portrayed Wallenstein as a man “in possession of an immense wealth, aroused by ambitious projects, full of confidence in his favorable stars and even further in his thorough calculation of the circumstances of time”3—a characterization whose outlines remain clearly discernible in the trilogy Wallenstein. But whereas Schiller in his historical work could coolly report about a superstition which held little personal attraction for him, in the writing of his cycle of plays he found himself faced with the dilemma of ← 17...
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