Studies in Classicism and Romanticism: "Festschrift</I> for Dennis F. Mahoney in Celebration of his Sixty-Fifth Birthday
Mahoney has taught German language, culture, literature, and film at the University of Vermont for thirty-five years, and has received national and international recognition. On campus he has been a champion of international education, advising students about studying abroad, setting up an exchange program with the University of Augsburg, and inviting students and colleagues from Germany to Vermont. He has received an Excellence in Teaching Award, an Award for Outstanding Contributions to International Education, and he was the first American to be named president of the International Novalis Society.
The title of this Festschrift captures Mahoney’s life-long occupation with this rich period of German cultural, intellectual, and literary life. The essays display his erudition and expertise on such subjects as the multifaceted Age of Goethe, including the continuing discussion of the nature of the Bildungsroman and the influence of the French Revolution. The essays deal primarily with Goethe, Schiller, and Novalis, but Gotthold Ephraim Lessing, Georg Forster, Caroline von Wolzogen, Jean Paul, E.T.A. Hoffmann, Achim von Amim, and others are discussed as well. These individual essays are representative of Mahoney’s accomplishments as a literary scholar – and a remarkable professor, colleague, and friend.
Chapter 14. Double into Doppelgänger: The Genesis of the Doppelgänger-Motif in the Novels of Jean Paul and E.T.A. Hoffmann
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DOUBLE INTO DOPPELGÄNGER
The Genesis of the Doppelgänger-Motif in the Novels of Jean Paul and E.T.A. Hoffmann
The motif of the double has enjoyed a long history in Western Literature: one need only think of a work such as Amphytrion, which as of Giraudoux’s play has already experienced its 38th treatment; or of Plautus’ Menaechmi, which later becomes Shakespeare’s Comedy of Errors. In this paper, however, I would like to consider the transformation of the double into the “Doppelgänger” of German Romanticism, whereby a device hitherto used mainly as a catalyst for plot development in comedies becomes a means of illuminating hidden depths in the human psyche, and where the case of “mistaken identity” involves not so much the outward appearance of two individuals as it does a single character’s questioning of the real nature of his personality. In so doing, I will be considering the novels Siebenkäs and Titan by Jean Paul, the author who coined the term “Doppelgänger,” and The Devil’s Elixirs by E.T.A. Hoffmann, the writer through whom this device became known and employed in 19th century American and European literature.
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