Hearing Others in Qualitative Research
Adams, T. E., & Holman Jones, S. (2011). Telling stories: Reflexivity, queer theory, and autoethnography. Cultural Studies <=> Critical Methodologies, 11, 108–116.
Adorno, T. W. (2002). On the fetish-character in music and the regression of listening (S. H. Gillespie, Trans.). In R. Leppert (Ed.), Essays on music (pp. 288–317). Berkeley, CA: University of California Press.
Alexander, B. K. (2000). Skin Flint (or, The Garbage Man’s Kid): A generative autobiographical performance based on Tami Spry’s Tatoo Stories. Text and Performance Quarterly, 20, 97–114.
Alexander, B. K. (2005). Critically analyzing pedagogical interactions as performance. In B. K. Alexander, G. L. Anderson, & B. P. Gallegos (Eds.), Performance theories ← 143 | 144 → in education: Power, pedagogy, and the politics of identity (pp. 41–62). Mahwah, NJ: Lawrence Erlbaum Associates.
You are not authenticated to view the full text of this chapter or article.
This site requires a subscription or purchase to access the full text of books or journals.
Do you have any questions? Contact us.Or login to access all content.