Films of Genocide and Ethnic Cleansing
Edited By John J. Michalczyk and SJ Raymond G. Helmick
The Complicity of the French in The Roundup (La rafle, 2010) and Sarah’s Key (2010): John J. Michalczyk
John J. Michalczyk
When Marcel Ophuls “tarnished” the myth of the vast extent of French Resistance and disclosed the evidence of widespread collaboration of the French during WWII in his 1972 documentary The Sorrow and the Pity (Le chagrin et la pitié), some were at first shocked at this smearing of the national reputation of France, an ally in the struggle against Fascism. Yet, well-received, Ophuls’s film served as a balance to the glorification of the Resistance over the years in his honest assessment of the role of resisters in bringing down the Nazi Occupation of France.
Since June 1940, the Nazi government occupying France had created a state of oppression, marked by curfews, rationing, beatings, imprisonment, and executions. Anyone resisting the Third Reich’s orders suffered immeasurably, but the Jews soon became the primary target. In July 1942, orders were given to round up Jews for “relocation,” in essence, deportation and ultimately extermination.
When on 16 July 1995 then President Jacques Chirac offered a full acknowledgment of and a sincere apology for France’s role in the deportation of Jews, he, like Ophuls, asked his fellow countrymen to come to grips with their past. He stirred them from their amnesia or denial and brought before them their failure to protect their own—the numerous Jews being deported to Nazi death camps—many of whom were already well assimilated into the population. Chirac used the famous Vel d’Hiver sports winter cycling stadium roundup on 16 July...
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